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A drama about a family set in Calais with the European refugee crisis as the backdrop.
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Austrian director Michael Haneke, whose last film in 2012 AMOUR won both the Best Foreign Film Oscar and Cannes Palme d’Or returns with a sequel that continues the exploits of the Laurent family. Though critics at Cannes were generally unimpressed with HAPPY END, the film is still not without its artistic pleasures. For one, Haneke still shocks with this film, though on a lighter scale.
HAPPY END can be seen as a film that infuses many of the traits of Haneke’s previous films. When the film opens, the audience sees what is happening though the recording on a cell phone, the routine of a 12-year old (Fantine Harduin) similar…
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