What disappeared has every chance of reappearing – Jean Baudrillard The spate of Nazisploitation films in the late 1960s and 70s offer some insight into how audiences remembered the Third Reich and Holocaust a generation removed from the event. Both fascinated and appalled by its extraordinary atrocities, audiences were drawn to Nazi themes in horror […]
via Shockwaves (1977) and The Birth of the Nazi Zombie Genre — On Planet Auschwitz
WILDsound Festival 