A showcase of the best from the STYLE, EXPERIMENTAL, FASHION festival.
AUDIENCE AWARDS:
Best Experimental: ETERNAL CHILD
Best Style Film: RED WISDOM
Best Animation: LA TRAMA
Best Performances: DEATH PENALTY
Best Visual Design: SALT WATER
Best Direction: MY DEAR MELANCHOLY
Best Music Video: HORRORS
Best Poetry Fim: LIBERATION
LA TRAMA (THE PLOT), 2min. Argentina
Directed by Ileana ANDREA GÓMEZ Gavinoser
A WALK THROUGH MEMORY
https://www.instagram.com/ILEANA_ANDREA88

Death Penalty, 4min., Portugal
Directed by Tiago Zacarias
Two men are sitting on a bench, attentively waiting for something.

Eternal Child, 7min., Mexico
Directed by Rodrigo Ponce Enríquez
The childhood serves as the emotional and psychological foundation that shapes human beings throughout their entire lives. Through poetic and evocative imagery, the script connects the stages of childhood, adulthood, and old age, revealing how early-life experiences remain as symbolic scars that define our existence.
https://instagram.com/nino.eterno.haiku

Salt Water, 4min., USA
Directed by Hilaria Landaverde
Have you ever drank your own tears for survival?

Red Wisdom, 7min., Iran
Directed by Hossein Moradizadeh
The bird flies in the sky, lands near a spring and is trapped. Ten men pull the nets and spin. In this rotation, the bird becomes a human.
https://www.instagram.com/mora.films/

My Dear Melancholy, 3min., USA
Directed by Aaryama Singh
A micro-short that explores a personified version of Melancholy and the Poet’s dilemma of holding on or letting go
https://www.instagram.com/aaryamazz/

Horrors, 4min., France
Directed by Thibaut Fleuret
GUANTO, 3min., Italy
Directed by Cristiano Bargi
The theme I started from is apathy, understood as a sense of isolation, alienation from society and self, managed in silence.
https://www.instagram.com/cristianobargi/

Liberation, 2min., USA
Directed by Krystyna Leonova
“Liberation” is a poetic visual journey of a woman moving through silence, tension, and water. There are no words — only rhythm, touch, and the space between. The film invites the viewer to feel, not to analyze.

