Matthew Toffolo: What is your screenplay about?
Ron Micci: It’s a tongue-in-cheek, droll, humorous take on werewolves involving the British aristocracy during the Victorian era, think 1880s. A satire and a parody of those old Universal Wolfman films.
The Prescotts, whose aristocratic fortunes are in decline, are hoping that the marriage of their son, Lawrence, to a mysterious young Romanian princess whose family has established a summer residence nearby, will save them from financial ruin.
On the eve of the nuptials, the princess (Elizabeth) confesses that she is a werewolf and begs Lawrence to call off the wedding.
When he poo-poos this, she runs off to the moors. What ensues with the help of a subplot involving a romance between a village boy and an uppercrust girl, a mad doctor, and a shrewd gypsy who seeks to lift the princess’s curse, culminates in a very hairy and hilarious set of…
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