It was definitely an education chatting with story artist Yoriaki Mochizuki. He chats about working storyboarding animation movies and how it can be a much more creative process than working on live action films, and so much more….
Matthew Toffolo: How was your storyboard experience working on STORKS? When did you come aboard the film? Who did you mainly collaborate with?
Yori Mochizuki: I joined the Storks team in the spring of 2013. I collaborated primarily with directors Nick Stoller, Doug Sweetland and editor John Venzon. The story team worked in one open room which allowed us to discuss the story as a group regularly. We built animatic for the film with storyboards and temp sounds and tested it to ensure the story was working. Storks was a very special project for me because my daughter was one-year-old at the time and I used a lot of my parenting experiences…
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WILDsound Festival 