AMERICAN PASTORAL (USA 2016) ***
Ewan McGregor makes his directing debut and stars alongside Oscar winner Jennifer Connelly and Dakota Fanning in this ambitious adaptation of Philip Roth’s Pulitzer Prize–winning novel, about a “perfect” American family that is torn apart by the social and political upheavals of the 1960s. One must give the actor credit for choosing such a dauntless task as a adapting a Roth novel for his directorial debut.
JACK REACHER: NEVER GO BACK (USA/China 2016) ***
The plot is nothing spectacular. Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever. The story contains a few forgettable plot twists.
THE HANDMAIDEN (South Korea 2016) ***
Park’s film is told in three chapter’s from the points of view of the story’s three characters. The film contains lots of flashbacks, with each flashback containing possibly a different meaning to the story than when the scene first appears. It is tight and clever editing, but too many of these lend to a bit of confusion. A few parts at the end are also confusing like the one in which Fujiwara rows a boat in a misty lake with the two women in it.
TOWER (USA 2016) ****
When father and son order a bottle of SAINT AMOUR in a restaurant, the film starts to bubble as the pair take off on an educational wine tour around the wine regions of France. Surprisingly, the education comes in a different form, as the two discover more about life, women and their relationship towards each other, rather than in the wines they savour.
THE ACCOUNTANT (USA 2016) ***
Christian Wolff (Ben Affleck) is a mathematics savant (autistic) with more affinity for numbers than people. His childhood is traced, in flashback till the present. As a child, Christian’s military father believes that difference is perceived as a threat to most people. To protect his son, he forces Christian to better himself in martial-arts.
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