Ewan McGregor makes his directing debut and stars alongside Oscar winner Jennifer Connelly and Dakota Fanning in this ambitious adaptation of Philip Roth’s Pulitzer Prize–winning novel, about a “perfect” American family that is torn apart by the social and political upheavals of the 1960s. One must give the actor credit for choosing such a dauntless task as a adapting a Roth novel for his directorial debut.
The plot is nothing spectacular. Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever. The story contains a few forgettable plot twists.
Park’s film is told in three chapter’s from the points of view of the story’s three characters. The film contains lots of flashbacks, with each flashback containing possibly a different meaning to the story than when the scene first appears. It is tight and clever editing, but too many of these lend to a bit of confusion. A few parts at the end are also confusing like the one in which Fujiwara rows a boat in a misty lake with the two women in it.
When father and son order a bottle of SAINT AMOUR in a restaurant, the film starts to bubble as the pair take off on an educational wine tour around the wine regions of France. Surprisingly, the education comes in a different form, as the two discover more about life, women and their relationship towards each other, rather than in the wines they savour.
Christian Wolff (Ben Affleck) is a mathematics savant (autistic) with more affinity for numbers than people. His childhood is traced, in flashback till the present. As a child, Christian’s military father believes that difference is perceived as a threat to most people. To protect his son, he forces Christian to better himself in martial-arts.
Read the best of SHORT FILM Movie Reviews – by Kierston Drier.
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