Director: David Lynch
Writers: Mark Frost
Stars: Kyle MacLachlan, Elizabeth Anweis, Chrysta Bell
Review by Mary Cox
This season of Twin Peaks is another testimony to Lynch’s commitment to diegetic sound and to silence. Every episode ending with a performance at the Roadhouse is an obvious example of how Lynch uses diegetic music in his work, but the previous two seasons played with this (in an arguably less successful way) through moments such as James’ weird and unnecessary performance of “Just You.” Silence is just as important as diegetic sound for Lynch when it comes to building tension in his scenes. Some of the more long and drawn-out moments from this episode, such as the exit of Gordon’s French Woman, are set against an empty audio backdrop to really highlight and exacerbate our feelings of frustration.
Lynch did decide to cut us a break with the dynamic return of Audrey…
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