POV is shorthand in the film industry for “point of view” – in that context, it has to do with not only the narrative context but also the camera angles and editing process. Changing the POV can affect the way the audience – or readers – perceive a character, an event, or the overall atmosphere of a scene.
Recently I was watching a history documentary series from BBC called, “British History’s Biggest Fibs”, with Lucy Worsley. The basic point of the series is that history is subjective; whoever wins gets to name the battles, and shape future generations’ perceptions about events; the victor gets to smooth over their own weak points and play up their heroism for posterity. PR and spinning a good yarn helped to shape how reigning kings were perceived and toppled, or usurpers could style themselves as “successors”.
When writing a novel, the POV can drastically change…
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