More of the same, yet different. That’s the hurdle facing screenwriters with sequels. Bring back enough of what audiences liked—the characters, the themes, the tone—yet give them something new that makes another film worthwhile. A sequel set years after the original seems to have additional obstacles. Depending on the length of time between films, there […]
via From Mad Max to Blade Runner: How to Make a Long-Awaited Sequel Work — The Script Lab