An analysis of Charles Vidor’s 1946 noir classic Gilda, and the actress who inevitably stole the show. The American love goddess herself, Rita Hayworth. In the winter of 1947, a LIFE magazine writer by the name of Winthrop Sargeant released an article titled, ‘The Cult of the Love Goddess in America’. With a title of […]
via Why Gilda is Rita Hayworth’s finest embodiment — Portfolio | Mysite Copy
WILDsound Festival 