STAGE PLAY CONTEST – Deadline September 5th

I think I watched the whole video performance of my play with a smile on my face. I’ll have to watch it again to be more objective. DEAR ACTORS – thank you! I’m so thrilled with your performances, you don’t know how happy you have made me.
– Gina Surles, Playwright

WILDsound THEATRE Contest

Submit your STAGE PLAY HERE

FULL FEEDBACK on your STAGE PLAY from our committee of Professional Play Writers, and Writing Consultants. Get your PLAY performed by professional actors at the festival.

SUBMIT your play now (both 1st act or full length accepted). To be eligible for our Writing Festival Events

WINNERS get their full stage play read by professional actors and showcased online for the world to see!

Submissions take 3-5 weeks for evaluation

Festival Review – Read testimonials of past submitters feedback on their play.
Read Festival Articles – Daily blog.


Just VOTED one of the top festivals in the world today!

Submit an original theatrical play and get it seen by the world. Submit it now.

A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using top professional actors. It’s a rush you’ll never experience in your life seeing it come to life that way.

 

Advertisements

Stephen M. Hunt – August 2016 Stage Play Winning Writer

TWO MERCHANTS OF VENICE Stage Play
Written by Stephen M. Hunt
Read 10 Questions with the writers

CAST LIST:

NARRATOR – Becky Shrimpton
SHYLOCK – Lorne_Hiro
PORTIA – Susan Wilson
ANTONIO – Stephen Flett
BASSANIO – David Strauss
GRATIANO – Rais Muoi
LORENZO/LANCELOT – Adam McNamara
NERISSA/SALLY – Laura Darby
JESSICA/SOPHIE – Victoria Urquhart

SYNOPSIS:

Genre: History, Drama

A radical adaptation of The Merchant of Venice that in the main rearranges Shakespeare’s text to turn the main themes on their head and to tell a very different story for 21st century audiences.

 

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Best Scene from DEATH SURPRISES THE EXECUTIONER Stage Play by E. Thomalen

Watch the August 2016 Winning Stage Play Reading. 

DEATH SURPRISES THE EXECUTIONER Stage Play by E. Thomalen

SYNOPSIS:

Genre: History, Drama, War

The play opens and closes with scenes from the gulag where two prisoners discuss the relationship of leaders to followers. The central story of the play is about the rise and unexpected fall of Lavrenti P. Beria, the Soviet Minister of the Interior and State Security as well as master of the gulag system.

CAST LIST:

NARRATOR – Holly Sarchfield
VASILY – Kris Hagen
ALEXI – Geoff Mays

Get to know the winning writer: 

1. What is your stage play about?

Death Surprises the Executioner takes place in the former Soviet Union during the purges of the 1930’s to the death of Stalin in 1953. It is a play that examines the relationship of leaders to the people in revolutionary times such as we now see in the Middle East and North Africa. It opens with an allegorical story told to a fellow inmate by a petty former aristocrat and teacher, now in a gulag, that frames the events that follow.

2. Why should this play be produced?

Revolutionary societies are always with us and we have a poor understanding of them. Such societies end up under the leadership of the Robespierres and Stalins and the people who carry out their orders.

3. How would you describe this play in two words?

Terrifyingly enlightening

4. What TV show do you keep watching over and over again?

Doctor Zhivago, On the Beach

5. How long have you been working on this play?

10 years, but also all my life

6. How many stories have you written?

15-20

7. What motivated you to write this play?

Though the topic has long been on my mind and was a major theme of the 20th century, it became focused upon again as we watched the revolutions unfold in Egypt, Libya and Tunisia. As Hegel has said what we learn about history is that nobody learns anything from history.

8. What obstacles did you face to finish this play?

My struggles with the play was to pull together a lot of material and to be aa true to that material as I could be. The risk was to include too much and lose control of the narrative.

9. Apart from writing, what else are you passionate about?

I love the theater because of the freedom it gives the audience to imagine and reflect. I also love poetry, ballet, classical music and art.

10. Any advice or tips you’d like to pass on to other writers?

Never give up, listen to yourself.

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Stage Play Reading – TWO MERCHANTS OF VENICE by Stephen M Hunt

Watch the August 2016 Winning Stage Play Winner.

TWO MERCHANTS OF VENICE  by Stephen M  Hunt

 

CAST LIST:

NARRATOR – Becky Shrimpton
SHYLOCK – Lorne_Hiro
PORTIA – Susan Wilson
ANTONIO – Stephen Flett
BASSANIO – David Strauss
GRATIANO – Rais Muoi
LORENZO/LANCELOT – Adam McNamara
NERISSA/SALLY – Laura Darby
JESSICA/SOPHIE – Victoria Urquhart

Get to know the winning writer:

1. What is your stage play about?

Two Merchants is a radical adaptation of The Merchant of Venice

2. Why should this play be produced?

This adaptation is unique and groundbreaking because switching around the lines of the original delivers a story with real bite for 21st century audiences that deals with feminism, anti-Semitism and homophobia.

3. How would you describe this play in two words?

Promotes inclusiveness.

4. What TV show do you keep watching over and over again?

“Lie To Me” starring Tim Roth.

5. How long have you been working on this play?

I wrote the first version in 1998 and have striven ever since to improve it.

6. How many stories have you written?

6 plays, 5 feature screenplays and 10 short screenplays.

7. What motivated you to write this play?

I’ve seen many productions (films and stage plays) of The Merchant of Venice and found them all hugely dissatisfying because they’re always an Elizabethan mish-mash of not very funny comedy that clashes with crucially important social themes.

8. What obstacles did you face to finish this play?

The biggest and most enjoyable challenge was an extremely close study of The Merchant of Venice to select lines that I could take from one character and give to another to tell a seamless, familiar yet radically different story.

9. Apart from writing, what else are you passionate about?

Family.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Not every piece I’ve submitted to WildSound has met with their ecstatic acclaim but their inspirational feedback has been really beneficial. Consequently, they’ve produced for me readings of (1) this Shakespeare adaptation, (2) a short WWII screenplay, (3) a short screenplay about Death falling in love and (4) a one-page comedy screenplay.

11. Any advice or tips you’d like to pass on to other writers?

Enter competitions like WildSound that will put your work “out there”. After the WildSound reading of my fantasy about Death falling in love, that screenplay was selected for production and begins filming on location in Maine, later this year.

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Deadline TODAY: STAGE PLAY Festival. Get play performed by actors. FULL FEEDBACK

Deadline: STAGE PLAY Festival. Get play performed by actors. FULL FEEDBACK

Click here to submit:
http://www.wildsound.ca/play_contest.html

WINNERS get their stageplay read at the Writing Festival.

WATCH the recent WINNING STAGEPLAY Readings –
http://www.wildsoundfestival.com/stageplay_readings.html

Watch on the YouTube Channel:

Recent Stage Play Testimonials:

Excellent, excellent feedback. Thanks so much.
– Robert Gately
Going Solo, Play

Thank you for such a detailed feedback of “The Art of Murder”. Your points are well taken
– Trish Sugarek
The Art of Murder, 1st act play

Many thanks for this. A thoughtful critique which I shall digest carefully.
– Warren Paul Glover
2X3, Play

Wow! Thanks for the amazing feedback.
– Robin Cloud,
Out Again, One Act Play

Stage Play Pitch: Emergency Contact, by Marvin Reid

LOGLINE PITCH:

ACTORTitle: Emergency Contact

Written by: Marvin Reid

Type: Stage Play

Genre: Drama, Crime, Romance

Logline: The estranged wife and live-in girlfriend of a popular millionaire face their truths and each other when the man they love is accidentally shot by police in a case of mistaken identity.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the festival for FREE Today.

Stage Play Pitch: IDIOT BASTARD SON, by Stan Williamson

LOGLINE PITCH:

ACTORTitle: IDIOT BASTARD SON

Written by: Stan Williamson

Type: Stage Play

Genre: Comedy, Musical

Logline: A hyperactive, guitar strumming slacker convinces himself that his dead rock groupie mother is trying to tell him that Dirk Dickens, the Seventies rock star, is actually his father.

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the festival for FREE Today.