Get to know Sound Designer Wylie Stateman (All Quentin Tarantino films)

READ FULL INTERVIEW: Supervising Sound Editor Wylie Stateman (The Hateful Eight, Home Alone, JFK) –

Wylie Statement is a gem. It’s a simple as that. This is truly one of my favorite interviews. In my subjective opinion, it’s a must read for anyone working in the industry today, and for those attempting to get into the industry. His answers were entertaining, educational, and there is a theme that ties it all together. See if you can figure it out. Hope you enjoy.

On working with Quentin Tarantino: 

Quentin taught me the value in studying historical film references. He often provided specific examples of films that he felt advanced filmmaking or some aspect of sound specifically. For “Kill Bill”, we reviewed Quentin’s fascination with early Hong Kong films. On “Grindhouse”, he once referenced a trailer that he had seen some thirty years prior as having left a lasting impression on him (sound-wise). Sure enough, the next day a small roll of 35mm film arrived and we had the chance to review an original William Friedkin “Exorcist” trailer, circa 1973. It served as an informative reference for the movement of sound through the surround speaker field.

Every Quentin film has an origin story that is personal to his life long pursuit of cinema. Quentin personally hand picks his filmmaking family on every project. His producers and department heads are always part of his most trusted assets. The production team and, after production, the cutting room is always populated with smart, devoted, traditional, and not-so-traditional, highly talented people. Quentin is the driving force out in front of the team, thoroughly inspiring everyone.

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