7 Questions with Director Sean Singh (Suburban Deathcore)

Today let’s get to know Canadian filmmaker Sean Singh. We just showcased his short documentary at our film festival to much success:

Watch the audience feedback video of his film:

Read more information on the film:

Q&A with the director:

1. What motivated you to make this film?

Ever since I was in highschool I’ve always been really into playing in bands, not necessarily “deathcore” but relatively heavy music. And at the occasional show there has always been the odd band of 14 year olds that would come on stage and unleash the most brutal music that I could possibly fathom. I thought it was a hilarious contrast that such aggressive music could come out of normal kids just like me and I think that was something that not many people would get from just listening to the music. I’ve known now that I wanted to explore this subject in a documentary type setting for the past few years now and when I got a few friends together and had the chance to pitch the idea around, everyone seemed to take to it really well. The more and more I dug into this connection between geography and music, the more interesting this idea became to me.

2. From the idea to the finished product, how long did it take for you to make this film?

The entire process took approximately 3 and a half months to complete. Looking back now part of me wishes that maybe I should have taken more time with it to get to know the characters of my film better. But I’m glad that I was able to accomplish what I did in that timeframe. I feel like if I did add any more content, my film would have become a little over-polluted and it might have suffered from coming off as a preview for a feature rather than a self-contained short.

3. What was the biggest obstacle you faced in completing this film?

Finding the right subjects was definitely the most “make or break” aspect of this project. When I was first pitching the film I had a very clear view of the type of interview subjects I wanted. They had to be highschool kids that played extreme metal and lived in the suburbs (in fact the original title of the film was “Highschool Deathcore” I still think its a better title but it became less fitting as production went on). Finding people that fit that criteria was absolutely essential for making the point that I wanted to make with this film. I was a little worried during pre-production that these people perhaps didn’t exist or it would be too difficult to find the right characters in such a short period of time. Even though only one character in the film was currently in Highschool every one of the subjects was at one point a highschool death-metal kid and could totally relate to all of the questions that I threw at them.

4. What movie have you seen the most in your life?

Hands down the “Yellow Submarine” Beatles animated film by George Dunning. When I was 8 years old my parents rented it for my brother, my sister and I. Even though my siblings were a little weirded out by it I remember being absolutely taken by the movie. I didn’t want to return it to the video store and I convinced my parents to buy me the VHS tape. That summer I remember watching that film became part of my daily routine. I can’t explain exactly why but the combination of music and trippy animation was extremely addictive. I honestly can’t recall how many times I’ve seen that film but I would guess its at least 80+. I can easily accredit my lifelong love affair with music and animation to that summer I spent watching The Yellow Submarine.

5. What were your initial reactions when watching the Toronto audience talking about your film in the feedback video?

It was a very humbling experience. I’ve had my work shown in festivals before but I’ve never had the experience of being in a room with 100 people all engaging in a discussion about a film I made. The coolest part of it was seeing that people in audience who I didn’t think would enjoy the film giving positive feedback about it. I always pictured that you would need to have some sort of understanding of death-metal music to enjoy the film but I couldn’t be more pleased to discover that wasn’t the case.

6. What is next for you? A new film?

I’m actually in pre-production for my next film right now. I like to keep expanding my creative boundaries and trying things I’ve never done before. Filmmaking is cool in that you can apply the same set of skills to so many different kinds of projects. A friend of mine had this idea for a puppet-film with a more mature plot and I instantly loved the script right off the bat. We’ve got a great crew together now and I can’t wait until we get to shoot it in mid-January. Of course we’ve still got a lot of work to do before then but hopefully in one years time I’ll be watching it in a festival setting just like I did last week. Other than that I’ve been slowly writing a script for a science fiction graphic novel over the past few years. I really don’t know exactly when I’ll start looking for hiring an illustrator or even finishing the script but it’s something I’ve wanted to do for a long time now. I feel like its the one project I have in the bank now that would really excite the 8-year old me that was addicted to watching the Yellow Submarine.

7. Besides filmmaking, what else are you passionate about?

I’ve always been very passionate about listening and playing music. For the past few years I’ve been playing drums in a band called The Johnny Red Eyes. We released our first album over the summer and writing music and playing shows has been a blast. In the band we seem to have a creative understanding with each other where no genre seems to be out of bounds. I also love playing video games, I was born into playing a Super Nintendo and never looked back since then. Gaming is a great stress relief from being so busy from working on film sets all the time. I’ve recently become a big fan of the “Dark Souls” series. I’m also working hard at the moment to jumpstart my career as a location sound recordist which has been keeping me very busy. I love working on film sets and I really like the idea of having a technical career in the industry rather than having an unrelated part time job to support my own film endeavours. Giving people high quality audio is a really great feeling too and when I do good job I definitely feel like I’ve accomplished something. I’ve still got a lot to learn but I’m excited to continually get better have more great experiences working on films.

WILDsound Short Film Festival. Best of the October 2014 Event

On October 30 2014, we showcased our monthly best of short film festival event at the Carlton Cinemas in downtown Toronto, Canada.

Every month, the festival showcases a selection of new short films from around the world. Then, we have an audience discussion after each film is screened. It’s really the most unique film festival in the world as no other festival does what we do.

To be honest, it took awhile to really hone and perfect the discussion because the last thing we want to do is go negative. For one, that’s the easiest form of conversation and it’s too simple in nature to really explore. And besides, what does anyone get out of judgment talk? What we try to do is have a conversation about how people felt when they watched a particular film. That serves the entire audience experience better, plus it serves the filmmakers who watch the video better too. And every single festival is different because the audience is always different each time.

I can honestly say that it took 18 festivals (almost 2 years) to really nail the discussion and conversation talk. We tried out many moderators, from established filmmakers to film critics, but nothing really worked because the main agenda needed to be about the films. But we finally got it going and we’ve sold out 48 out of our last 50 festivals and people seem to really have a great time attending the festival. Of course it’s all about the films and we’ve been able to showcase some amazing shorts in the last few years.

This month was without exception as all 5 films were nothing short of amazing. Watch the audience feedback videos from the festival here:

To learn about each film that played, click here:

If you have a short film that you like to submit, click here:


Every film showcased on the night was about a character or theme of the youth handling their inner aggression.

– In NOT ANYMORE: A STORY OF REVOLUTION, a documentary of the Syrian revolution as told through the experiences of two young Syrians.

– In THE MAGIC PRINTER, a young man gets a magic printer – careful what you ask for.

– In LA COMMEDIA, a dying man is reminded of his youth as he ventures within the imagination of his paintings.

– In SUBURBAN DEATHCORE, a documentary on what seems like a dark, violent and negative art form; suburban youth are able find a positive outlet for their small town frustrations..

– In SERENA, affluent teenagers who only care about one thing : having fun. Their freedom takes them down a dark turn of violence.


– Matthew Toffolo