Winning Best Scene Screenplays for February 2018

Watch readings of the winning screenplays performed by professional actors:

ACTORROMANCE Best Scene Screenplay – SHE’S A DREAM
February 2018 Reading
by Amanda Marie
ACTORCOMEDY Best Scene Screenplay – CESAR & MAX
February 2018 Reading
by Susan Klos
ACTORCRIME Best Scene Screenplay – INFIDELITY
February 2018 Reading
by Akil Goin & Kareem Richardson
ACTORDRAMA Best Scene Screenplay – SPRING FORWARD
February 2018 Reading
by Christine L. Keefer
ACTORDRAMA Best Scene Screenplay – BLACK HEART BOOK
February 2018 Reading
by Carol Hoffman & Rosezelle Boggs Qualls
ACTORDRAMA Best Scene Screenplay – ANA’S ORLOV
February 2018 Reading
by Bradford Lee Walton
ACTORDRAMA Best Scene Screenplay – WHEN OUR CHERRY TREE IS IN BLOOM
February 2018 Reading
by Marian Buric
ACTORDRAMA Best Scene Screenplay – THE PASTOR’S WIFE DOES CRY
February 2018 Reading
by Brenda Matthews
ACTORDRAMA Best Scene Screenplay – SOMALILAND
February 2018 Reading
by Clinton West
ACTORFAMILY Best Scene Screenplay – CHRISTMAS WINGS
February 2018 Reading
by Lily Rose
ACTORHORROR Best Scene Screenplay – TOUCH
February 2018 Reading
by Scott Timmins
ACTORTHRILLER Best Scene Screenplay – REVELATION
February 2018 Reading
by Jonah Jones
ACTORWAR Best Scene Screenplay – DANGER IN THE CLOUDS
February 2018 Reading
by John Donnellan
ACTORFANTASY Best Scene Screenplay – THE TIME JOB
February 2018 Reading
by Thomas Tinnerello
ACTORSCI-FI Best Scene Screenplay – CHASING WHITE INFINITY
February 2018 Reading
by Claudia Marinellil
ACTORSTAGE PLAY Best Scene Screenplay – RARE COINS SPENT
February 2018 Reading
by Beth Fine
ACTORBIOGRAPHY Best Scene Screenplay – CATCH
February 2018 Reading
by Jerry Nield
ACTORWESTERN Best Scene Screenplay – SILVER SKULL CREEK
February 2018 Reading
by Ryan Gallant
ACTORBIOGRAPHY Best Scene Screenplay – THE REDEMPTION OF JOHN PARKER
February 2018 Reading
by John Connell

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox

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