Winning Feature Screenplays for May 2018

 

ACTORFOR A GOOD LIFE – Feature Screenplay
May 2018 Reading
by Natalia Maslin
 

  

ACTORAMERICAN SNAKE PIT – Feature Screenplay
May 2018 Reading
Dan Tomasulo
 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

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FEATURE Screenplay Reading of FOR A GOOD LIFE, by Natalia Maslin

 

Genre: Drama, Family

A young hockey prodigy loses his brother and deals with the consequences as he learns a new family dynamic and develops a new father-son relationship.

CAST LIST:

Bill: Neil Bennett
Ben: Scott Beaudin
Narrator: Sean Ballantyne
Adam: John Fray
Morgan: Val Cole
Tim: Nick Wicht

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

February 2018 SHORT FILMS – 22 movies showcased at 3 festivals in Los Angeles & Toronto

Watch the Audience FEEDBACK Videos for all 22 short films performed at the 3 festivals in February 2018 in Los Angeles and Toronto.

Festival moderators are SHEPSUT WILSON, and KIERSTON DRIER.

FEMALE DIRECTOR’S & COMEDY Festival – February 1, 2018

festival posterTHE CRYING CHEF, 6min., USA, Comedy
WATCH Audience FEEDBACK

festival posterTHE FUTURE RICHARD DENISONS, 16min, USA, Comedy/Time Travel
WATCH Audience FEEDBACK

festival posterFORGOTTEN FLORA, 5min., USA, Animation/Drama
WATCH Audience FEEDBACK

festival posterMADEIRA, 14min., USA, Drama
WATCH Audience FEEDBACK

festival posterPAPER PALACES, 6min., USA, Drama
WATCH Audience FEEDBACK

festival posterTHE FBI BLEW UP MY ICE SKATES, 7min., USA, Animation/Drama
WATCH Audience FEEDBACK

festival posterAN ACTOR PREPARES, 4min., USA, Comedy
WATCH Audience FEEDBACK

festival posterGF, 25min., USA, Comedy
WATCH Audience FEEDBACK

ROMANCE Festival – February 14, 2018


festival posterVIOLET AND JUNE, 6min., Canada, Romance/Comedy
WATCH Audience FEEDBACK


festival posterWHAT IF…?, 14min., Hungary, Romance/Drama
WATCH Audience FEEDBACK


festival posterEASY, A 3 MINUTE LOVE STORY, 3min., USA, Romance/Drama
WATCH Audience FEEDBACK


festival posterTHE WEDDING SONG, 13min, USA, Romance/Drama
WATCH Audience FEEDBACK


festival posterGOD CAME ‘ROUND, 5min, Italy, Romance/Comedy
WATCH Audience FEEDBACK


festival poster116, 15min., USA, Experimental
WATCH Audience FEEDBACK


festival posterTHE WRITER’S WOMAN, 23min., Mexico, Romance/Drama
WATCH Audience FEEDBACK

FANTASY/SCI-FI FESTIVAL – February 22, 2018


festival posterBREAKER, 10min., Japan/Canada, Sci-Fi/Action
WATCH Audience FEEDBACK


festival posterSKIN DEEP, 20min., UK, Fantasy
WATCH Audience FEEDBACK


festival posterMONSIEUR HERNST, 15min., France, Sci-Fi/Drama
WATCH Audience FEEDBACK


festival posterLILITH, 19min., USA, Sci-Fi/Drama
WATCH Audience FEEDBACK


festival posterBACK PAGE RIPPER, 5min. USA, Sci-Fi/Mystery
WATCH Audience FEEDBACK


festival posterMAN-AT-ARMS, 10min, UK, Fan Fiction//Animation
WATCH Audience FEEDBACK


festival posterTEARS IN THE RAIN, 11min., South Africa, Fan Fiction/Sci-Fi
WATCH Audience FEEDBACK

Produced by Matthew Toffolo

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy, Kierston Drier

Festival Camera Operators: Zack Arch, Aser Santos Jr., Isabel Cupryn

Festival Editor: John Johnson

And many thanks to all the volunteers of the festival!

Winning ANIMATION Feature Screenplay – STORM DRAGON, by Joey Curtis and Danny Klein

Watch the Winning SEPTEMBER 2017 Feature screenplay.

An outcast dragonfly unites a crew of misfit swamp critters to save the life of a boy trapped in a hurricane.

Genre: Animation, Family, Drama, Adventure

CAST LIST:

Narrator: Laura Kyswaty
B-Fly/Luther: Cameron LeRoy
Skylar: Rachel Rain Packota
Tatsu: Cory Bertrand
Pondhawk: Jim Canale
Aura: Regan Brown

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning THRILLER Feature Screenplay: WORD GAMES, by Joel Stern

Genre: Thriller, Horror, Drama

A commercial airliner flying to Paris explodes off the U.S. East Coast killing sixteen members of a high school French Club and a young pianist destined for greatness; a pair of deranged teens go on a terrifying high school shooting spree ending the life of a young girl devoted to serving God and mankind. If there is a master plan, how could these horrific events be allowed to happen?

CAST LIST:

Narrator: Val Cole
Sal: Kris Hagen
Dave: Peter Nelson
Monica: Shania Belton
Julie: Katelyn Varadi
Tanya/Shannon: Carina Cojeen
Lassen: Mike Ruderman
Bill: Nick Wicht

 Get to know the writer:

What is your screenplay about?

“Word Games” is about two strangers in a nursing home who are isolated because of the “Blizzard of the Millennium” . One man – Sal Genesinni – is the janitor. The other is Dave Phillips, an old man, wheelchair bound, who was found abandoned in the storm. While Phillips’ true identity remains a mystery, he and Genesinni play “Scrabble” to kill time. As they spell certain words it takes us back in time to real life events. As they recall these events they actually change what happened. This affects the destiny of the promising young people they speak of. As the story unfolds, we realize their “game” is a battle of wits between good and evil – one they engage in as different people throughout time.

What genres does your screenplay fall under?

Suspense/Horror

Why should this screenplay be made into a movie?

“Word Games” would provide moviegoers with a suspenseful, alternative view of destiny and attempt to explain why bad things happen to good people.

How would you describe this script in two words?

Story in two words: Inescapable destiny.

What movie have you seen the most times in your life?

The movie I’ve seen the most: “Pineapple Express”

How long have you been working on this screenplay?

I wrote the short story two years ago (now on Amazon). I began writing the screenplay in January, 2016.

How many stories have you written?

I’m currently writing my third screenplay. I began my first, “Trickle Down”, a dramatic comedy based on the 2007 mortgage meltdown, in 2012.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Favorite song – Rod Stewart’s “Have I Told You Lately…”

What obstacles did you face to finish this screenplay?

Obstacles to writing screenplay: Trying to think as God

Apart from writing, what else are you passionate about?

Other passions: Sports, politics, travel, history

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Film Freeway: Easy to work with

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered the festival to gage interest in my work and to get it produced. “Word Games” also won a Finalist Award at the Cannes Film Festival Screenwriting contest in April of this year.

I was thrilled with the feedback I received. I made a few clarifications when asked to.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning Feature Screenplay – THE LAST PRISON by Richard Geiwitz

Watch the Winning AUGUST 2017 Screenplay. 

Genre: Sci-Fi, Fantasy,

Judith, known as the “Mother Creator” by her robots, faces a takeover when the robots feel they are not being treated fairly.

CAST LIST:

Narrator: Val Cole
Judith: Mandy May Cheetham
R-14: Angelica Alejandro
Reeve: Ryan Yusep
Alain: Peter Mark Raphael
Joshua: Allan Michael Brunet

Get to know the writer:

What is your screenplay about?

The story follows Judith, a robotics genius who designed and programmed robots to mine a moon of Saturn, which is uninhabitable to man. The bots are designed to think independently and problem-solve. There are three series: administrative, worker and repair. The workers begin to resent their assigned role. They want more input into running the colony. The administrators disagree, citing their assigned programs. There’s a worker’s strike, exports stop and Judith is sent to face her creations, wondering if they are now smarter than she.

What genres does your screenplay fall under?

The main genre is Sci-Fi, but social and political as well.

Why should this screenplay be made into a movie?

 This screenplay should be made into a movie because it will be an entertaining drama set in another world, while also being thought-provoking. It looks into the future of man versus machine, creator versus creation, but also takes a look at society today.

How would you describe this script in two words?

 Frighteningly possible.

What movie have you seen the most times in your life?

 “Network,” the most visionary film of all time.

How long have you been working on this screenplay?

 It was written in the mid-eighties. If I recall correctly, it took about 6-8 months. My inability to land an agent put it on the shelf for a long time. I converted it into a novella, but didn’t sell it. I recently turned it back into a screenplay, updating certain technical aspects and reworking dialogue. Maybe the third time is the charm.

How many stories have you written?

I’ve written ten feature screenplays, three short scripts and two treatments. So, far, they’ve won or placed in 71 contests. There are a few other scripts from the past I might update along with new projects in the works.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

 “Pride” – U2

What obstacles did you face to finish this screenplay?

 Technical issues. Computers, programs and robotics were different in the 1980s when this was first written. Researching the recent rewrite was fascinating. Also, creating the future as envisioned today. Of course, this is a more social issue story than scientific. So putting the Bible and Plato’s Republic into outer space was interesting.

Apart from writing, what else are you passionate about?

I love Asian culture, philosophy and architecture. I’m fascinated by the Feng Shui design of ancient cities in China and Japan. I love watching movies and TV series from around the world, stories you can’t find in Hollywood.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s easy to use and actually fun, like shopping on Amazon. There are a lot of festivals to choose from. It’s easy to search for festivals and the many filters save a lot of time.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’ve always liked the feedback. It really points out what needs another look. Other scripts I’ve entered haven’t won, so I was completely shocked when this one did. I had to read the email a couple extra times before I believed it.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning Feature Screenplay: PEACE PLEDGE, by George M. Johnson

Watch the Winning August 2017 Feature Screenplay Reading

Genre: War, Drama, Romance

A disillusioned First World War veteran, challenged by a reckless Anglican priest, reluctantly fights for peace against fascists in 1930s Britain, losing both friends and family but gaining a second chance in love. Based on the true story of Canon Dick Sheppard and the Peace Pledge Union.

CAST LIST:

Narrator: Elizabeth Rose Morriss
Dick Sheppard: Scott McCulloch
John: Brogan Caulfield
Esme: Sandra Krstin
Alison: Julie Sheppard
Burt: Peter-Mark Raphael

 

B>Get to know the writer:

What is your screenplay about?

A disillusioned First World War veteran, challenged by a reckless Anglican priest, reluctantly fights for peace against fascists in 1930s Britain, losing both friends and family but gaining a second chance in love. The screenplay is based on the true story of Canon Dick Sheppard and the Peace Pledge Union, the strongest pacifist movement in history.

What genres does your screenplay fall under?

Period drama, history, biopic

Why should this screenplay be made into a movie?

Peace Pledge is a gripping and heart-felt story about standing up for what you believe in, even against all the odds. It is also a tale of redemption, love and the power of the human spirit. Peace Pledge is timely with the centenary commemoration of the end of WWI on the horizon (and the 80th anniversary of the beginning of WWII); the story becomes more relevant every day with the escalation of military spending and worldwide violence.

How would you describe this script in two words?

heart-warming, uplifting

What movie have you seen the most times in your life?

Monty Python and the Holy Grail

How long have you been working on this screenplay?

I started researching it in 2012 and have worked on it along with other projects since then.

How many stories have you written?

I have written about a dozen stage-plays, some of them award-winning. “Still Life With Nudes” is a comedy about seniors who stage a sit-in at a contemporary art gallery in protest when their full-length nude self-portraits were rejected. It won the National Playwrighting Award and several other awards. I’ve also penned three award-winning screenplays, including “Peace Pledge,” which received Honorable Mention in the Euroscript Competition, and “The Wonder,” a finalist in the British Independent Film Festival, as well as half a dozen children’s stories, one, “Marissa and the Mountains,” to be published by Simply Read next year.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Universal Soldier has been a long-time favourite.

What obstacles did you face to finish this screenplay?

Information about the Peace Pledge Union has been buried in history and so it took considerable digging to piece together the peace story.

Apart from writing, what else are you passionate about?

I am passionate about social justice issues, particularly fighting threats to the environment where I live in B.C.. I also enjoy canoeing, camping, and travelling with my family.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It has been great!

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

A friend had entered and told me it was worthwhile. I was elated at the encouraging, articulate, insightful feedback and inspired to make further revisions to make this the best script possible.

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox