Read the BEST of NEW TV SHOW Loglines from around the world.

Read the best of TV SHOW loglines from around the world: 

CARNIVAL OF SOULS, by Jonathan Baltzly
https://storypitches.com/2017/09/12/crimedrama-tv-show-carnival-of-souls-by-jonathan-baltzly/

LOVE YOU TO DEATH, by Xavierie MBangtang
https://storypitches.com/2017/09/12/mysterysuspense-tv-show-love-you-to-death-by-xavierie-mbangtang/

SERIAL, by Trevor Abekah
https://storypitches.com/2017/09/12/action-packed-thriller-tv-show-serial-by-trevor-abekah/

PAWNS, by Monti Issar
https://storypitches.com/2017/09/12/thriller-tv-show-pawns-by-monti-issar/

ALPHA, by Raymond Gross
https://storypitches.com/2017/09/12/actionthriller-tv-show-alpha-x-by-raymond-gross/

PANACEA, by Brian Coughlan
https://storypitches.com/2017/09/12/thrillerdrama-tv-show-panacea-by-brian-coughlan/

LONDON UNDERGROUND, by Charlotte Taylor
https://storypitches.com/2017/09/12/thrillercrime-tv-show-london-underground-by-charlotte-taylor/

NIGHT WIND OF BAHIA, by Thomas Thorpe
https://storypitches.com/2017/09/12/mysterythriller-tv-show-night-wind-to-bahia-by-thomas-thorpe/

MISTAKEN IDENTITY, by Candice Timms
https://storypitches.com/2017/09/12/crimemystery-tv-show-mistaken-identity-by-candice-timms/

RANGERS PROGENITORS OF FREEDOM, by Timothy Kestrel
https://storypitches.com/2017/09/12/thrillerhistory-tv-show-rangers-progenitors-of-freedom-by-timothy-kestrel/

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Deadline June 30th: TV PILOT & SPEC Screenplay Festival

Deadline June 30th: TV Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

READ 100s of testimonials from past submitters –
https://wildsoundfestivalreview.com/feature-screenplay-submission-testimonials-wildsound-screenplay-contest-review

Multiple winners every single month! Watch recent and past winners:

TV PILOT Winners

TV SPEC Winners:

WATCH Mid-Year TV SPEC SCREENPLAY Winners (January-June 2017)

Watch the Winning Television SPEC Screenplay winners for the first half of 2017:

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

Festival Deadlines

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

Submit to the TV Festival (Pilot, Spec) – Deadline Today

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.

Deadline: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

WATCH RECENT TV SCREENPLAY FESTIVAL READINGS (Winners every single month!)

ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORBest Scene TV Pilot – MY LIFE WITH STELLA KANE
February 2016 Reading
Written by Linda Morganstein
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

WINNING TV SPEC Reading of SUPERNATURAL “Don’t Look Back” , by Bonnie Bonaduce

Winning Screenplay – SUPERNATURAL “Don’t Look Back”
Written by Bonnie Bonaduce
CAST LIST:

NARRATOR – Becky Shrimpton
DEAN – Jason Martorino
SAM – John Marcucci
CASTIEL – Brogan Caulfield
EMMA – Roselie Williamson

SYNOPSIS:

Genre: Action, Adventure, Thriller, Romance

Get to know the writer:

What is your screenplay about?

The logline best answers this question for SUPERNATURAL – “Don’t Look Back” – Dean, Sam and Castiel take extreme measures to save an unusual and innocent woman from an evil curse. However, the crux of the episode is to introduce the new character of Emma De Luca, a woman as embroiled in the supernatural universe as Dean and Sam, and to lay the foundation for an epic love triangle between Dean and Emma and Castiel. Time for Supernatural to grow up, leave the overdone “bromances” in the dust, and throw a strong, ass-kicking and yet sweet and vulnerable woman into the mix. Sparks will fly!

How does this episode fit into the context of the show?

This episode is designed to be a season-opener, and carries no baggage other than our main characters and the Men of Letter’s Bunker set, which from what I understand was incredibly expensive to build and will surely be available should my story be a miracle baby and make it to the small screen.

Have you watched every single episode of SUPERNATURAL?

I have watched every single episode of Supernatural, more than once. Some I could write from memory, such as my personal fave, “The Man Who Would be King”, which was also the first episode I ever saw. I must confess, I had never even watched Supernatural until this past January. Honest to God. I was working so many hours at my bring-home-the-bacon job that I seldom had time to watch anything longer than a sitcom. I guess I owe my newfound writing obsession to a miserable cold that forced me to kick back and actually relax for a while. I stumbled on “The Man Who Would be King”, got completely sucked in, and the rest is history. I think any writer attempting to write for an established show MUST take the time and effort to study their quarry. So much of great writing is in the nuances, the little things about a character or a concept that make all the difference.

How would you describe this script in two words?

If I could describe this script in two words, they would be GAME CHANGER.

What movie have you seen the most times in your life?

The movie I have seen the most times in my life? That’s a hard one. I’d say it’s a toss up between any of the Lord of the Rings movies, all the Harry Potter movies, the entire Star Wars franchise, and “While You Were Sleeping”. Yes, that’s the romantic comedy with Sandra Bullock and Bill Pullman. Hey, I never said I was consistent. Or maybe I am…after all, I’m still mixing fantasy universes with romance.

How long have you been working on this screenplay?

I worked on this particular episode for about six weeks, on and off. My mind tends to run ahead, and I also spent time outlining and making general notes on several more sequel episodes. The follow up to “Don’t Look Back” is titled “Timing is Everything”, and it too is complete and making the contest rounds with DLB as we speak. I’m halfway through the third episode titled “Out of the Blue”, and also have 6 other episodes that I’m outlining/simmering. No rest for the obsessed, I’m afraid.

How many stories have you written?

I have no idea how many stories I’ve written. So many were written only in my head, because I never had the time to commit them to paper. I did write a romance novel and a screenplay that did well in some contests about 10 years ago, but then I took a long break from writing, like ten years of break, during which I was raising my kids and working my ass off, and just trying to keep the wolf from the door. Sometimes life just gets in the way…and sometimes we let it. I wish now that I’d taken more time for ME. And that would have meant writing. But no use in lamenting the past. We can only look forward.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

My favorite song? That’s an interesting question. At the moment, it’s got to be Carly Pearce – “Every Little Thing”. Yes, it’s a country song. This is me, saying, and saying it proudly, that although I love almost all music, Country music holds the key to my heart.

What obstacles did you face to finish this screenplay?

The only obstacle I faced in finishing “Don’t Look Back” was time. The story was simply bursting out of me, to the extent that I even dreamed about it at night, waking up at three a.m. and running to my computer to get the thoughts down before I could forget them. But time is an evil bitch, and with the deadline for so many important contests looming, I took a week of vacation time from my job to be able to give the writing the attention it deserved. Man, did I LOVE that week! All writing, all the time? Heaven.

Apart from writing, what else are you passionate about?

Apart from writing, I am passionate about my kids, and living life to the fullest. I prioritize taking care of my health. I eat very well, don’t smoke or drink, hit the gym most every day, use a far-infrared sauna, and take a handful of supplements daily. As my wise grandma used to say, “An ounce of prevention is worth a pound of cure”.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I learned about the festival on line. First, as a new writer, I know how important it is to get my work out there, everywhere I can. I also value the feedback, although I always rely on my own instinct and taste. First and foremost, I write for myself. Especially for Supernatural, that makes sense to me, since I am part of their largest demographic viewership. I also loved the idea of having professional actors table read my work. So cool.

My initial reaction to the feedback was, Wow! He really liked my work. I mean, when the first sentence you read says, “An exceptionally well-written episode of Supernatural…” you know you’re off to a great start! I did incorporate the advice to lower my page count, and it was a good lesson in evaluating what scenes were absolutely crucial to the story. I really did learn something, and isn’t that the point?

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting Director: Sean Ballantyne


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

Deadline TODAY (April 30th): TV PILOT/SPEC Script Festival

Deadline TODAY: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

Watch the Winning TV PILOT Readings:

Watch the Winning TV SPEC Readings:

Read TV testimonials of recent submitted work:

This is most excellent. I loved the thorough feedback, and some of the fixes or easy and some require a little more thinking but regardless, I’m glad to be getting your feedback.
– David Baugnon, (The Messiah Project)

Thank you for your encouraging words and for this great chance you are giving me. If I had to rate your feedback, I would give it 110 over 100 !! In fact, it is thanks to your previous feedback that I was able to improve this piece: even when they are harsh, your comments are always constructive, thorough and motivating.
– Maroun Rached, (Elan Vital)

I really appreciate the detailed feedback, it is very encouraging and gives me very specific things to improve upon.
– Rochelle Blissett-Miller, (Axiom – Source)

That’s the most useful feedback I have received. Certainly understand the issues you brought forth.
– Andrew Vestrand, (On the Nut)

These notes are very helpful in my advancing this piece and as a new writer I am extremely pleased with the generally positive reinforcement here.
– R. Christian Frostholm (Consequences)

Winning TV PILOT Reading – WHEN THE WORLD WAS SQUARE, by Irwin Greenstein

Winning Screenplay – WHEN THE WORLD WAS SQUARE
Written by Irwin Greenstein

CAST LIST:

NARRATOR – Frances Townend
NEAL – Peter Mark Raphael
ALLEN – Jonah Akler-Silliman
JACK – Christopher Huron
CAROLYN – Vanessa Quagliara
HENRY – Charles Gordon
SHEILA Kayla Farris

SYNOPSIS:

Genre: Romance, Drama, LGBT

A moody, intense drama about the Beat Generation of writers during their time in San Francisco. Focusing on Allen Ginsberg, this pilot tells the story of their tragically entwined lives as they struggle with the responsibility and tediumof a “normal” life and try to recapture their identity.

What is your TV Pilot screenplay about?

Their fierce appetites for sex, drugs and freedom of expression push Beat icons Jack Kerouac, Allen Ginsberg and Neal Cassady to defy taboos of repressive 1950s America and ignite the anti-establishment insurgence that still makes headlines today.

Why should this screenplay be made into a TV show?

Commercially, “When the World was Square” presents the flip-side of Mad Men — the unrefined and raw sexuality and hipster fashions that have been largely ignored. Creatively, it presents and birth of America’s gay rights movement and pivot point toward the individual freedoms of expression we now enjoy.

How would you describe this script in two words?

Sexy and addictive.

What TV show do you keep watching over and over again?

Black Sails

How long have you been working on this screenplay?

About 2 years.

How many stories have you written?

In terms of fiction, I’ve written my fair share of unproduced screenplays and unpublished novels — combined I would say about 10. But I’m a professional writer and I write non-fiction every day that’s available to me, so my output is very high.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Pink Floyd’s “Dark Side of the Moon.”

What obstacles did you face to finish this screenplay?

Facing the challenge of integrating the research and history of the Beats into a compelling, structured narrative. You want to remain true to the original souls but at the same time portray their lives in a commercial and prescribed format.

Apart from writing, what else are you passionate about?

Sports cars. It’s an expensive habit. Right now I have an old Porsche. Don’t ask about the repair bills. But drop the top on a beautiful day here in South Georgia and the experience is all worth it.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I would say it’s the dream of every aspiring screenwriter to see their work performed by people passionate about their craft, and short of a full-blown production a table read is really inspiring. The feedback was great. I took it all to heart and a few weeks laters ended up with a much-improved version.

Any advice or tips you’d like to pass on to other writers?

In retrospect, I would urge you all to stay in medical school. Short of that, strive for originality because even if you find yourself eventually drifting into commercial trends at least you would have started in place that’s true to yourself.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne