Deadline June 30th: TV PILOT & SPEC Screenplay Festival

Deadline June 30th: TV Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

READ 100s of testimonials from past submitters –
https://wildsoundfestivalreview.com/feature-screenplay-submission-testimonials-wildsound-screenplay-contest-review

Multiple winners every single month! Watch recent and past winners:

TV PILOT Winners

TV SPEC Winners:

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WATCH Mid-Year TV SPEC SCREENPLAY Winners (January-June 2017)

Watch the Winning Television SPEC Screenplay winners for the first half of 2017:

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

Festival Deadlines

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

Submit to the TV Festival (Pilot, Spec) – Deadline Today

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.

Deadline: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

WATCH RECENT TV SCREENPLAY FESTIVAL READINGS (Winners every single month!)

ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORBest Scene TV Pilot – MY LIFE WITH STELLA KANE
February 2016 Reading
Written by Linda Morganstein
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

Deadline TODAY (April 30th): TV PILOT/SPEC Script Festival

Deadline TODAY: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

Watch the Winning TV PILOT Readings:

Watch the Winning TV SPEC Readings:

Read TV testimonials of recent submitted work:

This is most excellent. I loved the thorough feedback, and some of the fixes or easy and some require a little more thinking but regardless, I’m glad to be getting your feedback.
– David Baugnon, (The Messiah Project)

Thank you for your encouraging words and for this great chance you are giving me. If I had to rate your feedback, I would give it 110 over 100 !! In fact, it is thanks to your previous feedback that I was able to improve this piece: even when they are harsh, your comments are always constructive, thorough and motivating.
– Maroun Rached, (Elan Vital)

I really appreciate the detailed feedback, it is very encouraging and gives me very specific things to improve upon.
– Rochelle Blissett-Miller, (Axiom – Source)

That’s the most useful feedback I have received. Certainly understand the issues you brought forth.
– Andrew Vestrand, (On the Nut)

These notes are very helpful in my advancing this piece and as a new writer I am extremely pleased with the generally positive reinforcement here.
– R. Christian Frostholm (Consequences)

Winning TV PILOT Reading – WHEN THE WORLD WAS SQUARE, by Irwin Greenstein

Winning Screenplay – WHEN THE WORLD WAS SQUARE
Written by Irwin Greenstein

CAST LIST:

NARRATOR – Frances Townend
NEAL – Peter Mark Raphael
ALLEN – Jonah Akler-Silliman
JACK – Christopher Huron
CAROLYN – Vanessa Quagliara
HENRY – Charles Gordon
SHEILA Kayla Farris

SYNOPSIS:

Genre: Romance, Drama, LGBT

A moody, intense drama about the Beat Generation of writers during their time in San Francisco. Focusing on Allen Ginsberg, this pilot tells the story of their tragically entwined lives as they struggle with the responsibility and tediumof a “normal” life and try to recapture their identity.

What is your TV Pilot screenplay about?

Their fierce appetites for sex, drugs and freedom of expression push Beat icons Jack Kerouac, Allen Ginsberg and Neal Cassady to defy taboos of repressive 1950s America and ignite the anti-establishment insurgence that still makes headlines today.

Why should this screenplay be made into a TV show?

Commercially, “When the World was Square” presents the flip-side of Mad Men — the unrefined and raw sexuality and hipster fashions that have been largely ignored. Creatively, it presents and birth of America’s gay rights movement and pivot point toward the individual freedoms of expression we now enjoy.

How would you describe this script in two words?

Sexy and addictive.

What TV show do you keep watching over and over again?

Black Sails

How long have you been working on this screenplay?

About 2 years.

How many stories have you written?

In terms of fiction, I’ve written my fair share of unproduced screenplays and unpublished novels — combined I would say about 10. But I’m a professional writer and I write non-fiction every day that’s available to me, so my output is very high.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Pink Floyd’s “Dark Side of the Moon.”

What obstacles did you face to finish this screenplay?

Facing the challenge of integrating the research and history of the Beats into a compelling, structured narrative. You want to remain true to the original souls but at the same time portray their lives in a commercial and prescribed format.

Apart from writing, what else are you passionate about?

Sports cars. It’s an expensive habit. Right now I have an old Porsche. Don’t ask about the repair bills. But drop the top on a beautiful day here in South Georgia and the experience is all worth it.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I would say it’s the dream of every aspiring screenwriter to see their work performed by people passionate about their craft, and short of a full-blown production a table read is really inspiring. The feedback was great. I took it all to heart and a few weeks laters ended up with a much-improved version.

Any advice or tips you’d like to pass on to other writers?

In retrospect, I would urge you all to stay in medical school. Short of that, strive for originality because even if you find yourself eventually drifting into commercial trends at least you would have started in place that’s true to yourself.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne

Neil Chase – February 2017 FAN FICTION Screenplay Winner

Watch the February 2017 FAN FICTION Screenplay Winner.

Winning Screenplay – SPINACH RUN
Written by Neil ChaseCAST LIST:

NARRATOR – Ursina Luther
POPEYE – Philip Krusto
BLUTO – Casey Estey
WIMPY – Geoff Mays
JUAN CORTEX – John Lester Phillips
SEGAR – Sean Ballantyne

SYNOPSIS:

Genre: Action, Crime, Thriller

Tasked with capturing a nefarious chemist, Navy SEALs Popeye, Bluto, Sweet-Pea and Wimpy find themselves at the mercy of an infamous drug lord.

Get to know the writer:

What is your Fan Fiction screenplay on the cartoon “POPEYE” about?

Spinach Run is a fresh take on the Popeye universe, where four Navy SEALs (Popeye, Bluto, Sweet-Pea, and Wimpy) are sent to a South American jungle to capture a wanted chemist and recover a sample of his experimental toxin, code-named Spinach. Their mission goes sideways and they’re captured by the chemist’s employer, a notorious drug lord, who decides to use them as guinea pigs for the toxin.

Why should this screenplay be made into a movie?

Popeye’s been around for almost 90 years, and through all that time, he’s been portrayed pretty much the same way. This is a completely different way of seeing the characters we all know and love, while staying true to who they are at heart.

How would you describe this script in two words?

Action, thriller.

What movie have you seen the most times in your life?

Probably Star Wars.

How long have you been working on this screenplay?

It took me about three days to write it. Once the initial idea came to me and I started writing, it came pretty fast.

How many stories have you written?

I’ve been writing since I was a kid, so it’s hard to say how many short stories there have been. That said, I’ve written a dozen feature screenplays, numerous short screenplays, and I’m awaiting publication of my debut novel.

What motivated you to write this screenplay?

I always wanted to try my hand at fan fiction, so I thought I’d take a crack at a character that’s not so mainstream, yet one that’s still recognizable.

What obstacles did you face to finish this screenplay?

None that I can think of. It was a fun experience from start to finish.

Apart from writing, what else are you passionate about?

My other passion is acting, which actually helps me to be a better screenwriter, as I’ve learned where to focus in terms of dialogue, action lines, and so on. I try to write the kinds of scripts I would want to read as an actor.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival is well known, and seemed like a perfect fit for this script. It was a great way to gauge if I was onto something with my take on a classic character. I’m so glad to have entered, not only for the win, but for the fantastic feedback. It’s good to see the script’s strengths and areas for improvement. This was a fun script to write, and I’m grateful for the useful advice to make it even better. Thank you for the great notes!

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

Nader Hobballah – February 2017 TV SPEC Screenplay Winner

Watch the February 2017 Winning Screenplay.

Winning Screenplay – THE FLASH – GODSPEED
Written by Nader HobballahCAST LIST:

NARRATOR – Geoff Mays
BARRY – Philip Krusto
CISCO – Casey Estey
CAITLIN – Ursina Luther
JOE/JEFF – John Lester Phillips
IRIS – Talia Price

SYNOPSIS:

Genre: Action, Adventure, Drama, Fantasy

An anguished Barry Allen faces off against a mysterious Black Knight that matches him in speed and strength. All the while, he must come to terms with his ability to go back in time and the consequences of doing do.

Get to know the writer:

What is your TV spec screenplay on the show “THE FLASH” about?

The Flash: Godspeed Barry Allen Part One’ sees Barry going up against a fierce and mysterious black knight that seems to have it out for him. At the same time, he is haunted by past actions involving him time traveling.

Why does this screenplay fit into the context of the series?

In the context of the series, this screenplay would fit after Flashpoint and when things have seemingly settled down after the chaos Barry’s actions unleashed.

How would you describe this script in two words?

Two words I would describe this screenplay (Part One) would be Strong Setup.

What TV show do you keep watching over and over again?

I am not that big into TV these days, but The Walking Dead has kept me engaged mostly now because of Negan.

How long have you been working on this screenplay?

I have been working on the overall screenplay for a couple of months on and off. Part one took a couple of weeks after I decided to split it.

How many stories have you written?

I have Probably written more stories than I can count on both hands, but they are of varying quality.

What motivated you to write this screenplay?

I was motivated to write this screenplay after season 2 of the Flash disappointed me and the first episode of season 3 let me down. After that I passed off watching more episodes especially since CW lost them and Netflix is going to be a long while. In the meantime, I started thinking to myself how I would write a Flash story. I took influences from Dark Souls of all properties in crafting the villain. As well, I wanted some thrilling action scenes as well as an emotionally difficult arc for Barry to overcome, but achieve a sense of victory and closure.

It was initially a single screenplay, but after receiving very quality feedback, I realized the only way to satisfy all parties without compromising the story was to expand it into two part. It was worth it in my observation upon reading the final work. I hope the audience is also satisfied with it.

What obstacles did you face to finish this screenplay?

As I stated in my previous answer, the feedback indicated there was a need to expand certain aspects of the script particularly the side characters and the deeper origins of the villain. I made the decision to split it into two parts which gave me a lot of room to breath, but also forced me to consider new challenges.

Since it is two scripts, the need to maintain consistency between them was a must. Certain things that happen in two are explained in one, but if the explanations in one are not in sync with what is happening in two, the whole thing falls apart. As well, things set up in one need to have a quality payoff or their foreshadowing is just empty baiting that will turn off the audience.

Apart from writing, what else are you passionate about?

Aside from writing, I tend to read up on religion, history and politics. I used to be a big gamer, but I have mellowed out these days.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

What influenced my decision to submit for the festival was the need to finally showcase my writing to the professional circuit. After years of writing on and off, I wanted to see how far I have come and need to still go. What surprised me was how positive the initial feedback was. Most of the issues had more to do with technical structure and descriptions, but the response to the narrative essence was very enthusiastic. It certainly gave me a much needed boost and encourage me to write more consistently.

Any advice or tips you’d like to pass on to other writers?

I would say to writers to write, get feedback, and write some more. Read scripts to see the technical details of how movies are written and I will be honest, I have not done enough of that. As well, watch, and yes even play, the various entertainment mediums around and think about why you and others like or dislike them so much. Writing can be fulfilling, but it is not easy and a firm resolve is needed to stick with it.

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!