Feature Screenplay Reading of THREE PLAY, by John-Arthur Ingram

I think it’s the timely and respectful feedback that has influenced me to enter the festival. For a reasonable price, I can get insightful feedback and a chance to have it read aloud. And it’s a chance you get monthly, which is cool.

1st Scene Reading of HOW TO HOLD IT ALL IN, by Gwen Goodkin

I entered the contest because I liked the idea of getting feedback on the initial scenes to see if I was on the right track, especially because the short story and the screenplay open with different scenes. The feedback helped me realize there was an area of the script I had neglected that I needed to focus on.