Quyen Tran – January 2017 1st Scene Screenplay Winner

Watch the January 2017 Winning 1st Scene Screenplay.

Best Scene from the screenplay OCD Screenplay
Written by Quyen TranCAST LIST:

NARRATOR – Julie Sheppard
VIKTOR – Hugh Ritchie
DR. NAVID – Robert Notman
GWEN – Olivia Jon

SYNOPSIS:

Genre: Drama, Romance

Two university lovers have an intense argument.

Get to know the writer:

What is your screenplay about?

OCD (working title) is about a young woman who begins to have dark obsessions after an HIV scare.

What genres does your screenplay fall under?

Drama, Dark-Comedy

Why should this screenplay be made into a movie?

The script is currently 231 pages so it could be either a TV mini-series or film series. OCD should be made because it’s
an untold story relevant to the Millennial age.

How would you describe this script in two words?

“Digital Loneliness”

What movie have you seen the most times in your life?

It’s a tie between The Santa Clause or Deathproof.

How long have you been working on this screenplay?

Almost a year now.

How many stories have you written?

I’ve written several short stories but this is my first full-length story.

What motivated you to write this screenplay?

Something happened to me a year ago that left me in a state of devastation and I began writing this. It was the only thing that
made me feel better.

What obstacles did you face to finish this screenplay?

A major obstacle was finding a quiet place to write. I live in a loud household. It’s hard to write when there is some annoying
noise going on. I’m still trying to find a quiet, private place. Mostly, I write at night when everyone is asleep. Headphones,
earplugs, and music/atmospheric sound help.

Apart from writing, what else are you passionate about?

I’m currently reading Les Miserables by Victor Hugo, which I had put off for years because it looked so long and boring.
But I’m so glad I started, because so far, it’s one of the best stories I’ve ever read.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had also just rewritten the first scene so it was kind of a sign for me. Also, I found a coupon code on Facebook.

The feedback was paramount to my script’s consistent progress. It really encouraged me as a new writer, because it’s rare to get encouragement when people think you’re in your room all the time doing nothing, and you’re actually writing.

****
Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson


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Rena Dunsworth – November 2016 1st Scene Screenplay Winner

THE BURIED MOON AND HER DAUGHTERCAST LIST:

NARRATOR – Sean Ballantyne
SAL – Hugh Ritchie
BOB – Julian Ford
PRESIDENT – Peter Nelson
STEVE – Kheon Clarke
BEVERLY – Mallory Palmer
JENNY – Angelica Alejandro
MARY – Kelci Stephenson

SYNOPSIS:

Genre: Family, Fantasy, Drama

About a clairvoyant eight year old who strikes out with her ghost friend Debbie to save the buried moon.

Get to know the writer:

What is your screenplay about?

The Moon sees a reflection of her long lost daughter in a pool and comes down to investigate, and is caught in a trap by an evil witch. Her spirit finds a clairvoyant little girl and gives a special rock that can be used to locate her. Sal and her ghost friend leave to save the buried moon, and meet three special helpers on the way. They defeat three evil witches and save the Moon, and the Moon’s daughter (Debbie) is found at long last.

What genres does your screenplay under?

Fantasy, and it should be made because it is a great fantasy story for kids and adults alike.

How would you describe this script in two words?

Great fantasy

What movie have you seen the most times in your life?

The Fifth Element

How long have you been working on this screenplay?

Since the summer of 2015

How many stories have you written?

I’ve written two screenplays so far, and I’m outlining a third. I’ve written seven novels.

What motivated you to write this screenplay?

An English folktale called The Buried Moon, which was beautifully illustrated in the last century by Edmund Dulac.

What obstacles did you face to finish this screenplay?

I had a producer intetested in buying it if I could finish it quickly. I finished it, but then she didn’t buy it. At least I got the first draft done quickly.

Apart from writing, what else are you passionate about?

Painting landscapes and women. The women are patterned after Modigliani’s wome

What motivated you to submit to the festival?

I heard that it was a great contest for feedback. I was surprised and honored to be picked as a winner. Great feedback. I added a lot more action in the next rewrite as a result of the feedback I received.

SUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

****
Matthew Toffolo: http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Harold L. Brown – November 2016 1st Scene Screenplay Winner

20/20: SEARCH FOR INDEPENDENCECAST LIST:

NARRATOR – Sean Ballantyne
JEFF BEKK – Hugh Ritchie
DR. IVES – Julian Ford
FRANCOIS – Peter Nelson
CRAWFORD – Kheon Clarke
GRACE – Mallory Palmer
MADELEINE – Angelica Alejandro
KATLA – Kelci Stephenson

SYNOPSIS:

Genre: Thriller, Political Drama

An inventor with a plan that would replace oil must survive while forces in China, Canada and the United States vie for the technology.

What is your screenplay about?

The world is becoming a much more complex place. 20/20: Search for Independence is the story about Jeff Bekk, a young inventor who’s searching for his own validation by developing software to drive a project known as SEATech. Suddenly he’s left to finish the ICCCE invention started by his grandfather and search for the truth about his Icelandic grandfathers death.

Meanwhile, relying on Jeff’s SEATech software, China and Canada covertly prepare to eliminate oil sands greenhouse gas emissions undermining the future of major U.S. oil refineries and an unsuspecting U.S. government in the middle of a Presidential election.

As Jeff works on the SEATech project he “secretly” works on finishing the ICCCE prototype that can replace oil. His gambles to honour his grandfather put his grandfather’s legacy and ranch at risk. The deeper he gets, the more he realizes he must reassess who he can trust as he struggles to survive as global forces vying to steal “his” technology, guaranteeing their global energy dominance.

On a personal note, my grandparents are Scandinavian. I have always been fascinated by what countries with the climate changes they face, have, and continue to achieve. Maybe, colder air is better for the braincells.

What genres does your screenplay fall under?

20/20 is a techno thriller with strong political elements as major super powers fight for Jeff’s invention to achieve national security interests and energy dominance. Some have said it could be a political thriller.

Why should this screenplay be made into a movie?

This story is about the unintended consequences of well intended actions. We live in an increasing interconnected world where decisions or interests in an isolated desert are communicated as timely as decisions or demands on Wall Street. This is a world where you can push a button in a downtown village in Alberta that has catastrophic effects in Africa.

Jeff wants to see his grandfather’s invention realized and his obsession to realize his grandfather’s legacy nearly costs him his grandfather’s ranch. Worse yet, without a serious assessment, the invention in Alberta, could destroy an economy and a country half way around the globe.

How would you describe this script in two words?

Do Right. Be Selfless. Or in a few more words, do the right thing.

What movie have you seen the most times in your life?

Early on – The Firm; when I started to more seriously study story there was Casablanca, Schindler’s List, In the Heat of the Night, A Time to Kill, A Bronx Tale and Thunderheart. And, I have been lucky enough to meet Norman Jewison, one of the world’s greatest storyteller directors.

How long have you been working on this screenplay?

Total elapsed time, is more than a couple of years. It started as a germ of an idea and grew from there. Very few of my stories are short term ventures and they become deep stories of thought and reflection about me and the world I live in.

How many stories have you written?

I’ve lost count. I do know I have two techno thriller novels published, Deadly Invisible Enemies: Evil in the Air and Deadly Invisible Enemies: Hunt for Evil, and I’ve just finished the first draft of the third novel, Deadly Invisible Enemies: Evil Resurrection. I’ve also written a multi award winning miniseries, a web-digital series, two tv pilots including a project pitch/bible with 5 season and character arcs and at least eight award wining screenplays.

What motivated you to write this screenplay?

I wanted to explore the consequences a decision or special interest in one part of the world has on another part of the world. I landed on the idea of the impact an invention could have on the world. I wanted to move beyond a story that focus on one dimension, like the environment vs oil. As I already said, the world is increasingly interconnected. What is good for one region or group in a community or country may be catastrophic to another. In this story Jeff slowly begins to realize ICCCE is catastrophic—even destroying his girlfriend’s country. He realizes he cannot rely on anyone to figure out what to do—he must discover the facts, his truths and make a decision.

What obstacles did you face to finish this screenplay?

Unintended consequences is a tough thing to make personal and yet globally catastrophic. As for the subject matter of oil/energy markets, that is also a complex matter as others who have attempted it, such as Syriana have found out. People line up at the gas pumps and rage about the price of gas as they watch prices plummet half way around the world. It is a world of unintended consequences. Efforts to lower the price of gas, lead to an unexplained increase. That even made the story more compelling for me.

Apart from writing, what else are you passionate about?

I have an unquenchable thirst for knowledge and the study of the human condition. Why do people or countries do what they do? Why I react in a certain way to a situation? Often these worlds intersect at some point and the germ of a story is formed. That is what becomes my next potential quest or project. The journey of self discovery and a potential revelation I can share through a story.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I like writing. And I like writing thrillers. I would love to see one of my stories up on the big screen but hearing the story performed has also been a great experience for me and industry associates I work with. I have entered this festival several times and received feedback that has helped me improve the story I want to tell. I have also entered other competitions, like WILDSound many times, received incredible feedback that raised the quality of the story – to the point I garnered a professional reading of my racial drama screenplay titled “Hope is Not a Black and White Rainbow.”

SUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

****
Matthew Toffolo: http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Donald R. Brown – October 2016 1st Scene Screenplay Winner

Watch the October 2016 Winning 1st Scene Screenplay.

CRIME CYCLE
Written by Donald R. Brown

SYNOPSIS:

Genre: Crime, Thriller, Horror

A seemingly all-American family regularly rent out their guest home as a game to satisfy their urge to kill, but when their most recent tenants arrive they have a new set of plans in store for the sadistic bunch.

CAST LIST:

NARRATOR – Michelle Alexander
MADELINE – Katelyn Varadi
ABIGAIL – Julie C. Sheppard
NATHANIEL – Gabriel Darku
JOSEPH – Rikki Wright
NEWS ANCHOR – Sandy Kellerman

Get to know the winning writer:

What is your screenplay about?

Crime Cycle is about a seemingly perfect All-American family that regularly rents out their guest home as a game to satisfy their urge to kill.

What genres does your screenplay under?

It’s a thriller/horror film.

Why should this screenplay be made into a movie?

Because it captures the essence of race relations in our country today. It’s thought provoking. It’ll help people realize how close we really are to finding ourselves in a reality similar to the one in my script.

How would you describe this script in two words?

Overwhelmingly realistic

What movie have you seen the most times in your life?

The Wizard of Oz

How long have you been working on this screenplay?

4 months

How many stories have you written?

9

What motivated you to write this screenplay?

Hollywood. I wanted to write a script that demanded the attention of everyone from studio heads to agents and script readers.

What obstacles did you face to finish this screenplay?

Trying to find an end to enhancing the script. I’m a perfectionist, but at the same time I know there’s no such thing as the perfect screenplay. Struggling with that dynamic is always tough.

Apart from writing, what else are you passionate about?

Reading. Movies. Anything that keeps my mind occupied. I try to have a real zest for life.

Any advice or tips you’d like to pass on to other writers?

Persistence is crucial. You’ll probably fail over 100 times before you even get your first taste of success. Always be writing something.

***
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

FIRST SCENE SCREENPLAY CONTEST – Deadline October 5th

The communication, organization and feedback these guys offer are fantastic and scriptwriters of all disciplines and experience should be jumping at the service WILDsound provides. The best thing about it is they are as enthusiastic as you about your work. Thank you to everyone involved with WILDsound.
– Grant Reid, 1st Scene Submission

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. 

Are you just starting off your screenplay and want immediate feedback on your first scenes/first moments of your script?

Go here to submit: 

Send your first scene (or first moments – 10pg. limit) and get feedback. Winners (at least 40 a year) get their first scene read at the MONTHLY WILDsound Screenplay Festival (see video on right for example of what you’ll get when you win).

Great way to promote your script!

Watch the Past Winning Screenplay: 

WILDsound Announces its September 2016 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the September 2016 1st Scene Script Winners:

VOODOO LOVE
Written by Frederick Julius

SYNOPSIS:

Genre: Drama, Romance, Crime

A black-hearted vixen lures an ambitious hustler into her mansion as he seeks out a forbidden love. When merciless thugs come to rob and kill, it’ll cost him his fortune to save her lost soul.

CAST LIST:

NARRATOR – Steve Rizzo
TUCKA – Kaleb Alexander
DAMIEN – Randy Baumer
MR. KING – Steve Mitchell
EL TORRO – John Fray
ASIA – Heather Dicke
CASSANDRA – Norma Dawn Dunphy

*****

OLD BONES
Written by Dermott Hayes

SYNOPSIS:

Genre: Fantasy, Crime, Drama

We lose our soul when we bury the dead without dignity and for the sake of manna. Two brothers are caught in a dilemma of conscience, to lose their jobs or their souls.

CAST LIST:

NARRATOR – Steve Rizzo
COSTELLO – Steve Mitchell
SEAMUS – Randy Baumer
JOHN – John Fray
VOICE – Dan Cristofori

*****

CHASING THE WIND
Written by Corean Strong

SYNOPSIS:

Genre: Crime, Mystery, Drama, Thriller

A high flying, arrogant female homicide cop is assigned a serial killer case that thrusts her into a downward tailspin. She struggles to close the case due too eerie connections she cannot explain.
CAST LIST:

NARRATOR – Steve Rizzo
TONY – Dan Cristofori
ALLISON – Norma Dawn Dunphy
WILLIE – Kaleb Alexander
JONATHAN – Steve Mitchell
MOM-DONNA – Heather Dicke

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Deadline September 5th – FIRST SCENE SCREENPLAY CONTEST

Deadline September 5th. Submit and get your first 10 pages performed!

Watch over 60 1st Scene Screenplay Festival Winners:

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants.

Are you just starting off your screenplay and want immediate feedback on your first scenes/first moments of your script?

Send your first scene (or first moments – 10pg. limit) and get feedback. Winners (at least 40 a year) get their first scene read at the MONTHLY WILDsound Screenplay Festival (see video on right for example of what you’ll get when you win).

Great way to promote your script!

Submissions take 3-5 weeks for evaluation. Looking for screenplays


Why this is the #1 Screenplay Festival and Contest in the World today!

– 0ffers screenwriters at all levels the fantastic opportunity to hear their scripts read aloud using TOP PROFESSIONAL ACTORS and showcased online for 1000s to see.

– This network currently averages over 90,000 unique visitors a day and growing.

– WATCH past and recent script winning readings! CLICK HERE and see what happens when your script wins. Now showcasing x5 more winners than in the past. At least 10 winners a month.

– One of the best places in the world for the writers to sell their script and/or obtain and agent. Over 80% of our winners obtain an agent.

– No matter what happens, you will receive full feedback on your script by our established WILDsound Reading Committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback on your script, this is the festival for you.

It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– Also, all winners get to be a guest on WILDsound’s popular coast to coast radio show and promote your script and your career to the world!


SUBMIT the first scene/first moments (10 pages or less) of your screenplay
You will receive feedback on your script in 3-5 weeks

The RULES are simple:

1. Write your first scene/first moments. Edit the heck out of it.

2. Email your script to 1stscenescreenplay@wildsoundfestival.com in .pdf, .doc, .wpd, .rtf, or .fdr format.

In the body in the email please add your:
– FULL NAME
– CITY AND COUNTRY
– TITLE OF SCRIPT
– TYPE OF SCRIPT (1st scene entry)
– (optional) and a 1-2 line synopsis of your screenplay.

OR if you like to mail us your script with a check, please email us and we’ll make arrangements.

PLEASE ADD YOUR FULL CONTACT INFO (especially email address) on the title page of your script!

3. Pay the $20 submission fee ($15 OFF regular submission) via the button below (credit card or payment account) or include a cheque payable to WILDsound Film Festival. Please put your full contact info (name, email address) on a title page

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We also accept online submissions through Film Freeway. Click on the link BELOW to submit online through this middle-man resource website.

ALL SUBMITTED SCRIPTS GET FULL FEEDBACK – The goal of the WILDsound Film and Screenplay Festival is to help everyone involved grow as an artist, so we will offer feedback to jump start you to your next draft. If you are not fully satisfied with the feedback you receive, we will send it off to new committee members until you are fully satisfied. We understand where new and mid-level writers are coming from and we want to help you as much as we can.

WATCH past and recent script winning readings! CLICK HERE and see what happens when your script wins.