Best Scene Reading of FROM A KID’S POINT OF VIEW, by Chad Smith

 

Genre: Fantasy/Comedy

A man’s mother-in-law puts a voodoo hex on him to overcome work problems, bad habits, and kidnappers.

Narrator: Val Cole
Jack: Gabriel Darku
Carl: Neil Bennett
Mary: Lauren Toffan

Get to know the writer: 

 What is your screenplay about?

A man’s mother-in-law puts a voodoo hex on him to overcome work problems, bad habits and kidnappers. The bad thing is it backfires and he and his wife have to deal with a different set of problems while coping with everything else.

What genres does your screenplay fall under?

Fantasy and comedy.

Why should this screenplay be made into a movie?

I think people might find it entertaining, coming from a different prospective.

How would you describe this script in two words?

Different entertainment.

What movie have you seen the most times in your life?

It’s a mad, mad, mad, mad world.

How long have you been working on this screenplay?

5 years.

How many stories have you written?

5

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Mountain Jam by The Allman Brothers Band

What obstacles did you face to finish this screenplay?

Too many rewrites.

Apart from writing, what else are you passionate about?

Trying not to get too old as I grow older.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

To get a read. Good.

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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Best Scene Reading of MARLOWE, by Mark Mc Quown

 

Genre: Action/Adventure with Animation

Marlowe is a brown, Virginia field mouse that moves into the farm house where he meets eleven-year-old Cole who thinks he is an alien and teaches him to speak and wear a suit. In the end, Marlowe saves Cole and a small conclave of humans and animals from the appetite of a voracious virus that kills almost all animal life on the planet in less than a year.

Narrator: Val Cole
Cole: Gabriel Darku
Lloyd: Neil Bennett
Louise: Lauren Toffan

Get to know the writer:

What is your screenplay about?

“Marlowe” is about a mouse who saves the world from a hungry virus with the help of two teenagers

What genres does your screenplay fall under?

Action/Adventure

Why should this screenplay be made into a movie?

Because the screenplay is also an animal rights movie and we need to spread the word about animal rights.

How would you describe this script in two words?

Incredibly fantastic

What movie have you seen the most times in your life?

Harry Potter

How long have you been working on this screenplay?

One year

How many stories have you written?

In the thirties

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Tea For The Tillerman, Cat Stevens

What obstacles did you face to finish this screenplay?

Making it fit in the parameters of the book it was taken from.

Apart from writing, what else are you passionate about?

Acting, Directing design

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Excellent, very organized.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Festival has a good buzz from writers and the feedback I received was just excellent.
 

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

SHORT SCREENPLAY – PROTEST SEEN by Donald J. Bingle

Watch the Winning January 2017 Short Screenplay.

Best Scene from the screenplay PROTEST SEEN Screenplay
Written by Donald J Bingle

CAST LIST:

NARRATOR – Val Cole
PROTESTER – David Straus
YOUNG MAN – Gabriel Darku
FLAME BOY – Nick Wicht
GIVER – Charles Gordon
BUSINESS WOMAN – Shannon McNally

SYNOPSIS:

Genre: Drama

What if they held a protest and nobody paid attention?


Get to know the writer:

What is your screenplay about?

It’s about how America reacts to protest.

What genres does your screenplay under?

Dark humor; drama.

Why should this screenplay be made into a movie?

In just a few pages, it touches on the commitment of protesters, the importance of protest movements, the futility of protest movements, and the apathy of the American public.

How would you describe this script in two words?

Protesting apathy.

What movie have you seen the most times in your life?

Hard to say. No VCRs or DVRs when I was a kid. Probably something like the original Journey to the Center of the Earth (with Pat Boone) or Harvey (Jimmy Stewart) or Princess Bride.

How long have you been working on this screenplay?

I wrote it many years ago, but the process of actually writing it wasn’t that extended. It’s only a few pages.

How many stories have you written?

I have five books and fifty or so shorter stories published in the thriller, mystery, science fiction, horror, steampunk, comedy, romance, and memoir genres, along with a couple screenplays and a dozen or so adventures for role-playing game systems. More about me and my writing at http://www.donaldjbingle.com.

What motivated you to write this screenplay?

It was a creativity exercise triggered by a prompt.

What obstacles did you face to finish this screenplay?

Screenplay formatting is a challenge for those who primarily write short stories.

Apart from writing, what else are you passionate about?

Causation. People don’t think about both the intended and unintended consequences of their actions and they don’t seem to care about the reasons why people may disagree with them about all sorts of important subjects.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The feedback was specific, helpful, and good. I entered because I believe Protest Seen would make a good, limited budget, limit cast, limited location project for a film student to tackle and submit to film festivals, but I don’t have ready access to people who might be looking for that kind of project.

Any advice or tips you’d like to pass on to other writers?

Understand not only your strengths, but your weaknesses, and challenge yourself to write things you never would have imagined yourself writing to develop your craft and expand your skill sets.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

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Watch the Winning FEATURE Screenplay for October 2016

CHARLOTTE SOMETIMES
Written by Cate Carson

SYNOPSIS:

Genre: Family, Drama, Fantasy

After losing her mother, a vexed 9 y.o. girl discovers a dream machine hidden in her deaf father’s workshop, but an unexpected friendship with a quirky boy becomes the real cure to her loneliness.

CAST LIST:

NARRATOR – Michelle Alexander
CHARLOTTE – Katelyn Varadi
OLIVER – Gabriel Darku
MS. GRAY – Sandy Kellerman
OLDER CHARLOTTE – Julie C. Sheppard
OLDER OLIVER – Rikki Wright

Get to know the winning writer:

What is your screenplay about?

After losing her mother, a vexed 8 y.o. girl discovers a dream machine hidden in her deaf father’s workshop, but an unexpected friendship with a quirky boy becomes the real cure to her loneliness.

What genres does your screenplay under?

Family/Holiday/Dramedy

Why should this screenplay be made into a movie?

Everyone experiences grief and everyone needs love to heal. This film is one that can speak to all ages and will bring audiences on an adventure while making them laugh and cry, but most importantly – feel.

How would you describe this script in two words?

Quirky and endearing

What movie have you seen the most times in your life?

Liar Liar, Forrest Gump and either the Die Hard series or Lethal Weapon series. This is a very tough question.

How long have you been working on this screenplay?

Two years

How many stories have you written?

Probably around 10

What motivated you to write this screenplay?

I heard of someone named Charlotte Sometimes, fell in love with it and built a character and story around it.

What obstacles did you face to finish this screenplay?

Making sure the whimsical fantasy elements aligned well with the real world. Making sure everything had a purpose. I was grateful for the extensive feedback from this festival because it helped me more critically analyze and fix this portion of my screenplay.

Apart from writing, what else are you passionate about?

I am also a director, actor and producer. I own a company called Sensorium Pictures. Besides film I love creating other types of art, photography, the outdoors and am passionate about finding my place as a humanitarian. I have always wanted to help people and telling their stories is only one avenue for doing that.

Any advice or tips you’d like to pass on to other writers?

Write and keep writing. Try to show your work to people who are better than you. There will always be someone with value to add. Submitting to a few festivals with script feedback can be a tremendous help – especially after you have exhausted your inner circle and want fresh eyes. Your friends and family count only if they know what they’re talking about.

***
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

WILDsound Performer: GABRIEL DARKU

ACTOR GABRIEL DARKU

Height: 5’11

Hair: Dark Brown

Eyes: Brown

ACTOR1st Scene Reading of FACSIMILE
September 2015 Reading
Written by Gary Makin
ACTOR1st Scene Reading of HOW TO HOLD IS ALL IN
September 2015 Reading
Written by Gwen Goodkin
ACTORBest Scene Reading of AMONG US
September 2015 Reading
Written by Renana Hancock
ACTORBest Scene Reading of CHILDREN WANT WHAT THEY WANT WHEN THEY WANT IT
September 2015 Reading
Written by Carolyn Reese
ACTORFEATURE SCRIPT Reading of THREE PLAY
September 2015 Reading
Written by John-Arthur Ingram
ACTORBest Scene Screenplay – MISPRINTS
February 2016 Reading
Written by Adam Preston
ACTORBest Scene TV Pilot – MY LIFE WITH STELLA KANE
February 2016 Reading
Written by Linda Morganstein
ACTORFeature Screenplay – HENRIETTA’S ODYSSEY
February 2016 Reading
Written by L.R. Whittinger

 

ACTORShort Screenplay – FOR HOPE
February 2016 Reading
Written by Cindy Lee
ACTORShort Screenplay – LOVES LABORS LOST
February 2016 Reading
Written by Stanley Eisenhammer
ACTORShort Screenplay – TURN ON DESIRE
February 2016 Reading
Written by Lauren Hoekstra

 

ACTORBest Scene Reading of FEI JI
September 2015 Reading
Written by James C. Peters
ACTORFEATURE SCRIPT – FIX FACTORY
October 2014 Reading
Written by Kyle Jenkins

Short Screenplay Table Reading – TURN ON DESIRE by Lauren Hoekstra

TURN ON DESIRE is the February 2016 Short Screenplay Winner.

Watch TURN ON DESIRE by Lauren Hoekstra

CAST LIST:

NARRATOR – Susan Wilson
LUKE – Mark Sparks
PIMP – Neil Kulin
BOY – Gabriel Darku
LOUDSPEAKER – Elizabeth Rose Morriss

Genre: Sci-Fi, Thriller

Get to know writer Lauren Hoekstra:

Matthew Toffolo: What is your short screenplay about? 

It’s set in a not-too-distant future where the proliferation of virtual sex has killed meaningful relationships and created a society in search of ever-more extreme forms of gratification. Luke, the protagonist, is caught in this vicious circle of gratification and craving. Until he discovers he’s yearning for something long since forgotten.

Matthew: Why should this screenplay be made into a movie? 

Everyone wonders where we’re headed in the future and this story takes a trajectory of something we’re experimenting with today and shows a potential consequence.

Matthew: This story has a lot going for it. How would you describe this script in two words?    

A surreal romance

Matthew: What movie have you seen the most times in your life? 

 Cinema Paradiso

Matthew: This is  a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

 I wrote it very quickly as a short story a couple of years ago, then tried, and failed to turn it into a short screenplay. After that, I abandoned it for a few years, until recently. This time, the screenplay flew.

Matthew: How many stories have you written? 

 Not that many. I’m a director first, writer second.

Matthew: What motivated you to write this screenplay? 

I was about fifteen when internet became a standard household item. Over the next decade, I personally felt the effect it had on relationships and it made me want to capture what I think we might be losing.

Matthew: What obstacles did you face to finish this screenplay?

The main obstacle was the fact that the protagonist and antagonist never meet, so I had to create secondary characters to explain the story.

Matthew: Apart from writing, what else are you passionate about? 

 I love directing and producing.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’ve had another work featured and it’s amazing to hear your screenplay performed. I’ve found the feedback to be very helpful and I’ve incorporated nearly all the recommendations.

Matthew: Any advice or tips you’d like to pass on to other writers? 

Contests that give feedback, like WILDsound, are invaluable.

 

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

 

 

Feature Screenplay Table Reading: HENRIETTA’S ODYSSEY by L R Whittinger

Henrietta’s Odyssey is the February 2016 Feature Screenplay Winner

Watch HENRIETTA’S ODYSSEY by L R  Whittinger:

CAST LIST:

NARRATOR – Susan Wilson
HENRI – Amanda Pereira
EANIE/ARTHUR – Gabriel Darku
GEEGLE – Mark Sparks
ADA/MRS. STRICT – Elizabeth Rose Morriss
VARIOUS – Neil Kulin

Get to know winning writer L R  Whittinger:

1. What is your feature screenplay about? 
To save her Henrietta’s life, she is left on an earthling’s doorstep by Geegle one of the most untrustworthy characters in the plot. It so happens she is left on the wrong doorstep. She falls into the hands of the greedy Fritzgrumpy’s and becomes their slave. After Henri discovers she is a foundling and her supposed parents were only interested in being paid for looking after her. Her life turns upside down. Eanie Meanie saves Henri aided by with Geegle. So she can to find her way back to her real place in time and space.  However, the Black Cardinal who has taken her rights away wants her dead.
 
2. Why should this screenplay be made into a movie? 
This is a rare comedy script, as weird as Edward Scissorhands and as compulsive as Time Bandits. The story is told in the style of Alice in Wonderland with animated sequences. 
 
3. This story has a lot going for it. How would you describe this script in two words?    
Humungously funny
 
4. What movie have you seen the most times in your life? 
City of Ember (2008). It is always on TV and has a deep interesting plot.
 
5.  This is  a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?  
This story began as a manuscript around 2006. It was published as Henri and the Alien (2008) and one London publisher immediately said it should be a film. Within a few years, I had developed a children’s TV series. I had interest at MIPCOM, Kidscreen, and CMC, but thought a feature film would allow me to build a stronger brand. I have been working on the screenplay with other projects for two years. 
 
6. How many stories have you written? 
I have written nine stories if one does not include different versions of the same story for different media. 
 
7. What motivated you to write this screenplay? 
I think taking this story from novella to TV series, to Screenplay has been an enjoyable experience. I laughed and cried along with it. I had another screenplay on my PC about dolphins at the same time, which is now in pre-production under another writer’s name. It taught me how to write in multiple mediums for different audiences. 
 
8. What obstacles did you face to finish this screenplay? 
Writing screenplays is like learning a language, very different from novels and literary fiction. It has a different grammar and tense. This problem is common to all writers, who switch from TV to films, or to books. One obstacle is always the problem, what to cut and what to keep, and which character leads and when. Another problem with a visual medium is leaving the right clues, for an actor to pick up the character’s emotional state. How many films have you watched, where a dialogue line can be interpreted many different ways with, pauses, expressions, etc. 
 
9. Apart from writing, what else are you passionate about? 
I love history and am sad that many writers do not use authentic situations in historic films. The past is very intriguing and can offer enormous opportunities emotionally. I tend to be a workaholic because I was born on Saturday. I love the irony of politics, sport, and religion and wonder how they can subsume people. That is the novelist and thinker coming out. I think everyone should study anthropology, so they, can see how ridiculous humans are.  
 
10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I feel WILDsound is a great way to develop a screenplay and get friendly feedback. It can be slow, but that has advantages, as every writer needs, at least, three projects underway at a time. You cannot keep reading the same thing repeatedly without a break. You need to be on the ball and creative.   
 
11. Any advice or tips you’d like to pass on to other writers? 
As William Nicholson (Gladiator, 2000) told me screenplays are about story. Never be possessive about you work. If you are, no one will want to work with you. The real trick for someone like me who writes book to film screenplays is, think out of the box and remember films are about seeing not feeling. Lastly, unless you are also a director or producer you will likely be undervalued for your contribution. The industry is geared to publicizing a few directors or actors to attract audiences. Thankfully, WILDsound is giving screenwriters the place they deserve. 
Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson