Tag Archives: anjelica alejandro

Best Scene Reading: DRUNK DRIVING SCENE from the script High School Redemption

Every writer has to market his/her own work and it helps to try different avenues in an effort to get his/her work out there.

– Writer Stephanie Sharp on the WILDsound Screenplay Festival (Review)

    Watch the Best Scene from the script High School Redemption:


    NARRATOR – Becky Shrimpton

Q&A with the Writer Stephanie Sharp:

Matthew Toffolo: What is your screenplay about?

Stephanie Sharp: ‘High School Redemption’ (WGA Registered)

After his arrogance leads to a DUI accident in which his wife and four others lose their lives, Daniel is visited by an angel who sends him back through time to his high school days for a second chance at life and in doing so, gives Daniel the opportunity to save Nicole’s life via an ultimate sacrifice. This ‘divine’ offer is due mainly in part to Nicole’s repeated prayer requests for Daniel and the uplifting of his heavy heart. Can Daniel change things, or is his “redo” destined to end the same as his first? Daniel’s decision becomes evident through the redemption and heart-breaking sacrifice he portrays in the story and the decision he makes to save Nicole’s life. This premise of the story basically highlights the strong points in the script outlining the concept of this inspirational, faith-based, fantasy film.

**The official ‘Movie Script Video Pitch’ as well as top-rated script reviews can be accessed via the following website at http://www.youtube.com/watch?v=jX2cmlo-IeE&feature=youtu.be&hd=1 as well as a table read (via professional actors) of the infamous ‘drunk-driving scene’ (that ultimately takes Nicole’s life) via the following website at https://www.youtube.com/watch?v=r_kEHUytLzA. The actual script itself can be accessed via http://www.screenwritershowcase.com/scripts/s724.pdf for a full review as well as a view of the promotional movie poster at https://www.facebook.com/photo.php?fbid=1639089772983164&l=b6a708a7e4.

Official Logline:
In exchange for a devastating sacrifice, an abusive alcoholic (killing his wife in a drunk-driving accident) receives a divine offer to relive his high school days in order to bring her back.

MT: Why should this script be made into a movie?

SS: Given the films currently being released by Hollywood, there is a strong need for more uplifting and inspirational films that speak to the heart. There is a generally broad audience for this particular genre so when a script that truly speaks to the heart presents itself, it would be wise for people to take notice. There is also a message within the depth of the story that addresses bullying and it’s affect on our family, friends and society as a whole. We should never pass up the opportunity to have our lives touched and our spirits heightened, be it through visuals, literates or our own lives.

Official Script Reviews:
“This is one of the better single-location scripts I’ve seen, and I wouldn’t be surprised if it actually got made somewhere down the road.” — Lynne Pembroke Professional Screenplay Coverage (Coverscript.com)
“I think this story is an excellent idea. I particularly liked ‘Love and Let Die’ as a recurring theme. The idea of emotional sacrifice for others is very profound and important for everyone to learn, especially the young. I would love to see this play.”
— The Talentville Town Council
“This was a great story of sacrifice and redemption.” — **** Jonathan McCorvey (Screenwriter)
“The possible making of a strong film.” — LS (Critique Section of Writer’s Literary Services)
“A good marketable story line.” — Sam Sherman (Script Editor)
“A script that is fittingly concise, ensuring that it is a fast read with a great surprising (yet unexpected ending) and that explores big thems meant for movies with fascinating ‘what if’ questions.” — 2014 Sunscreen Film Festival Coverage

MT: How long have you been writing stories?

SS: I have been writing stories for pretty much as long as I can remember. I currently have several manuscripts that have publishing options available as well as a total of 3 additional full-feature scripts and one short.

MT: What movie have you seen the most in your life?

SS: I am a sucker for 80’s suburbia type movies, such as Goonies (for example). I have seen Goonies several dozen times and refer to it as one of my all-time favorites.

MT: What artists would you love to work with?

SS: Ironically, I see more of a potential need for new up-and-coming artists, actors, etc. who are trying to make their stand in the world of entertainment and I stand firm in the possibility of giving these individuals a chance to stake their claim in this world of uncertainty as they are given a chance to play out roles of endearment, love and positivity.

MT: How many stories/screenplays have you written?

SS: I have written a total of 4 full-feature scripts and one short.

MT: Ideally, where would you like to be in 5 years?

SS: I would love to have at least one of my scripts (particularly this one, ‘High School Redemption’) optioned/produced and be under management with an agent to further along the success of my additional literary works of art.

MT: Describe your process; do you have a set routine, method for writing?

SS: I make it a habit to use each evening, after returning home from a full-time administrative position, to write at least 1-2 hours prior to bedtime.

MT: Apart from writing, what else are you passionate about?

SS: I am very passionate about vintage black and white stock photography. I have personally designed a website (via an on-line store) called ‘Memories and Beyond (Vintage Stock Photography) which can be accessed via the net at http://memoriesandbeyond.com/.

MT: Any advice or tips you’d like to pass on to other writers?

SS: Never give up. I think that making it in Hollywood is a possibility. I don’t believe that there are a line of soldiers protecting the boundaries of the entertainment industry, allowing only those well-known names to enter. Everyone is always looking for a good, well-written story to capture the heart of the audience. My belief is that if you have a great story that needs (and should) be told, as soon as that right agent or producer takes the time to review the full script, that eagle might very well fly.

7 Questions with the November Feature Screenplay Winner ELAN CARLSON

Today we like everyone to get to know the talented screenplay writer Elan Carlson. The feature script winner for her script CAHOOTS. Watch it here:


When their fishing village is invaded by brutal immigrant thugs, a Chinese family runs for secret shelter, asking help back to China from a pair of bickering Scottish and Irish rail hands who work a remote railroad spur and breakfast on beans and beer. Smitten by La Ling’s strength and beauty, Haggis twists Ketch’s terrified arm until he agrees. Now, all terrified, they join together undercover and set forth in a survival of scheming, conniving — whatever it takes.


NARRATOR – Becky Shrimpton
HAGGIS – John Goodrich
KETCH – David Schaap
LA LING – Anjelica Alejandro
VARIOUS – Sean Ballantyne
VARIOUS – Stephen Flett


1. What inspired you to write this screenplay about the railroads in the 1800s?

My inspiration to write of 1800’s railroads must have started when I was a little kid and LOVED the trains — the sound as they came and went thru town, when we got to ride, their beautiful structures… It was awhile before #0110 came to be a story.

2. Did you do a lot of research on this time to prepare for your script?

I schooled early in Berkeley, CA. Loved every trip to San Francisco, so finally moved there. Spent every moment possible in Chinatown, wallowing in the food, exploring every shop, neighborhood — and listening. Even bought their Chinese newspapers for special gift wrap.

One night I dreamed clearly of a Ruby/LaLing women standing in a shabby old western bar. With her back to me she was pleading with a man leaning against the bar — never saw his face. “She” stayed with me from then on — every day more intense for me to get to the library and find her story.

After work on evenings and weekends, I began prowling the books and discovered more and more the heart of our early Chinese tale. Which spoke of the time of Chinese emigration from Canton in its economical ruin — people in deep suffering — starving to death. Mostly men came to work the mines and new railroads or needed funds. There was one flourishing center of prostitutes in Chinatown (not the auction house), but CAHOOTS ladies chose man’s labor in disguise. So now I hear my “dream lady’s” story of how her whole self connects to the railroads’ two quirky, compassionate rail hands and how the five become bonded forever in the shelter of the trains. Makes me wonder if that really happened …

3. The interesting thing about your script currently is its tone. It reads like a PG family script for all to watch, but with racism, prostitution, and other mature plots. Was this done on purpose?

Yes — :o) — spent tons of time researching and learning, learning, learning! (and loved it!)

I met my “dream lady” with a sense of deep familyness, then researched and learned her real story — I’m sure, she needed to be heard.

4. Who would be your main target audience for this script?

Main audience target would be all adults, not any youngies, for sure.

5. In a perfect world, what actors would you love to see casted in the the main roles?

Wow! — my first feeling is George Clooney with Matt Damon as Ketch. They live their talented lives in true compassion and understanding of all others. And their ages would be fine with the roles. Wow — would that be “perfect” or what?!

6. Apart from writing, what else are you passionate about?

ALL that brings peace, prosperity, joy and love to everyone everywhere!!!

7. What influenced you to enter the WILDsound Script Contest?

I’ve always loved the movies I see that carry the approval laurel of Toronto International Films.
When I was searching my email for festival entries on Withoutabox, WILDsound popped up — I “WHOOHOOed” and popped in my submission.

Elan Carlson BIO

My second-grade teacher was first to hand me a pencil to create a story. For years, other teachers did the same, and I came to embrace my inspiration with my own pen. First by publishing stories in Berkeley Gazette’s Human Interest Column and to writing PR columns for Phoenix Gazette.

Graduating on to working full time day job, my boss let me skew my work hours to get time off to work in film and to begin screenplay studies. My mentors were Richard Walter UCLA, Dov S-S Simens, Syd Field, Robert McKee, John Truby, William Goldman and Dave Trottier. I have had Linda Seger’s and Richard Walter’s supportive critiques on my beginning scripts. With studies complete in Feb 2003 I signed onto Trigger Street with my first draft of CAHOOTS. It was a daily reading/feedback to other writers and learning their feedback for me. Three months later in May 2003, I had to drop out of TS to care for my ailing dad (then my mom), so CAHOOTS came away with a rating of “Excellent — 11 out of 1,837.”

When my parents came to rest, I moved to Colorado Springs to be with my family in 2014. Here I discovered my first year in submitting screenplays to film festivals — a treasure being Toronto’s WILDsound Festival, who has mentored me with hours and pages of expert feedback and acceptance of CAHOOTS for promotion.

As of this writing, La Femme Film Festival, has awarded CAHOOTS a Finalist Laurel, and Women’s Independent Film Festival has chosen CAHOOTS as first place winner in their script competition.

Deadline is TODAY to submit your own feature script to the festival: