Tag Archives: comedy festival

RSVP the COMEDY & ANIMATION Best of SHORTS Festival – Thur. March 30th. 7pm. Carlton

Special Event: COMEDY & ANIMATION Best of Shorts Film Festival – Thur. March 30th. 7pm. Featuring the best of shorts from around the world:

1st ACT – Best of COMEDY Short Films
2nd ACT – Best of ANIMATION Short Films

RSVP your tickets at:
http://www.wildsound.ca/comedyfilmfestival.html

OR, simply reply to this email and RSVP.

(Excellent lineup of films from the UK, United Arabs, Myanmar, Taiwan, Canada, Australia, and the United States.)

You can come for FREE or make a donation on the night. Or, you can RSVP on the program page and make a donation via paypal or credit card.

Giving you films from all corners of the world in different genres and formats.

RSVP your Festival passes for the 2017 season for only $40. 20 festival dates scheduled in Toronto.
http://www.wildsound.ca/torontofilmfestivals.html

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Watch Winning TV SPEC Screenplay of UNBREAKABLE KIMMY SCHMIDT by Sarah Cassell

The NOVEMBER 2016 Winning TV Screenplay 

TV SPEC of THE UNBREAKABLE KIMMY SCHMIDT
Written by Sarah Cassell

CAST LIST:

NARRATOR – Benjamin Camenzuli
KIMMY – Cass Van Wyck
TITUS – Percy Alexander Harris
JACQUELINE – Jane Smythe
LILLIAN – Becky Shrimpton
WILL – Hugh Ritchie
RUSS – Paul Whitaker

SYNOPSIS:

Genre: Comedy

Kimmy creates a fake account on a millionaire dating website to help Jacqueline gain self-esteem.

Get to know the winning writer:

What is your TV Spec screenplay “Unbreakable Kimmy Schmidt” about?

My spec “Kimmy Learns to Catfish!” is, at its core, about learning to accept emotional baggage. Everywhere but the core, it’s about Kimmy accidentally setting up a date with Jacqueline from a completely fake online dating account.

How does this screenplay fit into the context of the show?

This episode comes into play immediately after the end of season two. Each character revisits something in their past that is affecting their life currently. Kimmy reflects on her relationship with Dong. Jacqueline lets the trauma of her divorce affect her relationship with Russ. Titus’s lifelong string of unsuccessful relationships makes it hard for him to trust Mikey. Lillian, who, after years, still hasn’t come to terms with the death of her husband, spends the entire episode talking to a rat who stole her wedding ring. They each find a way to acknowledge their past, and its role in their present, by the end of the episode. Also, it’s very silly.

How would you describe this script in two words?

Brain box.

What TV show do you keep watching over and over again?

I’ve probably watched 30 Rock four times all the way through. Friends and Gilmore Girls have also gotten the go around twice each, at least. At the moment, I’m re-watching Curb Your Enthusiasm. It holds up.

How long have you been working on this screenplay?

I worked on this for about two months before calling it ready, but the main bulk of the writing was done in about a week.

How many stories have you written?

I write stories constantly, though not always in this form. I write and perform with the house sketch team Stockton at the Magnet Theater in NYC, so I’m generating several sketches every week. I’ve been working on a pilot as well, and developing a story for that has been an interesting process. This is my only spec script so far.

What motivated you to write this screenplay?

I’ve always considered myself a writer, but I decided I wanted to write for television when I started doing improv and sketch comedy. I took a TV writing class at Gotham Writer’s Workshop with Jim Mendrinos, who guided me through the process of writing this spec.

What obstacles did you face to finish this screenplay?

Landing on a storyline you can really get behind is a challenge, but the hardest thing about writing is probably editing – finding it in your heart to cut a joke or a bit that you love in order to serve the story. RIP to the jokes I left behind – I still love you babies.

Apart from writing, what else are you passionate about?

Improv. Singing. Ukulele. My new skateboard that I am not good at riding yet. Snacks. My family. Dogs.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had written this thing, and I didn’t know what to do with it. I started looking into festivals and programs that I could submit it to online, and WILDsound was the first one I landed on. I appreciated the feedback so much – it was incredibly helpful. It was clear that it came from a place of extensive knowledge, and that my script had been carefully studied and considered.

Any advice or tips you’d like to pass on to other writers?

This is obvious, but write all the time. Don’t wait for the perfect idea – even a writing terrible thing is better than not writing a thing. Sharpen your skills daily so that when your perfect idea hits you, you are actually good enough to handle it.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Today’s FilmFreeway: Festival of Comedy – Film & Screenplay Festival


I think it’s the timely and respectful feedback that has influenced me to enter the festival. For a reasonable price, I can get insightful feedback and a chance to have it read aloud. And it’s a chance you get monthly, which is cool.
– John-Arthur Ingram (Feature Screenplay, Three Play)

Thursday December 29, 2016

Thursday February 23, 2016

Screenplay Festival Monthly.

Watch the Winning Comedy Screenplays and Short Films at the festival in 2016:

January 2016 Film and Screenplay Festival:
January 2016 Comedy Films/Screenplays/Stories

February 2016 Film and Screenplay Festival:
February 2016 Comedy Films/Screenplays/Stories

March 2016 Film and Screenplay Festival:
March 2016 Comedy Films/Screenplays/Stories

April 2016 Film and Screenplay Festival:
April 2016 Comedy Films/Screenplays/Stories

May 2016 Film and Screenplay Festival:
May 2016 Comedy Films/Screenplays/Stories

June 2016 Film and Screenplay Festival:
June 2016 Comedy Films/Screenplays/Stories

July 2016 Film and Screenplay Festival:
July 2016 Comedy Films/Screenplays/Stories

August 2016 Film and Screenplay Festival:
August 2016 Comedy Films/Screenplays/Stories

September 2016 Film and Screenplay Festival:
September 2016 Comedy Films/Screenplays/Stories

Submit via FilmFreeway:

Read testimonials from the 2016 Festival Submissions:

Terrific reading of my screenplay. Please thank the actors for me! The initial feedback was encouraging and it also appropriately threw light on some needs of the script.
– Robert Tolz (Screenplay, Renassance Man)

Absolutely outstanding notes and I can’t thank you enough. Obviously Charlie Kaufman are difficult waters to sail but I am determined to rock on. The first thing I throw out of the boat is He Who Appears To Be He. But a girl can dream can’t she? Count on one thing you will be receiving my rewrite with a boatload of gratitude.
– Kelly Karam (Screenplay, Ole: Rising Above Mith)

Thank you for the feedback! I appreciate it and will work to improve it.
– Evan Schullery (Screenplay, Due South)

Thank you so much for including my spec script in your festival. The feedback you’ve given me is very detailed and useful. I’ll make sure that I make the necessary changes to the script.
– Linsen Oyosa (TV Spec, Brooklyn Nine-Nine)

Deadline November 10th – Comedy Screenplay Festival (Save $15)

Festival for Comedy-A FilmFreeway preferred festival:

COMEDY Writings and Films showcased in 2015:
28 – Screenplays Performed
8 – Novels/Stories Performed
22 – Films Showcased at Festival
(Scroll down and watch winning performance videos)

Get your script and story performed by professional actors at the Comedy Festival. Get your Short Film showcased at the FEEDBACK Film Festival and get a audience video.

The #1 Comedy Festival and Contest in the World today!

– 0ffers screenwriters, novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– Offers filmmakers to get their works showcased at the FEEDBACK Film Festival. Then the filmmaker will receive and audience reaction video on their film (see below for recent film festival videos)

– One of the best places in the world for the writers to sell their script and/or obtain and agent.

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is the festival for you.

– It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– We specialize in showcasing Comedy stories and making sure that when the work is ready, the writer will benefit by at least obtaining a solid agent.

The RULES are simple:

1. Write a story. Edit the heck out of it. .

2. Email your work to submissions@festivalforcomedy.com   in .pdf, .doc, .wpd, .rtf, format. Or, if submitting your film, please send us a Vimeo or download link.

In the body in the email please add your:
– FULL NAME
– CITY AND COUNTRY
– TITLE OF STORY/FILM
– TYPE OF WORK (short film, TV script, Feature script, short script, novel, short story)
– (optional) and a 1-2 line synopsis of your story/film.

PLEASE ADD YOUR FULL CONTACT INFO (especially email address) on the title page of your work.

3. Pay the $35 submission fee ($15 off regular price) via the  button here:
Buy Now Button

OR, Submit via FilmFreeway, the exclusive way our festival accepts submissions.:

WATCH Winning COMEDY Screenplay and Story Readings:

WATCH Audience FEEDBACK Film Festival Videos:

Watch Videos from the Oct. 2016 Festival for Comedy

Submit your Comedy Screenplay or Film to the Festival Today:http://festivalforcomedy.com

See the October 2016 Comedy Stories. Click the link and watch the winning videos:

ACTORSHORT Screenplay – I NEVER KNOCK
October 2016 Reading
Written by John Ervin
ACTORLONG SHORT Screenplay – THE MIGHTY BIRD
October 2016 Reading
Written by Brian Gililland
ACTORSHORT Story – WATERMELON EATING CONTEST
October 2016 Reading
Written by Teri B. Clark
ACTORSHORT Story – DEAD END JOB
October 2016 Reading
Written by Alice Lacey
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORSHORT Screenplay – SYMPATHY
October 2016 Reading
Written by Steven Sinnenberg
ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy
ACTORSHORT Story – TRUE NORTH
October 2016 Reading
Written by Hal Ackerman

festival posterTHE APOLOGY, 7min, UK, Mystery/Crime
WATCH Audience FEEDBACK
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke
ACTORTV PILOT Screenplay: THE VISA
October 2016 Reading
Written by Conrad Haynes
ACTORSHORT Screenplay – WHAT’S IN A NAME
October 2016 Reading
Written by Ted Stanley
ACTORTV PILOT Screenplay: EMMETT IN PEOPLELAND
October 2016 Reading
Written by Larry Hankin

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

Submit via FilmFreeway Today: The Festival for Comedy Film & Screenplay Festival

I think it’s the timely and respectful feedback that has influenced me to enter the festival. For a reasonable price, I can get insightful feedback and a chance to have it read aloud. And it’s a chance you get monthly, which is cool.
– John-Arthur Ingram (Feature Screenplay, Three Play)

Thursday December 29, 2016

Thursday February 23, 2016

Screenplay Festival Monthly.

Submit via FilmFreeway:

Watch the Winning Comedy Screenplays and Short Films at the festival in 2016:

January 2016 Film and Screenplay Festival:
January 2016 Comedy Films/Screenplays/Stories

February 2016 Film and Screenplay Festival:
February 2016 Comedy Films/Screenplays/Stories

March 2016 Film and Screenplay Festival:
March 2016 Comedy Films/Screenplays/Stories

April 2016 Film and Screenplay Festival:
April 2016 Comedy Films/Screenplays/Stories

May 2016 Film and Screenplay Festival:
May 2016 Comedy Films/Screenplays/Stories

June 2016 Film and Screenplay Festival:
June 2016 Comedy Films/Screenplays/Stories

July 2016 Film and Screenplay Festival:
July 2016 Comedy Films/Screenplays/Stories

August 2016 Film and Screenplay Festival:
August 2016 Comedy Films/Screenplays/Stories

September 2016 Film and Screenplay Festival:
September 2016 Comedy Films/Screenplays/Stories

Read testimonials from the 2016 Festival Submissions:

Terrific reading of my screenplay. Please thank the actors for me! The initial feedback was encouraging and it also appropriately threw light on some needs of the script.
– Robert Tolz (Screenplay, Renassance Man)

Absolutely outstanding notes and I can’t thank you enough. Obviously Charlie Kaufman are difficult waters to sail but I am determined to rock on. The first thing I throw out of the boat is He Who Appears To Be He. But a girl can dream can’t she? Count on one thing you will be receiving my rewrite with a boatload of gratitude.
– Kelly Karam (Screenplay, Ole: Rising Above Mith)

Thank you for the feedback! I appreciate it and will work to improve it.
– Evan Schullery (Screenplay, Due South)

Thank you so much for including my spec script in your festival. The feedback you’ve given me is very detailed and useful. I’ll make sure that I make the necessary changes to the script.
– Linsen Oyosa (TV Spec, Brooklyn Nine-Nine)

I want to thank you immensely for the feedback! I’m truly grateful. Feedback and reviews are the main reasons I submit to competitions such as this one. I’m most pleased with this one in particular because the reviewer took the time to make suggestions as to how I could make the script better, most notably with some of my character relationships.
– Chastity Lively (Screenplay, Happy Holidays)

Thanks so much for your constructive and insightful comments! I’m glad you enjoyed SMITHEREENS.
– Hersh Rephun (TV PILOT, Smithereens)

Gratified that people seemed to get it, and like it. I like hearing the comparisons to Modern Family. I made this to be entertaining and I’m so glad that people seemed to be entertained.
– Erik Linthorst (Short Film, TURKEY)

Larry Hankin – October 2016 TV PILOT Screenplay Winner

October 2016 Winning Comedy Short Screenplay.

EMMETT IN PEOPLELAND TV Pilot
Written by Larry Hankin
Read 10 Questions with the writerCAST LIST:

NARRATOR – Sean Ballantyne
EMMETT – Hugh Ritchie
RUSTY – Cass Van Wyck
MRS. B – Becky Shrimpton
CARMELA – Jane Smythe
OFFICER BUDD – Paul Whitaker
OFFICER LEW – Percy Alexander Harris
EDDIE/ROBBIE – Benjamin Camenzuli

SYNOPSIS:

Genre: Crime, Mystery, Adventure, Comedy

A Crime Comedy: A Homeless Gentleman in Venice, CA, sets out to help a friend accused of stealing a diamond ring, only to become the prime suspect in the theft.

Get to know the winning writer:

What is your TV series about?

It’s about how it’s possible to build your dream with just what you got inside and what’s available outside, but emotions and other people don’t work like that.

Why should this screenplay be made into a TV show?

3 reasons: A. Because it’s got a particular voice not out there. “Emmett”, the central character, is eccentric, homeless, and believes he’d make a great detective: a combination which allows him to use his eccentric “Illogic” and guilelessness to screw-up the “Logic” and Injustices of The Powerful, The Greedy, The Dishonest, and The Bullies that dare prey on the people who live in Emmett’s neighborhood: The Boardwalk, Beach, Alleyways, and Canals of Venice, California.

B. Basically, the hero – Emmett Sagittarius Deemus – sees himself, not as “a homeless window washer”, but as, “A Homeless Detective” – a Contributor to his Community. His enemies are Chance, Bad People, and Logic: a unique viewpoint for a TV show. “Sanford & Son” gave A Sly Old Junkman a voice. I think it’s time to give A Homeless Detective A Voice.

C. The “Columbo-type” detective structure (“Who dunit?” or “How did they do it?”) is needed for the particular solving-a-puzzle-or-crime narrative because you need time to get the audience involved in wondering “Who” or “How” along with Emmett. Plus: Columbo looked like he could have been homeless. Emmett just takes it there.

How would you describe this script in two words?

Very Funny.

What TV show do you keep watching over and over again?

Seinfeld

How long have you been working on this screenplay?

Screenplay (Teleplay) – 3 months. The character,”Emmett Sagittarius Deemus”, that the screenplay’s about: eight years.

How many stories have you written?

Around 30 – from 2 minutes to 20 minutes. All about Emmett.

What motivated you to write this screenplay?

I wanted to understand the problems and gifts of the longer form narrative. The main gift was, I was able go more deeply into Emmett and what makes him tick.

What obstacles did you face to finish this screenplay?

Anything that stops me from getting it done- finito, typo’s and all; finding the time; making the time, protecting the time once I found it, and showing up regularly & constantly at the keyboard till it’s really ready. There’s no way around “Grit”.
Apart from writing, what else are you passionate about?

Apart from writing, what else are you passionate about?

Making films from the things I write with friends and others of like mind. Being outside riding my bike and not typing.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Simple synchronicity. I’d just finished it and wanted feedback. I gave it to a friend who read it and liked it and the same day I got an email saying you had a contest that gave feedback – so I entered. When it came, I got the sense the reader “got” the story. And I agreed with the feedback and notes. I thought making the changes would make it better. Easier to read. More direct. Cut two characters. I made the changes and it made it better. Cool.

Any advice or tips you’d like to pass on to other writers?

What I’ve been told seems to work: Read good screenplays in your genre or field. Write until you find your voice. Copy till it you get original. Be original. Writing a good, solid, finished screenplay is hard but finding an agent might be harder.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editing: John Johnson