Category Archives: comedy television

Erica Barfield Peterson – December 2016 TV Screenplay Winner

THE TEXAS CHAINSAW MIDLIFE CRISIS TV Pilot
Written by Erica Peterson
Read 10 Questions with the writerCAST LIST:

NARRATOR – Michelle Alexander
MARK – Ucal Shillingford
LEATHERFACE – Noah Casey
JANICE/ALEXIS – Angela Cavallin
MADISON/CHRISSY – Dana Thody
PHARMACIST – Sean Ballantyne
BETT – Chris Reid Geisler

SYNOPSIS:

Genre: Comedy, Horror

On his 40th birthday, Leatherface has decided it’s time to “find his truth,” so he reaches out to the one person who can help him… his only victim that got away.

Get to know the winning writer:

1. What is your screenplay about?

It’s the story of Leatherface (from The Texas Chainsaw Massacre) turning 40 and realizing the life he’s been living may not be the life he wants. Maybe he doesn’t want to hack people to death. Maybe he doesn’t want to eat people at every meal. Maybe he loves candle making but will never know until he goes on a journey to find his truth, and the only way he knows how to do that is with the aid of his one victim who got away – Mark. Mark survived, lived to tell the tale and even wrote a book about how he learned to live his truth because of what he went through. It’s an Odd Couple story in which both Mark and Leatherface realize how much they can truly help each other find their truths.

2. How does this episode fit into the context of the series?

I think it makes a great buddy comedy. You have two people trying to figure out how they want to live their lives and can only do so with the help of the other. One being a semi-successful self-help author and the other is a murderous psychopath. Each episode the two characters can have new goals of things they either will or won’t want as a part of their new lives. Leatherface has never dated before, never driven — basically never done much other than kill people, so there’s definitely an engine for plenty of stories. Mark is scared of life and wants to learn how to live it to the fullest which is also a great engine for many stories. I think it’s something we’ve never seen before in terms of pairing comedy and horror in the odd couple sense for a TV series.

3. How would you describe this script in two words?

Delightfully Psycho.

4. What TV show do you watch over and over again?

Arrested Development is by far my favorite. That and anything that profiles serial killers.

5. How long have you been working on this screenplay?

I worked on this particular pilot for three months.

6. How many stories have you written?

I’ve written 10 specs and 7 pilots.

7. What motivated you to write this screenplay?

I’m obsessed with the genre blend of horror and comedy. I had just seen “What We Do In The Shadows” and was like, “That’s what I want to do!” I kind of knew that all along because my favorite movie is “Young Frankenstein,” and I adore “Shaun of the Dead” but it just clicked that day, and I knew I had found my niche. I’m also so fascinated by Leatherface because we never hear him speak and I always wondered — would his life be different if he was taken in by a more “normal” family. Does he ever want to tell his mama to shove off cause he just wants to listen to music or kiss a girl? — so I wanted to explore the question of what would he be like if he came to that realization himself.

8. What obstacles did you face to finish this screenplay?

None, really. This was one of those times where I loved every moment of writing this because it’s something I am passionate about so it made it fun. I couldn’t wait to finish to get feedback and make it better and better.

9. Apart from writing, what else are you passionate about?

I love to dance (was a semi-professional football cheerleader — will not tell you the team name because there are embarrassing photos out there), animals, fighting for the rights of others, making people laugh, sleep and donuts (GOD I LOVE DONUTS).

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to see what people thought of my script. Sometimes you give your writing to people and worry that they’re just being nice because they know you — with this — you didn’t have to be nice, and you were wonderful! The feedback was great and encouraging. Now I just gotta get those rights from Tobe Hooper!

11. Any advice or tips you’d like to pass on to other writers?

Just keep writing and always write. Write what you’re passionate about – not what you think other people want to read. Read scripts – lots of them. Nail down structure and story — if you can get those two things done well then the rest is a piece of cake. Also, forget doubting yourself. You’re not here to please anyone but yourself. If you’re writing to make money and wouldn’t write if you couldn’t make money — maybe you shouldn’t be a writer. And always be willing to take feedback — especially if you get the same note from several people. The goal is to get better and not think that you are already the best.

***

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Watch the 2016 TV PILOT Winners from the WILDsound Screenplay Festival (18)

Since we started performing TV PILOT screenplays at the festival in 2008, the industry of developing pilots has changed dramatically. There are now 100s of more television shows being created a year because of the large growth of web platforms like Netflix. To add to that, there are now more television stations desperate for solid content looking for that next great television show.

We performed 18 original television pilots in 2016 and are eyeing to perform at least twice as many in 2017.

Deadline for Television Pilot/Spec Screenplay Festival: https://tvfestival.org/

ACTORTV PILOT – MIDLIFE CRISIS
December 2016 Reading
Written by Erica Barfield Peterson
ACTORTV PILOT BEST Scene Screenplay – ARMS OF MORPHEUS
November 2016 Reading
Written by John Christopher Thomas
ACTORTV PILOT Screenplay: WILLOWWOOD
October 2016 Reading
Written by Christopher Locke
ACTORTV PILOT Screenplay: EMMETT IN PEOPLELAND
October 2016 Reading
Written by Larry Hankin
ACTORTV PILOT Screenplay: THE VISA
October 2016 Reading
Written by Conrad Haynes
ACTORTV PILOT Screenplay – OYMPUS RISING
September 2016 Reading
Written by C M Landrus
ACTORTV PILOT Screenplay – DIGITAL NATIVES
August 2016 Reading
Written by Adam Preston
ACTORTV PILOT Screenplay – SURVEILLANCE
August 2016 Reading
Written by Chris Gebhardt & Jenn Russi
ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Watch the 2016 TV SPEC Winners from the WILDsound Screenplay Festival (13)

13 TV Spec Screenplays were performed at the festival in 2016. These are always the most enjoyable scripts to perform for the actors because they get to dive into the roles of their favorite television characters.

This portion of the festival has been going on since 2009 and since then the television industry has changed dramatically. Specs from web platforms like Netflix and Amazon TV is now what agents and producers are looking to read to showcase a writer’s talent.

Enjoy watching the readings!

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman
ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve
ACTORTV SPEC Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan
ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORFan Fiction – DOCTOR WHO “The Time Cuckoo”
February 2016 Reading
Written by David Gilbank & Paul Renhard
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

TV SPEC – RICK AND MORTY TV Show by Matthew Feldman

TV SPEC of RICK and MORTY
Written by Matthew Feldman
CAST LIST:

NARRATOR – Michelle Alexander
MORTY – Noah Casey
RICK – Brian Carleton
BETH – Dana Thody
JESUS CHRIST – Chris Reid Geisler
SUMMER – Angela Cavallin
FLUXO – Ucal Shillingford

SYNOPSIS:

Genre: Comedy, Animation, Adventure

Rick and Beth go on an interstellar vacation. Back on earth, Morty recieves unexpected help on his history project while Summer finds a new love interest.

Get to know the winning writer:

1. What is your screenplay about?

Beth is approached for her expertise in horse surgery to save a dying alien species from extinction and manages to convince Rick to tag along for a crazy adventure. Meanwhile at home, Morty seeks help from a notable icon to help with history homework to discover he isn’t exactly who he thought he was.

2. How does this episode fit into the context of the series?

I feel Rick and Morty’s success stems from many of their storylines discussing pop culture and frequently explored sitcom subjects to approach them in a way unexpected to the audience. Given that signature style of story telling, I feel my spec. is in line with your prototypical episode by both satirizing the film “The Hangover” and approaching the religious figure of Jesus in an unexpected way.

3. How would you describe this script in two words?

Unconventionally controversial.

4. What TV show do you watch over and over again?

I have two televisions series I enjoy to re-watch. I love re-watching both Rick and Morty and Curb Your Enthusiasm. I feel like the writing in both those series have phenomenal, atypical, comedy writing that doesn’t compare to much of what is currently out there. The way they approach their storytelling is so unique, I always re-watch those shows to get a different take on watching the same episode again.

5. How long have you been working on this screenplay?

I would say this screenplay took me roughly two and half months to produce the first draft. Then I spent a few more months accumulating notes and improving the quality of the story. In total, I probably spent five months working on this screenplay.

6. How many stories have you written?

Thus far, I’ve written seven stories.

7. What motivated you to write this screenplay?

I’m very interested in pursing a career as a screenwriter as my passion is the art of storytelling. In order to show case my work, I thought it would be best to write sample material for one of my favorite shows, thus writing a spec. episode of Rick and Morty.

8. What obstacles did you face to finish this screenplay?

For those who have watched Rick and Morty before, many will notice the voices of the characters are quite peculiar. That said, it was quite an obstacle trying to accurately replicate both Rick and Morty’s voices. Rick often interrupts people while talking, he burps in the middle of talking, he’ll interrupt himself to drink from his flask. On the other hand, Morty often stutters when talking, is uncertain of himself, and finds himself repeating Rick’s name several times over while chatting with Rick. It took along time of watching the existing episode of Rick and Morty to assure I got those nuanced details just right.

9. Apart from writing, what else are you passionate about?

Apart from writing, I’m very passionate about music. I’ve spent 10 years playing piano and 15 years playing trombone. I believe I have a rather wide musical palette enjoying musical genres ranging from Country to Rock to Classical.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As a relatively new writer, I’m still trying to discover my voice, in addition to identifying flaws in my writing. As a result, I identified several writing festivals that were know for providing stellar feedback on scripts and thus decided to submit my script to Wildsound. Upon submitting an early draft of my script to wild sound, their feedback helped me identify problems in my script which guided me in future re-writes to better improve the quality of my script.

11. Any advice or tips you’d like to pass on to other writers?

If there is anything I’ve learned from my several years writing, the art of writing is something that improves with time, practice, and feedback. Write a script, make it as good as you can, and don’t be intimidated to distribute it/ask for feedback. If you fear your work being stolen, don’t be. Writers are often egotistic and would never have the ability to pass off someone elses work as their own. Other writer’s will help identify the problems you aren’t seeing in your works and will often help you improve as a writer. Although, take advice with a grain of salt. All writer’s have different tastes and opinions, so don’t feel you need to take every note you are given. Get as many notes as you can, as the comments consistent across several writer’s will typically guide yo to where your work needs improvement

***

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Sarah Cassell – November 2016 TV SPEC Screenplay Winner

The NOVEMBER 2016 Winning TV Screenplay 

TV SPEC of THE UNBREAKABLE KIMMY SCHMIDT
Written by Sarah CassellCAST LIST:

NARRATOR – Benjamin Camenzuli
KIMMY – Cass Van Wyck
TITUS – Percy Alexander Harris
JACQUELINE – Jane Smythe
LILLIAN – Becky Shrimpton
WILL – Hugh Ritchie
RUSS – Paul Whitaker

SYNOPSIS:

Genre: Comedy

Kimmy creates a fake account on a millionaire dating website to help Jacqueline gain self-esteem.

Get to know the winning writer:

What is your TV Spec screenplay “Unbreakable Kimmy Schmidt” about?

My spec “Kimmy Learns to Catfish!” is, at its core, about learning to accept emotional baggage. Everywhere but the core, it’s about Kimmy accidentally setting up a date with Jacqueline from a completely fake online dating account.

How does this screenplay fit into the context of the show?

This episode comes into play immediately after the end of season two. Each character revisits something in their past that is affecting their life currently. Kimmy reflects on her relationship with Dong. Jacqueline lets the trauma of her divorce affect her relationship with Russ. Titus’s lifelong string of unsuccessful relationships makes it hard for him to trust Mikey. Lillian, who, after years, still hasn’t come to terms with the death of her husband, spends the entire episode talking to a rat who stole her wedding ring. They each find a way to acknowledge their past, and its role in their present, by the end of the episode. Also, it’s very silly.

How would you describe this script in two words?

Brain box.

What TV show do you keep watching over and over again?

I’ve probably watched 30 Rock four times all the way through. Friends and Gilmore Girls have also gotten the go around twice each, at least. At the moment, I’m re-watching Curb Your Enthusiasm. It holds up.

How long have you been working on this screenplay?

I worked on this for about two months before calling it ready, but the main bulk of the writing was done in about a week.

How many stories have you written?

I write stories constantly, though not always in this form. I write and perform with the house sketch team Stockton at the Magnet Theater in NYC, so I’m generating several sketches every week. I’ve been working on a pilot as well, and developing a story for that has been an interesting process. This is my only spec script so far.

What motivated you to write this screenplay?

I’ve always considered myself a writer, but I decided I wanted to write for television when I started doing improv and sketch comedy. I took a TV writing class at Gotham Writer’s Workshop with Jim Mendrinos, who guided me through the process of writing this spec.

What obstacles did you face to finish this screenplay?

Landing on a storyline you can really get behind is a challenge, but the hardest thing about writing is probably editing – finding it in your heart to cut a joke or a bit that you love in order to serve the story. RIP to the jokes I left behind – I still love you babies.

Apart from writing, what else are you passionate about?

Improv. Singing. Ukulele. My new skateboard that I am not good at riding yet. Snacks. My family. Dogs.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had written this thing, and I didn’t know what to do with it. I started looking into festivals and programs that I could submit it to online, and WILDsound was the first one I landed on. I appreciated the feedback so much – it was incredibly helpful. It was clear that it came from a place of extensive knowledge, and that my script had been carefully studied and considered.

Any advice or tips you’d like to pass on to other writers?

This is obvious, but write all the time. Don’t wait for the perfect idea – even a writing terrible thing is better than not writing a thing. Sharpen your skills daily so that when your perfect idea hits you, you are actually good enough to handle it.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Fan Fiction Pilot of GILLIGAN’S ISLAND OF THE DEAD by Jerry Kokich

Watch the Winning Fan Fiction Screenplay for November 2016.

CAST LIST:NARRATOR – Mallory Palmer
SKIPPER – Peter Nelson
GILLIGAN – Hugh Ritchie
GINGER – Kheon Clarke
MR. HOWELL – Julian Ford
MARY ANN – Angelica Alejandro
LOVEY – Kelci Stephenson

 

SYNOPSIS:

Genre: Comedy, Fantasy, Horror

A reinvention of the popular series with the same castaways (reinvented) who end up having to fight off Zombies during the night on the far away island.

Get to know the winning writer:

What is your fan fiction screenplay about?

“Gilligan’s Island of The Dead” is a reboot of the classic TV comedy, with everything turned on its head… and zombies!

Why does this modern day twist of the iconic TV show work?

With updated characters, including Gilligan and The Skipper as a gay couple, and the Howells as the Madoffs hiding from the Feds, the series also capitalizes on the current zombie craze.

How would you describe this TV show in 2 words?

Zombie Survival

What TV show have you seen the most times in your life?

The Avengers from the 1960’s!

How long have you been working on this screenplay?

It took about three months to write.

How many stories have you written?

Well over fifty.

What motivated you to write this screenplay?

Funny story, that. NBC had decided to do a reboot of the TV comedy, The Munsters. They spent millions on the pilot, including building the full size Munsters house. Halfway through the filming of the pilot, they realized it was going to be such a total disaster, they pulled the plug on the series before they had even finished shooting. I was joking with some friends about it on Facebook, and said. “We should do a reboot of Gilligan’s Island with zombies!” I stopped dead. I thought, hey, that’s not a bad idea. I actually detest when old shows are redone and changed, and I’m not a zombie fan, but I decided to put everything I don’t like into this. Of course, it wins a contest!

What obstacles did you face to finish this screenplay?

. I really didn’t face any obstacles writing it. I knew the old series very well. I read some books on the making of the series, including one by series creator, Sherwood Schwartz, and watched a documentary produced by Dawn Wells, who played Mary Ann. I did try to market the script, but the Schwartz estate and CBS have the rights, so that was a dead end.

Apart from writing, what else are you passionate about?

I was a professional ballet dancer with The Joffrey Ballet for eight years, and I now teach in LA. I’m very passionate about my students and their development as dancers.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I submitted a first scene to you guys that won, and the feedback was wonderful, so I decided to enter this full script. I recommend your contests to all my writer friends. The feedback on this project was fantastic. Of course, I loved the praise. The suggestions and criticisms were extremely precise and helpful. What I really appreciated was that you got what I was trying to do. I wanted to take the original series in a completely different direction, but one that made sense in relation to the original characters.

Any advice for other writers?

A much smarter man than I said, 95% of writing is re-writing, so start writing. Don’t sit around thinking about writing, just write. Then write some more. Then enter a Wildsound contest! Also, never assume a woman is pregnant.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Watch Winning TV SPEC Screenplay of UNBREAKABLE KIMMY SCHMIDT by Sarah Cassell

The NOVEMBER 2016 Winning TV Screenplay 

TV SPEC of THE UNBREAKABLE KIMMY SCHMIDT
Written by Sarah Cassell

CAST LIST:

NARRATOR – Benjamin Camenzuli
KIMMY – Cass Van Wyck
TITUS – Percy Alexander Harris
JACQUELINE – Jane Smythe
LILLIAN – Becky Shrimpton
WILL – Hugh Ritchie
RUSS – Paul Whitaker

SYNOPSIS:

Genre: Comedy

Kimmy creates a fake account on a millionaire dating website to help Jacqueline gain self-esteem.

Get to know the winning writer:

What is your TV Spec screenplay “Unbreakable Kimmy Schmidt” about?

My spec “Kimmy Learns to Catfish!” is, at its core, about learning to accept emotional baggage. Everywhere but the core, it’s about Kimmy accidentally setting up a date with Jacqueline from a completely fake online dating account.

How does this screenplay fit into the context of the show?

This episode comes into play immediately after the end of season two. Each character revisits something in their past that is affecting their life currently. Kimmy reflects on her relationship with Dong. Jacqueline lets the trauma of her divorce affect her relationship with Russ. Titus’s lifelong string of unsuccessful relationships makes it hard for him to trust Mikey. Lillian, who, after years, still hasn’t come to terms with the death of her husband, spends the entire episode talking to a rat who stole her wedding ring. They each find a way to acknowledge their past, and its role in their present, by the end of the episode. Also, it’s very silly.

How would you describe this script in two words?

Brain box.

What TV show do you keep watching over and over again?

I’ve probably watched 30 Rock four times all the way through. Friends and Gilmore Girls have also gotten the go around twice each, at least. At the moment, I’m re-watching Curb Your Enthusiasm. It holds up.

How long have you been working on this screenplay?

I worked on this for about two months before calling it ready, but the main bulk of the writing was done in about a week.

How many stories have you written?

I write stories constantly, though not always in this form. I write and perform with the house sketch team Stockton at the Magnet Theater in NYC, so I’m generating several sketches every week. I’ve been working on a pilot as well, and developing a story for that has been an interesting process. This is my only spec script so far.

What motivated you to write this screenplay?

I’ve always considered myself a writer, but I decided I wanted to write for television when I started doing improv and sketch comedy. I took a TV writing class at Gotham Writer’s Workshop with Jim Mendrinos, who guided me through the process of writing this spec.

What obstacles did you face to finish this screenplay?

Landing on a storyline you can really get behind is a challenge, but the hardest thing about writing is probably editing – finding it in your heart to cut a joke or a bit that you love in order to serve the story. RIP to the jokes I left behind – I still love you babies.

Apart from writing, what else are you passionate about?

Improv. Singing. Ukulele. My new skateboard that I am not good at riding yet. Snacks. My family. Dogs.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had written this thing, and I didn’t know what to do with it. I started looking into festivals and programs that I could submit it to online, and WILDsound was the first one I landed on. I appreciated the feedback so much – it was incredibly helpful. It was clear that it came from a place of extensive knowledge, and that my script had been carefully studied and considered.

Any advice or tips you’d like to pass on to other writers?

This is obvious, but write all the time. Don’t wait for the perfect idea – even a writing terrible thing is better than not writing a thing. Sharpen your skills daily so that when your perfect idea hits you, you are actually good enough to handle it.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!