Category Archives: First Scene Screenplay

February 2015 First Scene Screenplay Winners (4). Watch performance readings

The communication, organisation and feedback these guys offer are fantastic and scriptwriters of all disciplines and experience should be jumping at the service WILDsound provide. The best thing about it is they are as enthusiastic as you about your work. Thank you to everyone involved with WILDsound.

– Grant Reid, on the WILDsound 1st Scene Screenplay Festival Experience.

WILDsound has named their 1st Scene Festival Winners for February. Watch the readings performed by professional actors:

1st Scene – SPARKS
February 2015 Reading
Written by Megan K. Bickel

February 2015 Reading
Written by Jacob F. Keller

1st Scene – LEGRAND
February 2015 Reading
Written by Angelina Carkic

1st Scene – HELLCAT
February 2015 Reading
Written by J. Alan Hostetter

Readings performed by professional actors.

Deadline Feb. 28th: FIRST SCENE (first 10pgs) SCREENPLAY FESTIVAL Get your works showcased at 2015 festival events.

– Submit the first stages of your film, get it performed at the festival, and get full feedback!

WATCH past 1st Scene Festival readings:

Interview with Angelina Carkic, First Scene Screenplay Winner (LEGRAND)

An e-mail announcing the existence of this opportunity was sent to me. I liked what they offered and I sent them my work and logline. Their feedback was particularly constructive. The person actually read and understood the story. I thank them for that and would recommend their site to all writers.

– Angelina Carkic, on the WILDsound experience.

    Watch the First Scene Reading of LEGRAND:


    NARRATOR – Ryan Fisher
    Legrand – Geoff Mays
    Foulard – Andy Bridge
    Thibodeau – Andrew Farr
    Clair – Holly Sarchfield

Matthew Toffolo interviews Angelina Carkic:

Matthew: What is your screenplay about?

Angelina: LeGrand is about a celebrated French detective who mourns the death of his unrequited love and unable to stay in the place where everywhere he turns he’s reminded of her he plans to leave the country. When a dismembered leg turns up in his antique shop, a hedge for his retirement, LeGrand takes on a last investigation and follows clues to New York.

There, the precinct captain insists he has no right to investigate and pairs him with a disgruntled detective, who is himself dealing with his own separation from wife and family and has been relegated to a desk job. At first angry to be encumbered with the persnickety French man he soon realizes LeGrand is no ordinary policeman.

It becomes soon apparent that the little man in tight fitting suits, peculiar moustache, exhibiting quirks, is far from a hindrance. LeGrand almost immediately sets the pace with the American detective trying to keep up. Detective Hopkin’s demands for evidence to support LeGrand’s suppositions and a body to prove murder, are soon provided and the two start to work together.

But the antagonist and his hit man aren’t sitting back either. With the Captain of police in their pocket they know LeGrand hasn’t been able to tell anyone of his discoveries. All they have to do now is get rid of LeGrand and Hopkins and all their carefully set plans will fall into place. Cornered in a cafe and refusing to allow the mysterious hit man, Mr. Smith, from applying his switchblade, LeGrand walks towards the exit. When three shots in the back drop him, Hopkins is devastated. He’s become attached to the little man. But LeGrand has his own carefully laid plans and the FBI swarm the premises and kill Smith. The protagonist is arrested.

Much to Hopkin’s dismay LeGrand wasn’t injured. He sees him again some time later at the site of a murdered female octogenarian. Bribed with tickets to a play and possible introduction to a famous actress, Hopkins agrees to give LeGrand access to case files of the latest murders. They set off on another investigation.

Matthew: Why should this script be made into a movie?

Angelina: This is a crime drama, a genre popular with the viewing public. The central character is a French detective, transplanted to New York City, a fish out of water, but, it is the Americans who, in his presence find themselves out of their depth. An intelligent protagonist with peculiar habits and appearance, he will bring a smile to the viewer. This is an entertaining twist on the crime drama.

Matthew: How long have you been writing stories?

Angelina: I’m a dreamer who has devoted the last three years to writing full time.

Matthew: What movie have you seen the most in your life?

Angelina: Peculiarly and without any reason, the movie, Skellig with Tim Roth, triggered something in me that sparked my need to write. I think I saw this particular show twenty times in a period of three weeks. Now, when I look at it I don’t know why. Since that initial fire was set under me I’ve written fifteen scripts.

Matthew: What artists would you love to work with?

Angelina: That is dependent on the project I would be working on. However, I have become a fan of Tim Roth and think it might be fun to work with him. There are many artists whom I admire but it would be premature to suggest at this time they might work on something I have created.

Matthew: How many stories/screenplays have you written?

Angelina: Fifteen. Five worth mentioning.

Matthew: Ideally, where would you like to be in 5 years?

Angelina: It’s my goal to keep writing and producing scripts that will entertain. This profession is a ship that isn’t easily steered. Winds of luck can easily blow it off course as well as guide it to a safe career. We’re probably as good at daydreaming a career path as we are at daydreaming a story. Rich and famous? Maybe that would be the most satisfying answer.

Matthew: Describe your process; do you have a set routine, method for writing?

Angelina: My best work happens in a noisy coffee shop. The world around me disappears and the story comes to life on the pages of my notebook. I’ll vegetate a few days and something will tickle my mind. I create the character then imagine where he’ll go and what he’ll say. Once a story has been madly penned into a first draft I go back, edit and rewrite.

Matthew: Describe your process; do you have a set routine, method for writing?

Angelina: It’s my goal to keep writing and producing scripts that will entertain. This profession is a ship that isn’t easily steered. Winds of luck can easily blow it off course as well as guide it to a safe career. We’re probably as good at daydreaming a career path as we are at daydreaming a story. . Rich and famous? Maybe that would be the most satisfying answer.

Matthew: Apart from writing, what else are you passionate about?

Angelina: I’m a multiculturalist and thus enjoy movies from different countries. I particularly find the quality and sheer volume of the movies the French produce, inspiring. Yes I can understand most of them.

My family is also important to me as well as my friends. I only have a few but they are there for me, part of my support group. They also help inspire my writing.

I used to paint and sketch and loved doing it and have had two exhibitions in Montreal. That was a while ago. Now I find peace in my writing.

Matthew: Any advice or tips you’d like to pass on to other writers?

Angelina: Keep writing. It’s about the creation of the work. Anything that comes out of it is the cream on the cake. Enjoy the writing.

Interview with First Scene Screenplay Winner (HELLCAT) J. Alan Hostetter

I’ve been writing for 40 years, but not self-promoting. The WILDsound Festival is giving me a chance to finally flaunt my wares. It’s time.

– J. Alan Hostetter, on the WILDsound experience.

    Watch the Winning 1st Scene Screenplay HELLCAT:


    NARRATOR – Ryan Fisher
    Guise – Geoff Mays
    Sterner – Andy Bridge
    Fries – Andrew Farr
    Cat – Holly Sarchfield

Matthew Toffolo interviews J. Alan Hostetter:

Matthew: What is your screenplay about?

J. Alan: “Hellcat” is about a Pennsylvania state police detective who investigates a blackmail plot as it is going awry, various leads connecting a mysterious woman who once partially castrated her rapist.

Matthew: Why should this script be made into a movie?

J. Alan: Not only is it a tightly plotted thriller, with memorable–even iconic–characters, but the story is actually about something, exploring whether it is more cruel and unusual to put a sex offender in prison for possibly decades or give him an early parole if he agrees to a partial castration. You can’t change a sex offender’s brain, but you can reduce his testosterone production by half by removing one testicle, reducing the likelihood of a repeat offense. And then of course the climax kicks ass.

Matthew: If you can go for dinner with one person dead or alive, who would it be and why?

J. Alan: Off the top of my head, I’d say Anthony Bourdain would make a great dinner companion. I have a lot to learn about food and I’m pretty sure he’d know what restaurant to go to and what to order. And he’d be a blast to talk to as we get properly soused.

Matthew: What was your favorite television show as a kid?

J. Alan: I loved “Combat” and “The Man From UNCLE” as a kid. I loved to play war. Then I got older and wiser and revered Martin Luther King and Gandhi and Christ. I was a very religious Christian teenager, a conscientious objector to war and a virgin until I was 29.

Matthew: What’s been the best year of your life?

J. Alan: I can’t say any single year stands out as my best. Maybe the year after my daughter was born. That was pretty great. I hope it’s a year yet to come. I’ve never been very successful. I’d like to find out what that’s like.

Matthew: Besides your writing talent, what else are you good at?

J. Alan: I’m a pretty good Director of Photography. I’m fast on my feet and I know where to put the lights. It’s a learned skill, a hard-earned learned skill.

Matthew: Do you have a favorite possession?

J. Alan: My favorite possession is my iPhone 6 Plus. I’m on it every day all day long. I wrote an entire musical of 40 songs about the Battle of Gettysburg on my 3S. So many great apps!

Matthew: What has been the best compliment you have ever received?

J. Alan: I don’t fish for compliments but I recently heard my wife tell a friend I was a good man. That’s really as good as it gets.