Submit to the TV Festival (Pilot, Spec) – Deadline Today

SUBMIT your TV PILOT or TV SPEC Script
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Deadline: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
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Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

WATCH RECENT TV SCREENPLAY FESTIVAL READINGS (Winners every single month!)

ACTORTV PILOT Screenplay – THE SPECTRAL CITY
July 2016 Reading
Written by Arthur Vincie
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV PILOT Screenplay – WILD MAGIC
June 2016 Reading
Written by Julie Nichols
ACTORTV PILOT Screenplay – CIVILIAN
June 2016 Reading
Written by Gina Scanlon
ACTORFAN FICTION Screenplay – SPACE 2099 (based on Space 1999)
June 2016 Reading
Written by Kevin D Story
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORTV PILOT Screenplay – THE REAPER: REBELLION “AFTERLIFE”
May 2016 Reading
Written by Mark S. MacDonald, Darsey Meredith
ACTORTV PILOT Screenplay – SMITHEREENS
May 2016 Reading
Written by Hershel D. Rephun
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORTV PILOT Screenplay – MAILROOMIES
April 2016 Reading
Written by Jacques Edeline
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORTV PILOT Screenplay – REC’D
March 2016 Reading
Written by Chris Courtney Martin
ACTORBest Scene TV Pilot – MY LIFE WITH STELLA KANE
February 2016 Reading
Written by Linda Morganstein
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV PILOT Screenplay – MINDWALKER
February 2016 Reading
Written by Thorsten Loos
ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff
ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro
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Marc Mulcahy – March 2017 FAN FICTION Screenplay Winner

Winning Screenplay – EVERYBODY LOVES RAYMOND
Written by Marc MulcahyCAST LIST:

NARRATOR – Sean Ballantyne
MARIE – Frances Townend
RAY – Peter Mark Raphael
DEBRA – Kayla Farris
JEFFREY – Jonah Akler-Silliman
ROBERT – Christopher Huron
AMY – Vanessa Quagliara
FRANK – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

It’s Marie vs Debra in a cat & mouse game for control of who’s cleaning the house.

Get to know the writer:

What is your screenplay based on the TV SERIES “Everybody Loves Raymond” about?

It’s about seeing what we all figured would happen eventually; that Marie’s constant meddling and being a nuisance in general, would lead to Debra’s insanity.

How does this episode fit into the context of the series?

I actually thought this plot line was a no-brainer for Debra. I would have done this myself given the same situation.

How would you describe this script in two words?

Sweet revenge

What TV show do you keep watching over and over again?

Seinfeld

How long have you been working on this screenplay?

Initially, it took a few days but I’ve tweaked it several times over the past several years.

How many stories have you written?

Three sit coms and one film.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a tough one. Sometimes I’ll be in a certain mood and one song fits it perfectly so I just keep playing it for hours. Once, during a late, dark night on a long and empty stretch of I99 in California, I listened to Chris Isack’s, Wicked Game for 6 hours.

What obstacles did you face to finish this screenplay?

Still not happy with a couple lines.

Apart from writing, what else are you passionate about?

Animals, justice, cooking and dining out, creating fun and innovative entertainment, growth, experiencing unforgettable moments (CORRR-ny)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to get some feedback on it and I thought people would enjoy it. Great feedback, thanks.

Any advice or tips you’d like to pass on to other writers?

In the words of Rodney Dangerfield as Thorton Melon, “Don’t go. It’s rough out there. Move back in with your parents. Let them worry about it.”

But if you insist, get your work out there, everywhere. Listen to criticism and learn what you can from it but don’t let it get to you. Remember, your writing is YOUR view on the subject so don’t compromise that. Go back to your earliest stuff and make it better. If you can’t do that, you either have the rare early masterpiece, or maybe you should consider another dream job. I’m sure every writer has heard to write what you know and what you care about. When you do, your writing becomes interesting, and for me, this is the the most important thing about a script. You can follow all the formulas you want but if it isn’t interesting then what’s the point. Conversely, if you have a very interesting story, you can break many, if not most formula rules–as long as you keep it interesting. Oh, and a very good agent wouldn’t hurt, either. The reality is you can be the best unknown writer since Shakespeare, but to be successful at this gig you will also need some luck and there’s a decent chance that some of your success will come from the old “who you know” variety. The fact that every year sharp, really well written shows get dropped while 2 Broke Girls remains on the air (I’m still convinced there’s serious network blackmail going on there) proves this point.

Lastly, A famous script doctor–who’s services I wasted $6,000 on–said that most writers better be prepared to stick it out for 10 years before they can make a living from writing. This Debby Downer also told the auditorium of almost 900 wanna-be writers that only a handful present would probably be successful and that many would lose friends and family because of their failures. In retrospect, I guess I should have waited until AFTER the 3 day seminar to quit my day job. The good news is that with webtv and all the new platforms, there are more opportunities than ever for writers. Just keep looking for these different avenues to showcase your work.


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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne

Charmaine Bingwa – March 2017 WEB SERIES Screenplay Winner

Winning Screenplay – LITTLE SISTA “GET SHORTY”
Written by Charmaine BingwaCAST LIST:

NARRATOR – Sean Ballantyne
CHARMAINE – Cassandra Guthrie
SHAUN – Dan Cristofori
TALIA – Jane Hailes
LUCY – Val Cole

SYNOPSIS:

Genre: Comedy, Romance, LGBT

Commitment-phobe, Charmaine must learn to grow up when she is paired with an at-risk youth in a Big Brother, Big Sister programme.
Get to know the writer:

What is your screenplay about?

It is about a responsibility-averse, lesbian lothario who is forced to grow up when she is given community service and paired with an at-risk youth in the Big Brother Big Sister program.

What genres does your screenplay fall under?

Comedy, Romance

Why should this screenplay be made into a TV Show?

Because underneath all the comedy it has heart and universal appeal. It also provides an answer to many issues raised about television today including LGBT inclusion, gender equality, ethnic diversity – but it does this by focusing on story, not by being didactic in approach. It also looks at other important societal issues such as foster care, bullying, what to do when you get punched in the butt and many more.

How would you describe this script in two words?

Bad Ass

What TV show have you seen the most times in your life?

30 Rock.

How long have you been working on this screenplay?

I wrote it in a week, but have been revising it for the better part of a year.

How many stories have you written?

Five I take seriously. They are all so diverse; some comedic, some intensely dramatic – two features, two TV shows, a web series and a play.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Bohemian Rhapsody, by Queen. It’s a beautiful, timeless, cacophonic mashup.

What obstacles did you face to finish this screenplay?

Not many with the screenplay, as writing is a solo pursuit for me, so as long as I have the time I have the story. The issues obstacles came fast and furiously when approaching the production stage.

Apart from writing, what else are you passionate about?

I’m OBSESSED with the craft of acting. Basically, I love the process of creating. Anything I can create, I love – be it characters, stories, series, concepts etc. I also sing and write music. And I’m also a massive fan of freeform down time.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

It was the title of the festival, I thought how fantastic is it that there is a festival devoted to supporting people telling stories from the community. I believe the is a thirst for this kind of content on mainstream TV and festivals like this go a long way in ensuring this happens in the future.

It was so great to receive the feedback. In truth I had forgotten I had entered the festival, so was very pleasantly surprised to receive an email with feedback. It was wonderfully affirming to read the feedback that was generally super-positive. There was also valuable suggested changes, that were so helpful to hear before entering production.

 

 

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

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Irwin Greenstein – March 2017 TV PILOT Screenplay Winner

Winning Screenplay – WHEN THE WORLD WAS SQUARE
Written by Irwin GreensteinCAST LIST:

NARRATOR – Frances Townend
NEAL – Peter Mark Raphael
ALLEN – Jonah Akler-Silliman
JACK – Christopher Huron
CAROLYN – Vanessa Quagliara
HENRY – Charles Gordon
SHEILA Kayla Farris

SYNOPSIS:

Genre: Romance, Drama, LGBT

A moody, intense drama about the Beat Generation of writers during their time in San Francisco. Focusing on Allen Ginsberg, this pilot tells the story of their tragically entwined lives as they struggle with the responsibility and tediumof a “normal” life and try to recapture their identity.

What is your TV Pilot screenplay about?

Their fierce appetites for sex, drugs and freedom of expression push Beat icons Jack Kerouac, Allen Ginsberg and Neal Cassady to defy taboos of repressive 1950s America and ignite the anti-establishment insurgence that still makes headlines today.

Why should this screenplay be made into a TV show?

Commercially, “When the World was Square” presents the flip-side of Mad Men — the unrefined and raw sexuality and hipster fashions that have been largely ignored. Creatively, it presents and birth of America’s gay rights movement and pivot point toward the individual freedoms of expression we now enjoy.

How would you describe this script in two words?

Sexy and addictive.

What TV show do you keep watching over and over again?

Black Sails

How long have you been working on this screenplay?

About 2 years.

How many stories have you written?

In terms of fiction, I’ve written my fair share of unproduced screenplays and unpublished novels — combined I would say about 10. But I’m a professional writer and I write non-fiction every day that’s available to me, so my output is very high.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Pink Floyd’s “Dark Side of the Moon.”

What obstacles did you face to finish this screenplay?

Facing the challenge of integrating the research and history of the Beats into a compelling, structured narrative. You want to remain true to the original souls but at the same time portray their lives in a commercial and prescribed format.

Apart from writing, what else are you passionate about?

Sports cars. It’s an expensive habit. Right now I have an old Porsche. Don’t ask about the repair bills. But drop the top on a beautiful day here in South Georgia and the experience is all worth it.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I would say it’s the dream of every aspiring screenwriter to see their work performed by people passionate about their craft, and short of a full-blown production a table read is really inspiring. The feedback was great. I took it all to heart and a few weeks laters ended up with a much-improved version.

Any advice or tips you’d like to pass on to other writers?

In retrospect, I would urge you all to stay in medical school. Short of that, strive for originality because even if you find yourself eventually drifting into commercial trends at least you would have started in place that’s true to yourself.


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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne

Nader Hobballah – February 2017 TV SPEC Screenplay Winner

Watch the February 2017 Winning Screenplay.

Winning Screenplay – THE FLASH – GODSPEED
Written by Nader HobballahCAST LIST:

NARRATOR – Geoff Mays
BARRY – Philip Krusto
CISCO – Casey Estey
CAITLIN – Ursina Luther
JOE/JEFF – John Lester Phillips
IRIS – Talia Price

SYNOPSIS:

Genre: Action, Adventure, Drama, Fantasy

An anguished Barry Allen faces off against a mysterious Black Knight that matches him in speed and strength. All the while, he must come to terms with his ability to go back in time and the consequences of doing do.

Get to know the writer:

What is your TV spec screenplay on the show “THE FLASH” about?

The Flash: Godspeed Barry Allen Part One’ sees Barry going up against a fierce and mysterious black knight that seems to have it out for him. At the same time, he is haunted by past actions involving him time traveling.

Why does this screenplay fit into the context of the series?

In the context of the series, this screenplay would fit after Flashpoint and when things have seemingly settled down after the chaos Barry’s actions unleashed.

How would you describe this script in two words?

Two words I would describe this screenplay (Part One) would be Strong Setup.

What TV show do you keep watching over and over again?

I am not that big into TV these days, but The Walking Dead has kept me engaged mostly now because of Negan.

How long have you been working on this screenplay?

I have been working on the overall screenplay for a couple of months on and off. Part one took a couple of weeks after I decided to split it.

How many stories have you written?

I have Probably written more stories than I can count on both hands, but they are of varying quality.

What motivated you to write this screenplay?

I was motivated to write this screenplay after season 2 of the Flash disappointed me and the first episode of season 3 let me down. After that I passed off watching more episodes especially since CW lost them and Netflix is going to be a long while. In the meantime, I started thinking to myself how I would write a Flash story. I took influences from Dark Souls of all properties in crafting the villain. As well, I wanted some thrilling action scenes as well as an emotionally difficult arc for Barry to overcome, but achieve a sense of victory and closure.

It was initially a single screenplay, but after receiving very quality feedback, I realized the only way to satisfy all parties without compromising the story was to expand it into two part. It was worth it in my observation upon reading the final work. I hope the audience is also satisfied with it.

What obstacles did you face to finish this screenplay?

As I stated in my previous answer, the feedback indicated there was a need to expand certain aspects of the script particularly the side characters and the deeper origins of the villain. I made the decision to split it into two parts which gave me a lot of room to breath, but also forced me to consider new challenges.

Since it is two scripts, the need to maintain consistency between them was a must. Certain things that happen in two are explained in one, but if the explanations in one are not in sync with what is happening in two, the whole thing falls apart. As well, things set up in one need to have a quality payoff or their foreshadowing is just empty baiting that will turn off the audience.

Apart from writing, what else are you passionate about?

Aside from writing, I tend to read up on religion, history and politics. I used to be a big gamer, but I have mellowed out these days.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

What influenced my decision to submit for the festival was the need to finally showcase my writing to the professional circuit. After years of writing on and off, I wanted to see how far I have come and need to still go. What surprised me was how positive the initial feedback was. Most of the issues had more to do with technical structure and descriptions, but the response to the narrative essence was very enthusiastic. It certainly gave me a much needed boost and encourage me to write more consistently.

Any advice or tips you’d like to pass on to other writers?

I would say to writers to write, get feedback, and write some more. Read scripts to see the technical details of how movies are written and I will be honest, I have not done enough of that. As well, watch, and yes even play, the various entertainment mediums around and think about why you and others like or dislike them so much. Writing can be fulfilling, but it is not easy and a firm resolve is needed to stick with it.

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Submit the first stages of your film and get full feedback!

Edward Pronley – January 2017 TV Spec (MODERN FAMILY) Screenplay Winner

Watch the January 2017 Winning TV SPEC Screenplay Reading.

Best Scene from the screenplay MODERN FAMILY Screenplay
Written by Edward PronleyCAST LIST:

NARRATOR – Sean Ballantyne
CLAIRE – Val Cole
MITCHELL/LUKE – Nick Wicht
GLORIA/ALEX – Shannon McNally
HALEY/LILY – Catherine D’Angelo
PHIL – David Straus
CAMERON/JAY – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

After refusing to fulfill Claire’s request to hire tree trimmers, Phil, with Luke’s help, takes matters into his own hands; Claire and Mitchell attempt to have a relaxing getaway; Gloria has problems trusting the Dunphys.


How does this screenplay fit into the context of this show?

When the idea for this story came to me, I knew it would be able to fit in nicely with the rest of the series. The conflict that arises from the three separate storylines converge in a way that I have definitely witnessed on the show before.

How would you describe this script in two words?

Trust family.

What TV show do you keep watching over and over again?

I have a problem with continuously re-watching, not only Modern Family, but also How I Met Your Mother. These two shows have great strengths in both writing comedy, and in writing characters we care about. I love seeing that in a comedy and hope to create something similar in my own writing.

How long have you been working on this screenplay?

I started this screenplay in the Summer of 2016 while pursuing a Screenwriting Certificate from NYU. It took me about the entire summer, with the help of my professor and my fellow classmates, to establish a good first draft. From there it went through many revisions until it was in it’s strongest form by around the end of December.

How many stories have you written?

Although this is my first spec script that I have written, I’ve written and produced a number short films (one that has gone on to be nominated for Best Screenplay at some festivals), I’ve written a feature, and most recently I finished a Two-Act comedy play that will be produced and performed around the end of April.

What motivated you to write this screenplay?

Last Summer, before I even thought about writing this spec, I had been helping my father cut down trees around the yard. My mother begged him to hire professionals instead of doing it himself, but he thought it would save time and money. Well, a few days later as I was helping him cut down a rather large tree in our front yard, we miscalculated where it would fall and it ended up crashing into the top of our house. The A story of my script follows, almost exactly, this chain of events. After this occurred during the Summer, I had so many people telling that it would fit very well into an episode of Modern Family, so I decided to bring it to life.

What obstacles did you face to finish this screenplay?

There were numerous obstacles that I faced when finishing this screenplay. It went through so many changes during my revision process and before even sending it to festivals, there was a point where I basically scrapped half of it and started over. The reason for this was due to the three complex storylines that intertwine throughout the script. I knew where I wanted them to go and how I wanted it all to end, however, it was getting them all to that point that had me scratching my head and scrapping rewrite after rewrite. In the end though, I feel that it came together very nicely.

Apart from writing, what else are you passionate about?

I really enjoy doing anything that has to do with music. I play a number of instruments, including guitar and a little bit of piano, but I have recently got into the habit of trying to learn even more instruments. Most recently, I have picked up the drums and the trumpet.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Initially the biggest thing that made me want to enter this festival was the recorded performance of our written scripts if we were to win. After receiving my notes from the festival though, I would say that I now have two big reasons to submit to this festival again in the future. The notes I received were very well thought out and helped me immensely during my most recent revision of the script. The festival put a lot of effort into making the notes as thorough and helpful as possible.

Any advice or tips you’d like to pass on to other writers?

The best advice I could give other writers would be to power through. There are times where you might think that you need to take a break from your writing and step back, maybe giving yourself an hour or a week to think about the story and your characters before you continue. I know in my experience though, that an hour turns into five and a week can turn into a month. If you sit down and write out your story, no matter how terrible it might seem to you, just know that the revision will always be better. Revisions can’t happen though, unless you actually write the script.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
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Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

Dimitry Pompée – January 2017 TV PILOT Screenplay Winner

Watch the January 2017 Winning TV PILOT Screenplay.

Best Scene from the screenplay DOWN WITH THE BUREAUCRACY Screenplay
Written by Dimitry PompeeCAST LIST:

NARRATOR – Sean Ballantyne
NATHAN – Gabriel Darku
KAREN/PAULA – Val Cole
LUKE – Nick Wicht
MYLES – Charles Gordon
ALLIE/NORA – Shannon McNally
QUINN – Catherine D’Angelo
BARLOWE – David Straus

SYNOPSIS:

Genre: Comedy, Political

After being framed for treason and losing his job at a prestigious DC lobbying firm, an arrogant grad student finds himself forced to take an entry-level position at the second-worst federal agency in America.

Get to know the writer:

What is your TV Pilot screenplay about?

My pilot, Down With The Bureaucracy, is about an arrogant graduate student named Nathan who is forced to take an entry-level position at the second-worst federal agency in America in order to keep his academic scholarship. While Nathan is hostile to all of his coworkers at first, he finds he must convince them to help him save his job when his spiteful manager tries to fire him on the first day.

Why should this screenplay be made into a TV show?

Aside from the fact that I think it would be a pretty funny show, I think there’s a huge audience for a sitcom about how ridiculous it can be working at the lower rungs of the federal government. We certainly have some amazing shows like Veep that mock the people in the corridors of power, but there are plenty of people in the lesser-known agencies who could use the same treatment.

At the same time, I also want to create a show that demonstrates the good that the federal workforce can do. Not only could this show derive material from the incompetence of the federal bureaucracy, it can show that there are plenty of talented and dedicated federal employees who are keeping this country afloat. I don’t know about you, but I can’t think of a better way to endear people to their government than through a show about a group of bumbling coworkers who occasionally manage to do a decent job. Well, aside from a civics class.

How would you describe this script in two words?

Utterly rewarding.

What TV show do you keep watching over and over again?

It’s only rounding out its second season, but I think I’ve watched every episode of NBC’s Superstore about seventeen times each. It’s an excellent example of how to use an ensemble cast full of absurd characters to create a compelling and hilarious sitcom. The same can be said of The Good Place, Brooklyn Nine-Nine, Community, Parks and Rec, 30 Rock, and all the other shows I find myself watching again and again.

How long have you been working on this screenplay?

I’ve been working on this one for about two years and a half now. I recently compared the first draft from May 2014 with this current draft, and while many of the core pieces remain intact, it is radically different than it used to be. Hopefully, it’s better too!

How many stories have you written?

This is a difficult question to answer, because I have several scripts in various stages of “completion.” I would say that I have four scripts in what you might call late-stage drafts, and many others that are in earlier stages of editing, drafting, outlining, or nascent, amorphous chaos.

What motivated you to write this screenplay?

When I was in grad school, I was also working full-time and I was very unhappy with my employment situation. I was bored and frustrated, and all of my job applications were met with silence, so I felt like I was stuck. I can’t even remember what the situation was, but one day, some nonsense happened at work and I said something to the effect of, “That is so stupid, it could be in a sitcom.” I started writing that very night. And I did end up leaving that job for something much better soon after, but not before taking extensive notes about working there that I’ve used in my pilot.

What obstacles did you face to finish this screenplay?

I don’t believe it’s done yet, but there have been some obstacles in getting it to this point. The most vexing obstacle for me was and remains developing a consistent writing habit, then sticking to it. I try do some writing during lunch at work, and then after coming home and foraging through the fridge for a somewhat healthy dinner, I write some more. Some days are better than others, but I figure as long as I can get SOMETHING down every day, I can count it as a success.

Apart from writing, what else are you passionate about?

Video games, a free and open internet, and naps. Pretty much anything I can do on my couch.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered the festival precisely because of the reputation of the feedback. It can be challenging to find sources for insightful feedback when you’re outside of an academic or professional setting, especially if you’re just starting out and you have no connections. Several friends of mine who had previously entered the festival told me that the feedback they received was incredibly helpful, and I absolutely agree. After digesting and utilizing the notes I received, I can say with utmost certainty that my script is leagues ahead of where it was before the festival.

Any advice or tips you’d like to pass on to other writers?

Many people have said this in much more insightful ways, but I’d advise other writers to always be open to receiving constructive feedback, and to seek it out specifically. It’s not easy hearing something you’ve been working on for a long time isn’t as good as you think it is, but receiving that type of criticism is essential to developing your skills as a writer. Don’t take it personally, don’t ignore it, and use it to improve your work.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!