Tag Archives: Best Scene Screenplay

Best Scene from CURB YOUR ENTHUSIASM Spec by Chris Agnew (plus interview)

    Watch the Best Scene Script from CURB YOUR ENTHUSIASM Spec:


Narrator – Becky Shrimpton

Larry – Peter Nelson

Leon – Peter Bent

Ms. Kotchery – Michelle Lecky

Patricia – Mandy Mclean

Get to know writer Chris Agnew:

1. What is your TV Curb Your Enthusiasm spec script about?

Larry takes exception to a speed bump installed in his community by a power hungry English Lady. A visit from his nephew complicates things as his rivalries become intermingled with Leon.

2. Why does this script fit into the context of the show?

Annoying societal things and people conspiring to bring Larry down.

3. How long have you been writing stories?

I started writing a year and a half ago.

4. What movie have you seen the most in your life?

Probably Fear and Loathing in Las Vegas, I must have watched it at least 20 times in college. I still laugh like a madman everytime.

5. What artists would you love to work with?

Larry David, Ricky Gervais, Johnny Dep, Jim Carey, Martin Scorsese, Jack Nicholson, Dave Chappelle, Will Ferrell, Chris Rock, Kate McKinnon, Bill Burr, Zack Woods, Anthony Atamanuik.

6. How many stories/screenplays have you written?

I’ve written a pilot, a spec, a full length, two short films, 30 or so sketches and 10 or so short stories.

7. Ideally, where would you like to be in 5 years?

Making films and tv with great people that inspire and make people laugh till they cry.

8. Describe your process; do you have a set routine, method for writing?

I study similar things that have been made, try to copy their approach in a number of ways, make a few tweeks, then brainstorm, structure, brainstorm, structure, write, rewrite. If something isn’t working, move on and come back.

9. Apart from writing, what else are you passionate about?

Friends, traveling, snowboard, bball, surf and would like to start a nonprofit in the future.

10. What influenced you to enter the WILDsound Festival?

Quick feedback for a contest and unique chance for a reading of material.

11. Any advice or tips you’d like to pass on to other writers?

I really need all the advice I can get. Copy the best, I learned infinitely more from studying Curb than any book or class. Study the thing you want to make.

Interview with David Redstone, Best Scene (Fleet Week: Neather Rise)

    Watch the Best Scene Reading of FLEET WEEK: NEATHER RISE:


    NARRATOR – Stephanie Seaton
    Faxton – Scott Dion Brown
    Lisette – Angelica Alejandro
    Vellario – Derek Chan

Interview with David Redstone:

1. What is your screenplay about?

FLEET WEEK: ‘NEATHER RISE is a sequel to the first FLEET WEEK: EVANESCENCE script – which was adapted from my novel of the same name. ‘Neathers are introduced in that first story as undersea electromagnetic entities (Topsiders call them ghosts). All of the ‘Neathers are victims of warship sinkings during World War Two. This second script expands upon the plight of ‘Neathers in their struggle to exist on a changing Earth, the desperate actions upon which they embark to survive, to proliferate – and their efforts to overcome Topsider plans for eliminating them.

2. Why should this script be made into a movie?

This is an original, fast-paced action adventure that puts a new twist on the concept of ghosts. It’s also open-ended as a series of motion pictures; a potential franchise. There’s depth to the main characters, lots of back-and-forth moral conflict, and much of it within themselves. There are corollaries to current events (both natural and manmade). Ultimately though, a movie should be a very entertaining romp, and I think this script passes muster.

3. What is the theme of Fleet Week?

The main theme is second-chance opportunity. Redemption and obsession are sub-themes.

4. What movie have you seen the most in your life?

I think it’s a tie between the original Star Wars and The Wizard of Oz. Logical perhaps, because so many parallels exist between Oz and that first Star Wars film.

5. What artists would you love to work with?

As far as well-known directors, the usual suspects: Eastwood, Lucas, Spielberg, Cameron, Peter Jackson. Yet I admire the diverse talents of so many in the film world. I’d be honored to work with any of those who excel within the multiple phases of cinematic storytelling.

6. How many stories/screenplays have you written?

I’ve done 2 novels and 5 screenplays.

7. Ideally, where would you like to be in 5 years?

Writing and/or directing feature films, and authoring more novels.

8. Describe your process; do you have a set routine, method for writing?

I envision a long-form drama project as building a rail system:

1. The track is the Plot.
2. Stations and terminals are Locations/Settings.
3. Train cars are Characters. Main characters are engines, followed by boxcars of varying sizes, according to the weight of each character’s role.

Plot ideas arrive in various ways. I’ll poke around on the Internet within historical periods, searching for fascinating items which may not yet have been fully explored. Other times I’ll write within a genre that interests me greatly, such as crime drama.

I get a general idea of each character’s mindset before I write, and then alter them to fit once the actual writing begins. At some point your characters speak to you because you know them. You comprehend how they think.

Prior to writing a single word of the actual drama, I conduct thorough research into aspects of the project. The buck stops with me as the storyteller, initially anyway. So, I amass more than enough background information beforehand. I feel it’s a major responsibility to not let the audience lose track, or begin to question anything during their suspension of disbelief.

9. Apart from writing, what else are you passionate about?

Family and friends, of course, top the list. I’m also passionate about certain social/environmental/political issues. I am somewhat of a film buff. I’m very passionate about computers and especially software development. That’s been my day job.

10. What influenced you to enter the WILDsound Festival?

For unproduced writers, the real frustration after keystroking “The End” is trying to get noticed. There are so few outlets available for presenting your material. WILDsound appeals to me because my work now migrates from an unread concept into a produced staging, easily accessible by industry pros.

11. Any advice or tips you’d like to pass on to other writers?

I believe the first priority for storytellers is to be absolutely fascinated with people. What they do, how they do it. What they say. What drives them, what are their fears, doubts, strengths and weaknesses. Whether a story is character-based or plot-driven, even if it involves talking animals or aliens – it’s still always about people, and how an audience relates to them.

Solid research is vital when writing anything, including fiction. You are the authoritative voice behind the words. If your characters as storytellers don’t pitch it credibly? The audience will pick up on it right away and then you’re sunk, Sunk, SUNK. There are no shortcuts to a well-researched piece of writing.

For newer writers: You’re going to get better as long as you keep at it. Act upon those critical points of feedback from others whose opinions you value. Eventually your style will emerge and you’ll fly on your own.

Interview with Sean Elwood, Winner Best Scene Screenplay January 2015

When I read that each script would get feedback on how to make it better, as well as the winning script getting a full reading at their event using actors really piqued my interest. It’s always great to get constructive criticism on something you’re very serious about, no matter what it is, and WILDsound definitely delivered on their critique toward my script. The other perk of entering the festival—having your script performed—seemed interesting to me as well, as I’ve never heard of that approach coming from a screenplay festival.

– Sean Elwood on the WILDsound Experience

    WATCH BEST SCENE from “I’M STILL HERE” by Sean Elwood


    NARRATOR – Sean Ballantyne
    Ryan – Vince Jerad
    Kayla – Alissa DeGrazia
    Receptionist – Danielle Nicole

Interview with Sean Elwood:

1. What is your screenplay about?

“I’m Still Here” is a dark, psychological thriller that focuses on Ryan Stovall, a young man who is involved in a car accident that nearly kills him. After he’s discharged from the hospital, he begins to experience strange occurrences throughout his home that lead him to believe that his near-death experience has opened the door between the living and the dead. As he attempts to investigate the paranormal activity, he soon begins to realize that his very own sanity may be at stake, and that it’s not just the dead that he needs to worry about.

2. Why should this script be made into a movie?

“I’m Still Here” is a fresh take on the psychological thriller genre that will keep you guessing until the very end of the story, and even by then it will continue to leave you thinking. It contains subtle horror elements that don’t include jump scares or frightening images, which today’s horror seems to solely rely on, but rather elements that affect the human psyche and make you question your sanity. Financially speaking, “I’m Still Here” can accommodate any budget, as it features two main and three minor roles, and technically includes only four small locations. There is no need for any CGI or extravagant special effects, but instead a director who possesses knowledge in holding suspense and delivering thrills.

3. How long have you been writing stories?

I have been writing stories since elementary school, starting off as shorts that involved my friends and I escaping from evil ghosts and monsters, and developing into screenplays, both shorts and features, by late middle school up until now.

4. What movie have you seen the most in your life?

Gosh, that’s a hard one. I tend to watch movies I like over and over again, but I would probably say the movie I’ve seen the most in my life would be the 2004 Dawn of the Dead remake, which I find to be an obscure movie I would watch frequently. It made a pretty big impact on my life since it was one of the first films that helped jumpstart the early 2000s zombie craze (plus I was only 14 when it came out, and I had a very obsessive personality at the time). It’s the movie that made me become obsessed with zombies, which I wrote a lot of stories and scripts about. Anything and everything about me was zombie.

5. What artists would you love to work with?

Steven Spielberg, George Romero, Danny Boyle, Mike Cahill, Neil Marshall, Alfonso Cuarón

6. How many stories/screenplays have you written?

Too many to count! I would say I’ve written at least 40-50 screenplays, both shorts and features, ranging from horror to thriller to drama and comedy. I’m definitely a horror guy, though.

7. Ideally, where would you like to be in 5 years?

I’m actually currently studying for a degree in mortuary science so I hope to see myself working in a mortuary in 5 years. I love screenwriting though, and I would even like to open a screenwriting class one day to anyone who is interested in the field. Plus, working around dead bodies in a morgue will give me some great ideas for my next horror script.

8. Describe your process; do you have a set routine, method for writing?

Lots and lots of brainstorming. Brainstorming in the shower, brainstorming on the toilet, brainstorming at work, brainstorming everywhere! If I come up with an idea, even for a scene in a script, I write it down somewhere. But as far as routines go, I tend to write down a lot of ideas for a script and flesh out the story around them, fitting those ideas into scenes that are most appropriate for the story. It’s not traditional in anyway, but it’s what helps me write a script, and if it works, it works. I also consult my friends and get their opinions on my stories. I figure that the best opinion is from the general audience. I like to go for what they want, not what Hollywood wants.

9. Apart from writing, what else are you passionate about?

I’m passionate about photography, the outdoors, and the universe. I’d love to be able to go to space one day, and I hope that we put more effort into space exploration, because it’s actually really awesome if you sit down and put in the time to read about it.

10. Any advice or tips you’d like to pass on to other writers?

This will sound really cliché, which I try to avoid, but what the hell: don’t give up. You will get turned down. You will have people not like your script. You will have major writer’s block. But don’t let any of that get in the way if you have a passion for screenwriting. Take any criticism and use it to your advantage. That’s how I learned and it’s definitely made me a better writer.

Best Scene Screenplay. Q&A with novelist turned screenwriter Anita Waggoner

I liked what I saw on your web site. Have enjoyed working with the individuals I’ve been in contact with from WILDsound! Good People!

OMG, Yes! I loved the performance of my script. It really helped me to hear the lines and to be able to make improvements to what was read. Your actors were wonderful and did a great job reading the second go round! I loved them all (and the narrator).

– Anita Waggoner, on her experiences submitting to the WILDsound Screenplay Festival (Review)

Go to Anita’s website about her novel turned screenplay FAREWELL TO FREEDOM

Watch the Best Scene reading from Anita Waggoner’s FAREWELL TO FREEDOM script:


In Farewell to Freedom, a heartbroken divorcee’ seeks love in a small country town. She’s naive, and helplessly unaware, that the hasty decision to move to Freedom may potentially destroy her.


NARRATOR – Amaka Umeh
CHEYENNE – Michelle Alexander
NORMA JEAN – Marsha Mason
ROWDY – Rob Notman

Q&A with Anita Waggoner and WILDsound’s Matthew Toffolo

Matthew Toffolo: In your own words, what is your screenplay about?

Anita: Farewell to Freedom is a new day western genre written from a female’s point of view. The prize winning story is based on Anita Waggoner’s true life experiences. The main characters are Cheyenne Stevens and Rowdy Harrison. In Farewell to Freedom, a heartbroken divorcee’ seeks love in a small country town. She’s naïve, and helplessly unaware, that the hasty decision to move to Freedom may potentially destroy her.

Cheyenne flees to Las Vegas to escape the heartbreak of a failing marriage. While there, during the National Finals Rodeo, she meets a cowboy named Rowdy Harrison from Freedom, Oklahoma . A long term love affair ensues and Cheyenne agrees to move to Freedom. Their relationship quickly becomes a business partnership when Cheyenne buys into Rowdy’s fledgling bucking bull business. She becomes a female stock contractor for the PBR. Her world class bulls perform at the NFR finals and PBR finals in Las Vegas.

Cheyenne gives up a life of luxury to live with Rowdy in a bunkhouse on his run-down Oklahoma ranch. She initially believes that living life on a ranch with a cowboy will take her back in time to a childhood place where she’d once been her happiest. However, the daily struggles of life with Rowdy in the country take a toll. Cheyenne ‘s escape to Freedom becomes far more than she’s bargained for. Cheyenne becomes a strong-willed, modern day cowgirl who proves she can endure in the tough man’s world of rodeo. Her patience is tried over and over again by Rowdy, and his scoundrel friends, who constantly seek to take advantage. Cheyenne realizes she’s made a mistake by leaving her perfect world to start a new life with a cowboy in Freedom, Oklahoma. Her eventual purpose becomes one of survival as she begins to plot and plan how to escape life in Freedom.

MT: Why should this script be made into a movie?

Anita: Farewell to Freedom is a modern day western that brings in the action of bull riding and country western music. It has interesting lead characters, filmic settings and heartfelt moments. The script has a consistent dramatic tone while staying focused on the protagonist’s journey. The narrative covers a lot of territory (would make a wonderful miniseries). The leads are engaging with distinct personalities. Fleshing out the characters and exploring the issues gives a cinematic experience.

Farewell to Freedom is a relationship drama/character driven piece. Cheyenne and Rowdy are memorable leads with strong personalities that will attract Alist actors. The script has a Thelma and Louise friendship between Cheyenne and her friend Jennifer; Rowdy’s character can be compared to Jeff Bridges in Crazy Heart; and the location and events might be compared to August: Osage County.

MT: What influenced you to write this screenplay?

Anita: Farewell to Freedom is 99.9% true. It’s a story about my own life after divorce. The story reflects my personal experiences of being taken for a disastrous/heartbreaking financial ride by a man I loved. I’ve found since writing my story that I’m not alone. Many women have lived through similar experiences.

MT: How is Cheyenne different from yourself?

Anita: Cheyenne and I are one. There’s no difference. I write about myself in the story Farewell to Freedom.

MT: What movie have you seen the most in your life?

Anita: Thelma and Louise

MT: What artists would you love to work with?

Anita: Sharon Stone and Mathew McConaughey – Woody Harelson – Kate Hudson

MT: What are you passionate about in life?

Anita: I value each day and try to live every one to the fullest. I’ve lived a very full and rewarding life. My writing (since 2009) has helped me to understand myself and to help others in the process. I’m passionate about writing, the western way of life, travel, decorating, and my family.

MT: Do you have a set routine when writing? Any advice you like to give to other writers?

Anita:When I’m in the throws of writing I have no specific routine other than I try to write some every day. If I wake in the night with an idea I go to my computer and jot it down. When I’m inspired and know the subject matter, I can write for hours without interruption.

Advice to other writers would be to just do it! Write your story by telling it in your own words… let your creative juices flow. In the beginning, don’t worry about the editing, that comes later. Just begin to tell your story. It will take lots of time and dedication, but in the end, you’ll feel such pride!
I personally find writing to be very therapeutic, educational, inspirational, and rewarding!

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