WATCH Mid-Year TV SPEC SCREENPLAY Winners (January-June 2017)

Watch the Winning Television SPEC Screenplay winners for the first half of 2017:

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

Festival Deadlines

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Winning FAN FICTION Screenplay – DR. WHO “The Kingdom of the Mara” by Paul Hewitt

Genre: Fantasy, Adventure

The Doctor accidentally picks up Shona and the two investigate a red comet that lands on Earth. The Doctor discovers the Mara are back, and must use their technology against them to defeat them once more.

CAST LIST:

Narrator: Elizabeth Rose Morriss
The Doctor: Brian Carleton
Shona: Konstantina Mantelos
Solomon: Anthony Botelho
Vladislav: Jack Comerford
Mila: Andrea Meister
Enok: Jordy Kieto

Get to know the writer:

What is your TV spec screenplay about DOCTOR WHO about?

The Doctor and Shona (last seen in the episode “Last Christmas”), find themselves in Bohemia during the Dark Ages. A tyrant, Lord Ivan, hoards a peculiar red crystal with telepathic powers called the Crimson. Wearing jewels made of Crimson, Lord Ivan and his followers collectively conjure a serpentine gestalt being from the darkest recesses of their minds: The Mara.

Possessed by The Mara, Lord Ivan quickly conquers all before him. He besieges the largest castle (and only cathedral) in the rival kingdom of Vladislav. The Doctor knows that walls, warriors and weapons are no match for the insidious, seductive spell of The Mara.

The Doctor and Shona rouse King Vladislav and his people to fight The Mara through very unconventional means – particularly for The Doctor. The world’s future truly rests on a hope and a prayer.

Why does this screenplay fit into the context of the show?

It’s a traditional good versus evil story with the odd bits of comedy and horror that you’d expect from Dr. Who. I wrote it for the 12th Doctor, Peter Capaldi – who I think is fabulous – a throwback to the 70’s Doctors, Jon Pertwee and Tom Baker.

This story is very much in the mold of classic Doctor Who. You have a historic setting that is disrupted by the presence of a perfidious alien – oh, and then there’s The Mara and a mysterious red crystal. Seriously though, The Mara was one of my favourite Who monsters from the 80’s and I am surprised it has not reappeared on TV (yet). The companion Tegan’s experience with the “evil dream snake” is what made her my favourite during the Peter Davison years.

We all know The Doctor’s companion is a surrogate for the audience and a great companion makes for a great Who story. I chose a character from a recent Christmas special – Shona McCullough (played wonderfully by actor Faye Marsay)– because I immediately saw in her the potential for a long term TARDIS traveller.

How would you describe this script in two words?

Faith Wins

What TV show do you keep watching over and over again?

Doctor Who
(also Game of Thrones, Mad Men…)

How long have you been working on this screenplay?

Six months (Off and On). So maybe 6 weeks’ worth of an actual research and writing (and rewriting).

How many stories have you written?

Two Features (Housesitting, Guttersnipe)
One Documentary (All About Me)
One Short (co-wrote) (Saved From The Grave)

Next up is my own TV series and this TV spec script was an excellent exercise in writing for this genre.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

In My Life (The Beatles)

What obstacles did you face to finish this screenplay?

Time was my biggest obstacle… finding the time.

The second challenge was how to portray The Mara. It is obviously not my own creation, so I wanted to do justice to the original Mara stories with my version.

Apart from writing, what else are you passionate about?

Acting, films, politics, history, rugby and beer (not necessarily in that order)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had my first feature screenplay analyzed not once, but twice. I was impressed by the depth and value of the criticism. So I did not hesitate to submit my Doctor Who script for analysis and I am pleasantly surprised in the end to have it recognized here. Thank you.

Any advice or tips you’d like to pass on to other writers?

It’s an old cliché but true: Write what you know. That’s why I picked Doctor Who for my first TV screenplay.

Be prepared to take a lot of criticism along the way. Your story (and your skills) will benefit from it.

Procrastination is thine worst enemy.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Camera Operator: Kierston Drier

Editor: John Johnson

Casting Director: Sean Ballantyne

WINNING TV SPEC Reading of SUPERNATURAL “Don’t Look Back” , by Bonnie Bonaduce

Winning Screenplay – SUPERNATURAL “Don’t Look Back”
Written by Bonnie Bonaduce
CAST LIST:

NARRATOR – Becky Shrimpton
DEAN – Jason Martorino
SAM – John Marcucci
CASTIEL – Brogan Caulfield
EMMA – Roselie Williamson

SYNOPSIS:

Genre: Action, Adventure, Thriller, Romance

Get to know the writer:

What is your screenplay about?

The logline best answers this question for SUPERNATURAL – “Don’t Look Back” – Dean, Sam and Castiel take extreme measures to save an unusual and innocent woman from an evil curse. However, the crux of the episode is to introduce the new character of Emma De Luca, a woman as embroiled in the supernatural universe as Dean and Sam, and to lay the foundation for an epic love triangle between Dean and Emma and Castiel. Time for Supernatural to grow up, leave the overdone “bromances” in the dust, and throw a strong, ass-kicking and yet sweet and vulnerable woman into the mix. Sparks will fly!

How does this episode fit into the context of the show?

This episode is designed to be a season-opener, and carries no baggage other than our main characters and the Men of Letter’s Bunker set, which from what I understand was incredibly expensive to build and will surely be available should my story be a miracle baby and make it to the small screen.

Have you watched every single episode of SUPERNATURAL?

I have watched every single episode of Supernatural, more than once. Some I could write from memory, such as my personal fave, “The Man Who Would be King”, which was also the first episode I ever saw. I must confess, I had never even watched Supernatural until this past January. Honest to God. I was working so many hours at my bring-home-the-bacon job that I seldom had time to watch anything longer than a sitcom. I guess I owe my newfound writing obsession to a miserable cold that forced me to kick back and actually relax for a while. I stumbled on “The Man Who Would be King”, got completely sucked in, and the rest is history. I think any writer attempting to write for an established show MUST take the time and effort to study their quarry. So much of great writing is in the nuances, the little things about a character or a concept that make all the difference.

How would you describe this script in two words?

If I could describe this script in two words, they would be GAME CHANGER.

What movie have you seen the most times in your life?

The movie I have seen the most times in my life? That’s a hard one. I’d say it’s a toss up between any of the Lord of the Rings movies, all the Harry Potter movies, the entire Star Wars franchise, and “While You Were Sleeping”. Yes, that’s the romantic comedy with Sandra Bullock and Bill Pullman. Hey, I never said I was consistent. Or maybe I am…after all, I’m still mixing fantasy universes with romance.

How long have you been working on this screenplay?

I worked on this particular episode for about six weeks, on and off. My mind tends to run ahead, and I also spent time outlining and making general notes on several more sequel episodes. The follow up to “Don’t Look Back” is titled “Timing is Everything”, and it too is complete and making the contest rounds with DLB as we speak. I’m halfway through the third episode titled “Out of the Blue”, and also have 6 other episodes that I’m outlining/simmering. No rest for the obsessed, I’m afraid.

How many stories have you written?

I have no idea how many stories I’ve written. So many were written only in my head, because I never had the time to commit them to paper. I did write a romance novel and a screenplay that did well in some contests about 10 years ago, but then I took a long break from writing, like ten years of break, during which I was raising my kids and working my ass off, and just trying to keep the wolf from the door. Sometimes life just gets in the way…and sometimes we let it. I wish now that I’d taken more time for ME. And that would have meant writing. But no use in lamenting the past. We can only look forward.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

My favorite song? That’s an interesting question. At the moment, it’s got to be Carly Pearce – “Every Little Thing”. Yes, it’s a country song. This is me, saying, and saying it proudly, that although I love almost all music, Country music holds the key to my heart.

What obstacles did you face to finish this screenplay?

The only obstacle I faced in finishing “Don’t Look Back” was time. The story was simply bursting out of me, to the extent that I even dreamed about it at night, waking up at three a.m. and running to my computer to get the thoughts down before I could forget them. But time is an evil bitch, and with the deadline for so many important contests looming, I took a week of vacation time from my job to be able to give the writing the attention it deserved. Man, did I LOVE that week! All writing, all the time? Heaven.

Apart from writing, what else are you passionate about?

Apart from writing, I am passionate about my kids, and living life to the fullest. I prioritize taking care of my health. I eat very well, don’t smoke or drink, hit the gym most every day, use a far-infrared sauna, and take a handful of supplements daily. As my wise grandma used to say, “An ounce of prevention is worth a pound of cure”.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I learned about the festival on line. First, as a new writer, I know how important it is to get my work out there, everywhere I can. I also value the feedback, although I always rely on my own instinct and taste. First and foremost, I write for myself. Especially for Supernatural, that makes sense to me, since I am part of their largest demographic viewership. I also loved the idea of having professional actors table read my work. So cool.

My initial reaction to the feedback was, Wow! He really liked my work. I mean, when the first sentence you read says, “An exceptionally well-written episode of Supernatural…” you know you’re off to a great start! I did incorporate the advice to lower my page count, and it was a good lesson in evaluating what scenes were absolutely crucial to the story. I really did learn something, and isn’t that the point?

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting Director: Sean Ballantyne


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
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Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
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Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
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TV SPEC Reading of MODERN FAMILY “Relax, I Got This” by Edward Pronley

Watch the January 2017 Winning TV SPEC Screenplay Reading.

Best Scene from the screenplay MODERN FAMILY Screenplay
Written by Edward Pronley

CAST LIST:

NARRATOR – Sean Ballantyne
CLAIRE – Val Cole
MITCHELL/LUKE – Nick Wicht
GLORIA/ALEX – Shannon McNally
HALEY/LILY – Catherine D’Angelo
PHIL – David Straus
CAMERON/JAY – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

After refusing to fulfill Claire’s request to hire tree trimmers, Phil, with Luke’s help, takes matters into his own hands; Claire and Mitchell attempt to have a relaxing getaway; Gloria has problems trusting the Dunphys.


How does this screenplay fit into the context of this show?

When the idea for this story came to me, I knew it would be able to fit in nicely with the rest of the series. The conflict that arises from the three separate storylines converge in a way that I have definitely witnessed on the show before.

How would you describe this script in two words?

Trust family.

What TV show do you keep watching over and over again?

I have a problem with continuously re-watching, not only Modern Family, but also How I Met Your Mother. These two shows have great strengths in both writing comedy, and in writing characters we care about. I love seeing that in a comedy and hope to create something similar in my own writing.

How long have you been working on this screenplay?

I started this screenplay in the Summer of 2016 while pursuing a Screenwriting Certificate from NYU. It took me about the entire summer, with the help of my professor and my fellow classmates, to establish a good first draft. From there it went through many revisions until it was in it’s strongest form by around the end of December.

How many stories have you written?

Although this is my first spec script that I have written, I’ve written and produced a number short films (one that has gone on to be nominated for Best Screenplay at some festivals), I’ve written a feature, and most recently I finished a Two-Act comedy play that will be produced and performed around the end of April.

What motivated you to write this screenplay?

Last Summer, before I even thought about writing this spec, I had been helping my father cut down trees around the yard. My mother begged him to hire professionals instead of doing it himself, but he thought it would save time and money. Well, a few days later as I was helping him cut down a rather large tree in our front yard, we miscalculated where it would fall and it ended up crashing into the top of our house. The A story of my script follows, almost exactly, this chain of events. After this occurred during the Summer, I had so many people telling that it would fit very well into an episode of Modern Family, so I decided to bring it to life.

What obstacles did you face to finish this screenplay?

There were numerous obstacles that I faced when finishing this screenplay. It went through so many changes during my revision process and before even sending it to festivals, there was a point where I basically scrapped half of it and started over. The reason for this was due to the three complex storylines that intertwine throughout the script. I knew where I wanted them to go and how I wanted it all to end, however, it was getting them all to that point that had me scratching my head and scrapping rewrite after rewrite. In the end though, I feel that it came together very nicely.

Apart from writing, what else are you passionate about?

I really enjoy doing anything that has to do with music. I play a number of instruments, including guitar and a little bit of piano, but I have recently got into the habit of trying to learn even more instruments. Most recently, I have picked up the drums and the trumpet.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Initially the biggest thing that made me want to enter this festival was the recorded performance of our written scripts if we were to win. After receiving my notes from the festival though, I would say that I now have two big reasons to submit to this festival again in the future. The notes I received were very well thought out and helped me immensely during my most recent revision of the script. The festival put a lot of effort into making the notes as thorough and helpful as possible.

Any advice or tips you’d like to pass on to other writers?

The best advice I could give other writers would be to power through. There are times where you might think that you need to take a break from your writing and step back, maybe giving yourself an hour or a week to think about the story and your characters before you continue. I know in my experience though, that an hour turns into five and a week can turn into a month. If you sit down and write out your story, no matter how terrible it might seem to you, just know that the revision will always be better. Revisions can’t happen though, unless you actually write the script.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

Matthew Feldman – December 2016 TV Screenplay Winner

TV SPEC of RICK and MORTY
Written by Matthew Feldman

CAST LIST:

NARRATOR – Michelle Alexander
MORTY – Noah Casey
RICK – Brian Carleton
BETH – Dana Thody
JESUS CHRIST – Chris Reid Geisler
SUMMER – Angela Cavallin
FLUXO – Ucal Shillingford

SYNOPSIS:

Genre: Comedy, Animation, Adventure

Rick and Beth go on an interstellar vacation. Back on earth, Morty recieves unexpected help on his history project while Summer finds a new love interest.

Get to know the winning writer:

1. What is your screenplay about?

Beth is approached for her expertise in horse surgery to save a dying alien species from extinction and manages to convince Rick to tag along for a crazy adventure. Meanwhile at home, Morty seeks help from a notable icon to help with history homework to discover he isn’t exactly who he thought he was.

2. How does this episode fit into the context of the series?

I feel Rick and Morty’s success stems from many of their storylines discussing pop culture and frequently explored sitcom subjects to approach them in a way unexpected to the audience. Given that signature style of story telling, I feel my spec. is in line with your prototypical episode by both satirizing the film “The Hangover” and approaching the religious figure of Jesus in an unexpected way.

3. How would you describe this script in two words?

Unconventionally controversial.

4. What TV show do you watch over and over again?

I have two televisions series I enjoy to re-watch. I love re-watching both Rick and Morty and Curb Your Enthusiasm. I feel like the writing in both those series have phenomenal, atypical, comedy writing that doesn’t compare to much of what is currently out there. The way they approach their storytelling is so unique, I always re-watch those shows to get a different take on watching the same episode again.

5. How long have you been working on this screenplay?

I would say this screenplay took me roughly two and half months to produce the first draft. Then I spent a few more months accumulating notes and improving the quality of the story. In total, I probably spent five months working on this screenplay.

6. How many stories have you written?

Thus far, I’ve written seven stories.

7. What motivated you to write this screenplay?

I’m very interested in pursing a career as a screenwriter as my passion is the art of storytelling. In order to show case my work, I thought it would be best to write sample material for one of my favorite shows, thus writing a spec. episode of Rick and Morty.

8. What obstacles did you face to finish this screenplay?

For those who have watched Rick and Morty before, many will notice the voices of the characters are quite peculiar. That said, it was quite an obstacle trying to accurately replicate both Rick and Morty’s voices. Rick often interrupts people while talking, he burps in the middle of talking, he’ll interrupt himself to drink from his flask. On the other hand, Morty often stutters when talking, is uncertain of himself, and finds himself repeating Rick’s name several times over while chatting with Rick. It took along time of watching the existing episode of Rick and Morty to assure I got those nuanced details just right.

9. Apart from writing, what else are you passionate about?

Apart from writing, I’m very passionate about music. I’ve spent 10 years playing piano and 15 years playing trombone. I believe I have a rather wide musical palette enjoying musical genres ranging from Country to Rock to Classical.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

As a relatively new writer, I’m still trying to discover my voice, in addition to identifying flaws in my writing. As a result, I identified several writing festivals that were know for providing stellar feedback on scripts and thus decided to submit my script to Wildsound. Upon submitting an early draft of my script to wild sound, their feedback helped me identify problems in my script which guided me in future re-writes to better improve the quality of my script.

11. Any advice or tips you’d like to pass on to other writers?

If there is anything I’ve learned from my several years writing, the art of writing is something that improves with time, practice, and feedback. Write a script, make it as good as you can, and don’t be intimidated to distribute it/ask for feedback. If you fear your work being stolen, don’t be. Writers are often egotistic and would never have the ability to pass off someone elses work as their own. Other writer’s will help identify the problems you aren’t seeing in your works and will often help you improve as a writer. Although, take advice with a grain of salt. All writer’s have different tastes and opinions, so don’t feel you need to take every note you are given. Get as many notes as you can, as the comments consistent across several writer’s will typically guide yo to where your work needs improvement

***

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Watch the 2016 TV SPEC Winners from the WILDsound Screenplay Festival (13)

13 TV Spec Screenplays were performed at the festival in 2016. These are always the most enjoyable scripts to perform for the actors because they get to dive into the roles of their favorite television characters.

This portion of the festival has been going on since 2009 and since then the television industry has changed dramatically. Specs from web platforms like Netflix and Amazon TV is now what agents and producers are looking to read to showcase a writer’s talent.

Enjoy watching the readings!

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman
ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve
ACTORTV SPEC Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan
ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORFan Fiction – DOCTOR WHO “The Time Cuckoo”
February 2016 Reading
Written by David Gilbank & Paul Renhard
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

TV Spec Screenplay – Modern Family by Chai Karve

Watch the September 2016 Winning TV SPEC Screenplay

Modern Family by Chai Karve

CAST LIST:

NARRATOR – Val Cole
ALEX – Mandy Magnan
PHIL/CAMERON – Devin Upham
JAY/MITCHELL – Neil Kulin
LILY/HALEY – Lauren Toffan
LUKE/MANNY – Scott Beaudin
CLAIRE/GLORIA – Katelyn Vanier

Get to know the writer:

What is your spec screenplay based on the famous TV show about?

All of the characters that usually get what they want need help. On a mushy-gushy level, it’s about realizing everyone’s potential for contribution and using the talents of everyone around you to solve a problem.

A plots: Alex tries to land an internship. Jay tries to learn technology. Haley tries to maintain a long-distance relationship. Mitchell tries to engage with Lily.

B plots: Gloria uses idioms to a fault. Claire and Phil jockey to help Alex. Luke offers sage relationship advice. Lily and Cameron are football bros.

How does this screenplay fit into the context of the TV show?

Most viewers will be able to relate to at least one of the storylines. It’s difficult acknowledging our shortcomings, and this episode deals with that in several contexts.

How would you describe this script in two words?

Fast & Relatable

What TV show do you keep watching over and over again?

Arrested Development and Veep. Both of these shows are so fast and terrifyingly witty. The number and diversity of jokes these shows have is staggering. I find new elements every time.

How long have you been working on this screenplay?

The story was outlined in a week and I wrote a draft in 2 days. Once I locked down the story I knew I could crank it out relatively quickly.

How many stories have you written?

The spec is the longest piece I have written other than academic writing. I have and continue to write sketches, one-liners, and short films.

What motivated you to write this screenplay?

My love for the show and the characters.

What obstacles did you face to finish this screenplay?

Modern Family has an uncanny ability to weave together wonderfully disjointed stories thematically and I did not feel comfortable putting pen to paper until I had that sense of interconnectivity locked down.

Apart from writing, what else are you passionate about?

Improv comedy. Late night comedy. Comedy. Podcasts about politics and other useless intelligent jargon.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

More than winning (which is pretty great), I wanted feedback. Every time you enter one of these things, it is a total gamble, and I this was the first one I entered because of the promise of feedback in a timely manner. I got solid feedback and was able to tweak my script to a point where I was happy with it, all thanks to the kind people at WILDsound.

Any advice or tips you’d like to pass on to other writers?

Being busy is not an excuse. Make time. Outline the crap out of everything. Start with smaller pieces – success in brevity is absolutely scalable.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne