Category Archives: tv spec screenplays

JUNE 2019 SCREENPLAYS – 31 IN TOTAL

Submit your Film & Screenplay via FilmFreeway:

ACTORSCREENPLAY MOVIE: THE PLAYLISTS, by Michael Kotsiros
June 2019 Winner
ACTORSCREENPLAY MOVIE: ZOMBIE CRUIZE, by AKA Smith
June 2019 Winner
ACTORSCREENPLAY MOVIE: THE PERFECT GIFT, by John Scott Schaf
June 2019 Winner
ACTORSCREENPLAY MOVIE: THE WONDERFUL INVENTION OF DR. BLANK, by Obayed Khan
June 2019 Winner
ACTORSCREENPLAY MOVIE: MOTORIST, by Julie Thor Fryd
June 2019 Winner
ACTORFEATURE SCREENPLAY: SAILING SARAH, by Phil Davey
June 2019 Winner
ACTORTV SPEC SCREENPLAY: BROOKLYN 99: THE AMNESIAC
June 2019 Winner
ACTORTV BEST SCENE SCREENPLAY: VAPOR, by Eric White
June 2019 Winner
ACTORTV BEST SCENE SCREENPLAY: THE FINITE THEORY, by David Apostolico
June 2019 Winner
ACTORSCI-FI 1ST SCENE SCREENPLAY: URRACA, by Eva Everett Irving
June 2019 Winner
ACTORACTION 1ST SCENE SCREENPLAY: JOHNNY’S PICO, by Sean Monahan Scott
June 2019 Winner
ACTORUNDER 5MIN. SHORT SCREENPLAY: FARE THEE WELL, by Brian White
June 2019 Winner
ACTORCOMEDY SHORT SCREENPLAY: HERCULEAN TASK, by Mark Allard Will
June 2019 Winner
ACTORLGBT BEST SCENE SCREENPLAY: THIS IS THE LAST TIME, by Jeff Bretl
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: ALL THE WOLVES YOU WERE, by Ron Micci
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: STAGE DAD, by Joel Henning Doty
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: THE TALENTED UNCLE JULIEN, by Kaede Loh
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: SHE TOUCHED ME, by Timothy Wayne Folsome
June 2019 Winner
ACTORCOMEDY BEST SCENE SCREENPLAY: BORN AGAIN, by Daniel Schooling
June 2019 Winner
ACTORCOMEDY BEST SCENE SCREENPLAY: FATE’S PECULIAR SENSE OF HUMOUR, by N. Triton
June 2019 Winner
ACTORCOMEDY BEST SCENE SCREENPLAY: ZOMBIE ARMY, by James Fitzmaurice
June 2019 Winner
ACTORCOMEDY BEST SCENE SCREENPLAY: GOOD INTENTIONS, by Sandy Tovray
June 2019 Winner
ACTORCOMEDY BEST SCENE SCREENPLAY: TAKE A PAUSE OUT OF CRIME, by Mary C. Ferrara
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: ONE PERFECT DAY, by Andrew Fisk
June 2019 Winner
ACTORHORROR BEST SCENE SCREENPLAY: SQUISH, by Vinny Smith
June 2019 Winner
ACTORLGBT BEST SCENE SCREENPLAY: TUXEDO TERRACE, by Carmine Bicchetti
June 2019 Winner
ACTORLGBT BEST SCENE SCREENPLAY: NEW TO THIS, by William Opperman
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: BLIND VAMPIRE, by Eric White
June 2019 Winner
ACTOR BEST SCENE SCREENPLAY: TROUBLE WITH FRIENDS, by Karen Matthew
June 2019 Winner

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Denissa Palmer, Temitope Akinterinwa, Efren Zapata, Zack Arch

Advertisements

WATCH Mid-Year TV SPEC SCREENPLAY Winners (January-June 2017)

Watch the Winning Television SPEC Screenplay winners for the first half of 2017:

ACTORFAN FICTION TV SPEC Screenplay – DOCTOR WHO
June 2017 Reading
by Paul Hewitt

ACTORTV SPEC of SUPERNATURAL
May 2017 Reading
by Bonnie Bonaduce

ACTORTV SPEC Screenplay – BOB’S BURGERS
April 2017 Reading
Written by Matthew J. Gonzalez

ACTORFAN FICTION Screenplay – EVERYBODY LOVES RAYMOND
March 2017 Reading
Written by Marc Mulcahy

ACTORTV SPEC Screenplay – THE FLASH TV series
February 2017 Reading
Written by Nader Hobballah

ACTORTV SPEC Screenplay – MODERN FAMILY “Relax, I Got This”
January 2017 Reading
Written by Edward Pronley

Festival Deadlines

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

Marc Mulcahy – March 2017 FAN FICTION Screenplay Winner

Winning Screenplay – EVERYBODY LOVES RAYMOND
Written by Marc MulcahyCAST LIST:

NARRATOR – Sean Ballantyne
MARIE – Frances Townend
RAY – Peter Mark Raphael
DEBRA – Kayla Farris
JEFFREY – Jonah Akler-Silliman
ROBERT – Christopher Huron
AMY – Vanessa Quagliara
FRANK – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

It’s Marie vs Debra in a cat & mouse game for control of who’s cleaning the house.

Get to know the writer:

What is your screenplay based on the TV SERIES “Everybody Loves Raymond” about?

It’s about seeing what we all figured would happen eventually; that Marie’s constant meddling and being a nuisance in general, would lead to Debra’s insanity.

How does this episode fit into the context of the series?

I actually thought this plot line was a no-brainer for Debra. I would have done this myself given the same situation.

How would you describe this script in two words?

Sweet revenge

What TV show do you keep watching over and over again?

Seinfeld

How long have you been working on this screenplay?

Initially, it took a few days but I’ve tweaked it several times over the past several years.

How many stories have you written?

Three sit coms and one film.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a tough one. Sometimes I’ll be in a certain mood and one song fits it perfectly so I just keep playing it for hours. Once, during a late, dark night on a long and empty stretch of I99 in California, I listened to Chris Isack’s, Wicked Game for 6 hours.

What obstacles did you face to finish this screenplay?

Still not happy with a couple lines.

Apart from writing, what else are you passionate about?

Animals, justice, cooking and dining out, creating fun and innovative entertainment, growth, experiencing unforgettable moments (CORRR-ny)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to get some feedback on it and I thought people would enjoy it. Great feedback, thanks.

Any advice or tips you’d like to pass on to other writers?

In the words of Rodney Dangerfield as Thorton Melon, “Don’t go. It’s rough out there. Move back in with your parents. Let them worry about it.”

But if you insist, get your work out there, everywhere. Listen to criticism and learn what you can from it but don’t let it get to you. Remember, your writing is YOUR view on the subject so don’t compromise that. Go back to your earliest stuff and make it better. If you can’t do that, you either have the rare early masterpiece, or maybe you should consider another dream job. I’m sure every writer has heard to write what you know and what you care about. When you do, your writing becomes interesting, and for me, this is the the most important thing about a script. You can follow all the formulas you want but if it isn’t interesting then what’s the point. Conversely, if you have a very interesting story, you can break many, if not most formula rules–as long as you keep it interesting. Oh, and a very good agent wouldn’t hurt, either. The reality is you can be the best unknown writer since Shakespeare, but to be successful at this gig you will also need some luck and there’s a decent chance that some of your success will come from the old “who you know” variety. The fact that every year sharp, really well written shows get dropped while 2 Broke Girls remains on the air (I’m still convinced there’s serious network blackmail going on there) proves this point.

Lastly, A famous script doctor–who’s services I wasted $6,000 on–said that most writers better be prepared to stick it out for 10 years before they can make a living from writing. This Debby Downer also told the auditorium of almost 900 wanna-be writers that only a handful present would probably be successful and that many would lose friends and family because of their failures. In retrospect, I guess I should have waited until AFTER the 3 day seminar to quit my day job. The good news is that with webtv and all the new platforms, there are more opportunities than ever for writers. Just keep looking for these different avenues to showcase your work.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

 

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne

TV SPEC Reading of MODERN FAMILY “Relax, I Got This” by Edward Pronley

Watch the January 2017 Winning TV SPEC Screenplay Reading.

Best Scene from the screenplay MODERN FAMILY Screenplay
Written by Edward Pronley

CAST LIST:

NARRATOR – Sean Ballantyne
CLAIRE – Val Cole
MITCHELL/LUKE – Nick Wicht
GLORIA/ALEX – Shannon McNally
HALEY/LILY – Catherine D’Angelo
PHIL – David Straus
CAMERON/JAY – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

After refusing to fulfill Claire’s request to hire tree trimmers, Phil, with Luke’s help, takes matters into his own hands; Claire and Mitchell attempt to have a relaxing getaway; Gloria has problems trusting the Dunphys.


How does this screenplay fit into the context of this show?

When the idea for this story came to me, I knew it would be able to fit in nicely with the rest of the series. The conflict that arises from the three separate storylines converge in a way that I have definitely witnessed on the show before.

How would you describe this script in two words?

Trust family.

What TV show do you keep watching over and over again?

I have a problem with continuously re-watching, not only Modern Family, but also How I Met Your Mother. These two shows have great strengths in both writing comedy, and in writing characters we care about. I love seeing that in a comedy and hope to create something similar in my own writing.

How long have you been working on this screenplay?

I started this screenplay in the Summer of 2016 while pursuing a Screenwriting Certificate from NYU. It took me about the entire summer, with the help of my professor and my fellow classmates, to establish a good first draft. From there it went through many revisions until it was in it’s strongest form by around the end of December.

How many stories have you written?

Although this is my first spec script that I have written, I’ve written and produced a number short films (one that has gone on to be nominated for Best Screenplay at some festivals), I’ve written a feature, and most recently I finished a Two-Act comedy play that will be produced and performed around the end of April.

What motivated you to write this screenplay?

Last Summer, before I even thought about writing this spec, I had been helping my father cut down trees around the yard. My mother begged him to hire professionals instead of doing it himself, but he thought it would save time and money. Well, a few days later as I was helping him cut down a rather large tree in our front yard, we miscalculated where it would fall and it ended up crashing into the top of our house. The A story of my script follows, almost exactly, this chain of events. After this occurred during the Summer, I had so many people telling that it would fit very well into an episode of Modern Family, so I decided to bring it to life.

What obstacles did you face to finish this screenplay?

There were numerous obstacles that I faced when finishing this screenplay. It went through so many changes during my revision process and before even sending it to festivals, there was a point where I basically scrapped half of it and started over. The reason for this was due to the three complex storylines that intertwine throughout the script. I knew where I wanted them to go and how I wanted it all to end, however, it was getting them all to that point that had me scratching my head and scrapping rewrite after rewrite. In the end though, I feel that it came together very nicely.

Apart from writing, what else are you passionate about?

I really enjoy doing anything that has to do with music. I play a number of instruments, including guitar and a little bit of piano, but I have recently got into the habit of trying to learn even more instruments. Most recently, I have picked up the drums and the trumpet.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Initially the biggest thing that made me want to enter this festival was the recorded performance of our written scripts if we were to win. After receiving my notes from the festival though, I would say that I now have two big reasons to submit to this festival again in the future. The notes I received were very well thought out and helped me immensely during my most recent revision of the script. The festival put a lot of effort into making the notes as thorough and helpful as possible.

Any advice or tips you’d like to pass on to other writers?

The best advice I could give other writers would be to power through. There are times where you might think that you need to take a break from your writing and step back, maybe giving yourself an hour or a week to think about the story and your characters before you continue. I know in my experience though, that an hour turns into five and a week can turn into a month. If you sit down and write out your story, no matter how terrible it might seem to you, just know that the revision will always be better. Revisions can’t happen though, unless you actually write the script.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

WILDsound Announces its DECEMBER 2016 WINNING SCREENPLAYS

The last month of 2016 was a landmark month for the festival. Not only did they showcase 4 film festival dates in Los Angeles and Toronto, they also performed the most screenplay winning readings ever in one month. While most festivals and the industry itself shuts down in December, WILDsound had its most productive month in its history.

Watch the winning screenplay readings now performed by some of the top actors in Toronto and Los Angeles working today:

http://www.wildsoundfestival.com/december_2016_winning_screenplays.html

1 Feature Screenplay Winner
– TRIAL & ERIN by Larry Shulruff

2 TV Screenplay Winners
– MIDLIFE CRISIS by Erica Barfield Peterson
– RICK AND MORTY TV Spec by Matthew Feldman

1 Fan Fiction Screenplay Winner
– HOW I MET YOUR MOTHER by Eugene Ramos

5 1st Scene Screenplay Winners
– DOORLOCKER by Tony DiSibio & BL Cooper
– UPSPOKEN by Amber Epling
– YOU’VE CHANGED by Sam Sexton
– SHE DRIVES ME CRAZY by Elisha Barnes
– MALICIOUS INTENT by Mike Briock

1 Short Screenplay Winner
– BLOOD DRIVE by Myka J. Friscia

There was also 20 Best Scene Screenplay Readings performed.

Plus, 29 Winning 1pg. Short Screenplay Readings performed.

Overall, an incredible 59 screenplays performed at the festival in just December 2016 alone.

 

Watch the 2016 TV SPEC Winners from the WILDsound Screenplay Festival (13)

13 TV Spec Screenplays were performed at the festival in 2016. These are always the most enjoyable scripts to perform for the actors because they get to dive into the roles of their favorite television characters.

This portion of the festival has been going on since 2009 and since then the television industry has changed dramatically. Specs from web platforms like Netflix and Amazon TV is now what agents and producers are looking to read to showcase a writer’s talent.

Enjoy watching the readings!

ACTORTV SPEC of the show RICK & MORTY
December 2016 Reading
Written by Matthew Feldman
ACTORTV SPEC Screenplay – UNBREAKABLE KIMMY SCHMIDT
November 2016 Reading
Written by Sarah Cassell
ACTORTV SPEC Screenplay: UNBREAKABLE KIMMY SCHMIDT Kimmy is a VIP
October 2016 Reading
Written by Mike Miller
ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve
ACTORTV SPEC Screenplay – RICK & MORTY “The Rickgotiator”
August 2016 Reading
Written by David Cryan
ACTORFAN FICTION Screenplay – STAR TREK: DEEP SPACE NINE
July 2016 Reading
Written by Jennifer Renner
ACTORTV SPEC Screenplay – BROOKLYN NINE-NINE
June 2016 Reading
Written by Linsen Oyosa
ACTORTV SPEC Screenplay – THE MINDY PROJECT “Culture Club”
May 2016 Reading
Written by Katie Bero
ACTORFan Fiction Screenplay – TWILIGHT ZONE “Punchline”
April 2016 Reading
Written by Jaime Medina
ACTORFan Fiction Screenplay – MAGNUM P.I.
March 2016 Reading
Written by Lew Ritter
ACTORFan Fiction – DOCTOR WHO “The Time Cuckoo”
February 2016 Reading
Written by David Gilbank & Paul Renhard
ACTORTV SPEC Screenplay – THE BIG BANG THEORY
February 2016 Reading
Written by David Minaskanian
ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Deadline June 30th: TV PILOT/SPEC Script Festival

Deadline June 30th: TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
TV Screenplay Testimonials from the WILDsound Festival

Watch June 2016 TV PILOT Winners:

Watch June 2016 TV SPEC Winner: